Cinema Papers no. 39 August 1982 (2025)

OCR
	[...]dge —— he’s made no complaints. I’ve got a very good relationship with Kodak. Representatives come and see me at least twice a year and we discuss what my future requirements m[...]s first class service. If they’re bringing out a new type of stock Kodak always contact me. Then u[...]yd or David Gribble, have tested the stock, I get a report from them on how best it could be used. I[...]can say is, its very smooth there’s just never a problem.” Pat Lovell, Producer Picnic[...]
	[...]f Jimmy Blacksmith The Chant of Jimmy Blacksmith A0 0¢1hy's Child The Picture Show Man The Picture[...]ty Blues Puberty Blues Puberty Blues 0% 4‘ 6 A Town Like Alice My Brilliant Career My Brilliant[...]thing - 1/ iza Fraser Slice Of Life A Slice Of Life The (‘ Heatwave Heatwave Heq y Grip Monkey Grip Monkey Grip A Town Like Alice A Town Like A O) l 3’ o— '= "57 > " 4"“: 0 ~ s K , I[...]roup to the Australian Film industry. it has been a decade of growth in imagination, professionalism,[...]l commercial stature for Australian film product. A decade in which Adair is proud to have participat[...]and New Zealand for Ruben and the Fireman's Fund A the largest entertainment underwriters in the wor[...]Pty Ltd Phone (O3) 61 2485 Phone (07) 229 2494 44A Kings Park Rd GPO Box 676 Auckland NZ 0 GPO Box 388A Sydney 200l West Perth 6005 Phone 773 766[...]
	[...]tion is reflected ionisation in their motion eu a‘); by improved human picture negative matching 0 perception in alertness, a negative one? Now, to celebrate their tenth Nega[...]sional standard of matching. It not only produces a clean, dust- new premises in the Sydney suburb f[...]square feet of negative matching area. The Ionic A fr Cleaner Filler .3)-stem. Their Data Genera[...]onditions, too! and that consolidates the world- A series of mobile ionic air cleaners support the m[...]yourself! ISGMILITARYROAD, NEUTRAL BAX NSW 2089 a Marilyn and Ron Delaney service sydney - aucleland Computamatcb is a registered name of Negative Cutting Servic[...]
	[...]til quite recently, the Colorﬁlm executives had a suite of very comfortable offices. We ﬁnally j[...]. The very least we should do is provide you with a world class theatre to view rushes and finished p[...]han we can, and will be only too happy to run you a reel so you can see and hear the results o[...]
	[...]UL>V 1 ¢‘ ,; _ 30 y ‘ " .3: ' l . " o? ' A T" . " 4 . 1°- 9*.“ a , 1 .. 1.; -. \ «, R H Tolley & Gardner[...]
	[...]ien: Interview Solrun Hoaas Two Laws John Avery A Shifting Dreaming Marcus Breen David Mill[...]
	[...]nvelope as the voter's signed declara- tion. Such a procedure may be an over- sight, but nonetheless[...]fact, another film which received only one vote, a first preference, would be selected before it —[...]sidered before next year's Awards. Greater Union A wards The winners of the 1982 Greater Union Awar[...]ddress, Mathews said: .. I have been conducting a thorough review of the film situation in Victoria[...]industry in Victoria. We felt, however, that such a broad ration- alization of resources could get in[...]film industry. 80 our current study has included a review of the amalgamation of the audio-visual r[...]ria and of enhancing the role of Film Victoria as a producer of quality films. “i am hopeful that[...]re all produced elsewhere. “i say this, not in a spirit of provin- cial patriotism, but simply because a large industrial centre, like Mel- bourne, with a strong cultural tradi- tion, has much to give in[...]g in Australia. We have had remarkable success in a decade, but we would be foolish to believe that w[...]rged by some private oper- ators (30 per cent of a budget and more). So far, the concept is only in[...]er, on its past record, the VFC is suited to such a task — especially one on a far larger scale than its present operations. Eq[...]g in one body is of benefit to the industry. Even a cursory glance of film activity in the past years suggests it is not. Melbourne Film Festival A wards Geoff Gardner, director of the Mel- bourne[...]Diplomas of Merit The Decision (Vera Neubauer), A Most Attractive Man (Rivka Hart- man), The Babysitter (Casper Ver- brugge), Murder In a Mist (Lisa Gott- lieb), Level (Christine F. Koeni[...]ibitors, applied for censorship certification for a commer- cial release of Pixote. Despite so[...]
	[...]d the General Category Award at the Greater Union A wards. chairman, Sir Richard Kingsland, pre- pared a statement on Pixote's worth as a film and the reasons why it should be released (s[...]can't help feeling the Censorship Board has taken a stub- born, bureaucratic attitude to an issue tha[...]to decide whether that is the case and it is not a function which resides with you.” Cain also wr[...], suggests that the Censorship Board is acting in a somewhat cavalier and isolationist fashion. It is[...]use registration if, in the opinion of the Board, a film contravenes the Regulations. In this instan[...]ration. On appeal, the Films Board of Review took a different view and directed that the film should[...]n to question. The matter is to be dis- cussed at a forthcoming meeting of Commonwealth and State Min[...]Board of Review viewed Pixote yesterday. This was a slightly different version to the print viewed in[...]an earlier appeal to the Board of Review. It has a new intro- duction and deletes or reduces some un[...]out that the roles are acted by children who have a common back- ground to that of those portrayed in the film. This sharpens the impact of Pixote as a film dealing responsibly with the plight of underprivileged young people in a corrupt society. The Film Censorship Board rejec[...]able accuses me of having dismissed the film with a “terse statement”. He is wrong on two points: (a) I did not dismiss the film any more than he did.[...]" The actual statement, the opening paragraph of a 17-paragraph review, was: “The horses are good[...]vertising no longer misquotes critics. It will be a pity if critics themselves give the practice new[...]Sir, Before I leave this country for what may be a very long time, I wish to put on record through your columns a few brief words of tribute to Tim Burstall and hi[...]able). The multiple tensions, never slackened for a second by quite brilliant direction, represent a triumphant return to form for Burstall. I will l[...]IIIIII Dear Sir, As the exclusive distributor of A Most Attractive Man, we were de- lighted t[...]
	[...]s that intentional? It was circumstances really; a combination of two things. I haven’t done one or two ﬁlms that were offered, and, equally, a couple I would have liked to have done weren’t.[...]“Agatha” in Britain. Then there was virtually a two-year break before “A Town Like Alice”. Did you mainly work on stage?[...]n- ning show at the Ensemble, which was Rain, and a couple of short plays at the Nimrod. The whole ev[...], including the new Australian play of that name, a Samuel Beckett piece called Not I and a little sketch by Alex Buzo, called Vicky Madison[...]offered many film roles at that time? There were a couple of things, but I didn’t want to do them[...]Agatha”? Very interesting. Essentially, it was a political exercise, mainly because of Vanessa Red[...]some extraordinary things. For example, she wrote a six—page expose of Agatha Christie, denoun- cing her as a bourgeois romantic, and gave it to the director.[...]on the film to the Workers Revolutionary Party. A lot of script rewriting went on with that film. I[...]e script lllliﬂllllll MAS Helen Morse, one of A ustralia’s most highly- regarded actresses, became known with her performance as a country schoolteacher in the ABC’s “ll/Iario[...]75) and “Caddie” (1976). This was followed by aA Town Like Alice”, “Silent Reach” and John D[...]nating watching Vanessa and Dustin work. I learnt a lot and was able to observe first- hand how a British production got underway. It was British i[...]was First Artists, which was Dustin’s. It had a very large crew, but they werejust like any Austr[...]m. One of the few differences was that there were a lot of American executives around, and fairly eccentric charac- ters like a producer called Jarvis Astaire. He started as an[...]he cast. On Australian films, I’ve always found a terrific kind of mucking in. Did you have other opportunities to work overseas? Aa play in London, but that fell through because nei[...]ganize dates. I was then fully committed to doing a television series in Australia. How do you feel[...]m very lucky, in that I have had the chance to do a couple of really terrific things, such as A Town Like Alice and Silent Reach, with Tom[...]
	[...]west Queens- land last year, for about three-and- a-half months. It is about the con- flict between a mining company and aa role? A challenge. I guess that’s a fairly general word to use, but I am not sure I c[...]he selection process. Obviously, you have to make a con- nection with a project on some kind of deep level. Then you can look at it and analyze it. But in a way I think it’s good to go with the initial re[...]dis- covered the script had in part been based on a particular woman’s experience — that of the Rosita character, played by Raina McKeon. But it was a tremendous reinforcement of a decision I had already made to do the part. Your character has a French accent and expressive facial gestures. How[...]- scious, though I could have picked them up from a friend of mine, Francoise Villachom, who helped me with the accent. I was a bit doubtful at first, but John thought it would[...]It all seemed to come together. We rehearsed for a couple ofweeks and that helped a lot. How do you see Jo’s character? There seem[...]ve probably summed it up totally. Mason: We have a whole series of ways ofexpressing that. One is in[...]se two sides of our- personality. There is also a fair amount of dis- satisfaction in J 0 because s[...]ome of her erratic qual- ities. Partly because of a certain instability in her background, and partly because of a certain lack of values, Jo has difficulty in maki[...]s some kind of moral resolu- tion. After Jo wins a lot of money at a poker game, her husband goes off to do something politically ‘valuable’. Jo’s reaction is to buy a batch of paintings from a man in the street. What’s the motivation of her[...]the Koala Klub. Peter has just come from watching a group of houses being torn down to make way for aa need to be committed. _ Now, Jo does care for Pe[...]iate it to an extent, but she is not able to make a strong commitment. At times she wants to be part of his reality, to be able to find a way to sort of understand it and con- tribute to[...]his need to do good. At that moment, she is being a do-gooder. But her actions come from an emotional[...]world, but her act of giving this man money means a lot more to one person . . . Morse: Yes,[...]
	[...]with the relationship with Morgan, which happened a long time ago, in the very unstable environment of the last years of the Vietnam war. Jo is drawn back into a scene she knew, and yet which she tried to and di[...]asablanca there are three people, one ofwhom runs a club, called Rick’s Bar, and another who is an[...]: John and I paid tribute to Casablanca, which is a favorite film of ours. But Far East is 40 years l[...]iage of the other two at the end . . . Mason: In a sense, it is Jo who saves it in Far East. It is h[...]within our personal experience. Jo’s dress is a very important facet of her character. Did you ha[...]alked to Jan Hurley, the costume designer who had a lot to say about the clothes, and to Ross Major, the art director, as well as to John. Wejust pooled a lot of different ideas. What about that black an[...]you wear at that party? Morse: Yes, that caused a bit of a stir. John and Brian Probyn [director of photogra[...]heir fears were allayed, because I think it makes a statement about Jo, though not overtly. By this[...]in the same street. In that environment, Peter is a respectedjournalist and his wife is well-known fo[...]yan Brown again after your success together in “A Town Like Alice”? Morse: That’s an interesti[...]antages in the fact that Alice was successful and a lot of the pub- licity for Alice was based on it being a love story — two people who eventually f[...]
	[...]gether again”. People say to me, “God you are a clever producer bringing Helen and Bryan together.” I never thought of it like itlhactlt — I’d be a clever producer ifl a . How did you find working with John Duigan? Morse: As a director, John is so interested in, and caring of[...]d some of the pres- sures, particularly if we had a diffi- cult scene coming up. He would make sure w[...]rehear- sals. Having written the script, John had a fairly firm grasp of what it was about. Mason: I thought the script shifted a bit as you worked on it. Morse: Very few lines w[...]’s intention. Sometimes an actor comes up with a line in a truly organic way from an understanding of the character, and the writer says keep it. That happened a couple of times on Far East. But generally I thin[...]the script. Are there advantages in working with a writer-director? Morse: case. Yes, certainly in this What happens when a script is to be directed by somebody else? Do you[...]arly if I haven’t understood something. That is a fantastic advantage. One can bring a lot of one’s own subjectivity when reading a script and, while that can be very positive, it s[...]is inaccurate, then it is of great value to have a writer-director, parti- cularly on a film like Far East which works on several levels.[...]watching the machinists making ﬂowers. There is a constant danger of them squash- ing their fingers[...]rial accident. Then later in the film, Jo goes to a restaurant where there is a dance with bamboo stalks, and there is the same d[...]somebody else and they are not being locked up in a factory to get a certain number of products made. It is a great freedom; it is also a joyous moment. Those two very graceful people are[...]seven shooting days. But we don’t want to make a drama of that, because we think it is a virtue making films very economically. Unfortunately, a lot of people think it’s a negative thing to make films economically. But i[...]ng. “Far East” was apparently com- pleted in a rush to comply with the tax concessions requireme[...]er. So, we were right in front. Of course, it was a bigger film. The worst aspects of the June compl[...]d Sound and the laboratories are working 24 hours a day. They have to bring in different crews, equip[...]oking United Sound for June next year — and pay a deposit. Isn’t that incredible? That’s[...]
	[...]idn’t feel com- mitted to in some way. You need a certain spark, you need to be inspired. And if you can’t find a reason that is of real value to you, then don’t do it; you won’t do a good job if you do. And that is certainly of no v[...]ublic. Mason: I look at it this way. I have only a few more films to make, and there is a limited number of films and a limited amount of energy. So, I am not going to w[...]she has just accepted: namely, that money isn’t a motivation. Helen could get an enormous amount of[...]feel embarrassed ifl did. Money certainly isn’t a priority. It is nice to have it; I would be stupid to pretend other- wise. But it is not a reason for doing something, as far as I am con- c[...]I worked as an usherette at the State Theatre for a while — until I was fired. It was funny being t[...]didn’t hold my torch properly. After I’d seen a film a hundred times, I used to read novels and forget to show people to their seats. I did a few wrong things. I have also done waitressing and jobs like that — including a stint as an apprentice boutique salesgirl. What[...]the future? Morse: At the moment I am rehearsing a play called Duet for One, by Tom Kempinski. It is a terrific two-character piece, with Don Reid playing the other role. It is about a violinist and a psych- iatrist. I go to six psychiatric sessions[...]ally lost. He helps her begin to realize there is a possibility of finding an alternative. I might b[...]’t been written yet. So, I don’t know. It’s a question mark. * Ponch Hawks Helen Morse[...]
	[...]y enough, The Dangers of the Fisher- man’s Life/A Drama at Sea (Fiskerlivets farer/Et drama paa havet) in 1908. A father and son are out ﬁshing in a stormy sea. The son falls into the sea. By the ti[...]board, the son is dead. Man against the elements a pretty bleak tale. Among the ﬁlms of the ﬁl[...]as Black Sea, directed by David Wingate, based on a novel by Magnar Mikkelsen. A science ﬁction tale, set in a barren North Norway of the future, it again pits a ﬁsherman and his family against a harsh environment, this time a sea emptied of its ﬁsh through the ruth- less efﬁciency of large factory ships. Again, a pretty bleak tale. In the years between the two,[...]light of an outcast, an unusual individual facing a hostile and prejudiced social environment. Despite a substantial ﬁlm produc- tion for such a small country, Norway has produced few directors[...]ocial realism of ﬁlm production in the 1970s is a fair mirror of a certain heaviness that hangs over a hard-edged culture fostered on determination, sense of duty and a guilty conscience. That same stilling gloom nurtured a Henrik Ibsen, a Knut Opposite: Nina Knapskog (top), and Renie T[...]Hamsun and an Edvard Munch. Not surpris- ingly in a society that does not easily tolerate tall poppie[...]e of the early period is Walter Fyrst who reveals a strong visual sense and respect for the black-white image, and who created a sense of fairytale mystery in Troll-elgen (The Tr[...]to control Norwegian ﬁlm production, initiated a form of subsidy that gave a boost to the ﬁlms in the immediate post-war per[...]of social problems (About Tilla). The 1960s saw a reorganization of Norsk Film A/S, which had been a focus for the ﬁlm activity already in the 1930s, and the setting up ofTeam-ﬁlm A/S, which has had a solid record of continuous production since. The[...]ringen), was shown in the Melbourne Film Festival a few years ago. Last year, Lokkeberg’s Loperjen[...]estival, Norway’s annual ﬁlm festival. It was a year of enough promise to make ﬁlm critic Per H[...]as an exceptionally dismal ﬁlm harvest in 1980. A series of failures that happened to be released a[...]r than Denmark and Sweden. Although the basis for a vital Norwegian film culture is still in the making, there are signs of optimism and a con- siderable effort to foster a more stimulating, professional and less parochial[...]ed out the lack of support for the short ﬁlm as a training ground for feature ﬁlmmakers, the lack of good scriptwriters, a virtual non-exis- tence of script consulta[...]
	Norwegian Cinema her a tall poppy in the small Norwegian film milieu. In[...]mitting the unpardonable sin perhaps of comparing a country that has suffered as much from culture cr[...]re film last year, Forfolgelsen (The Witch Hunt), a film in the first person, based on an original manu- script. The story is told from the point of view of a woman, an outsider who is the victim of a witch hunt in medieval Norway. Where Breien is a perfectionist, very con- cerned with the craft of filmmaking, Vibeke Lokkeberg reveals a more unpredictably emotional and intuitive touch as a director. There is a highly sensual quality in both women’s ﬁlms o[...]ows of the snow-clad landscape in Western Norway, a painterly sen- suality. Breien herself comes across as a woman of a great degree of professionalism and poise, someon[...]film captures Bergen of the post-war years and is a sensitive view of a child’s experience: parents who fight and break[...], aggression and so on. From the opening image of a girl feeling the silk on a woman’s dress or seated beneath a table, peering fascinated between the legs of a woman visitor, there is a fine tension in the film that is maintained throughout. Where Breien is a technical perfectionist, Lokkeberg is technically[...]oor sound and sometimes soft focus, the latter in a curious way used to advantage. Because of the obv[...]It was produced by Terje Kristiansen for As Film A/S. he third woman director to have a film in last year’s batch was Laila Mikkelsen,[...]vest), was shown at the Me]- bourne Film Festival a few years ago. Again the subject is a child’s experience — this time of the war. Liten Ida sees the effect of war on a little girl whose mother works for the Germans and is a mistress to a German officer. The child suffers social ostracis[...]18 — August CINEMA PAPERS ‘,,-—»_.. .33: a--. 1.;-' — without fully understanding why, and[...]subject and, although competent and handled with a sense ofauthenticity, the film suffers from aa film about adults as seen by chil ren, received critical acclaim and a good audience response, judging by the comments o[...]lom’s Solvmunn (Silver Mouth) was realized from a script by Martin Asphaug that won a competition in 1980 for best children’s film sc[...]children’s film produc- tion. Again it tells of a child’s experience of a split between parents and a change in partners. This sudden flowering of films for or about children may be the first fruits of a public debate on children’s film with demands f[...]ctors. As far as film funding goes, Norway is in a fairly favorable position at present, compared to[...], or even Sweden, where competition is stiffer in a larger film milieu. The Ministry of Church and Ed[...]roduction costs. These loans are then sought from a Norwegian bank. The guarantees are allocated, on application, as advised by a seven-member committee appointed by the Ministry.[...]35mm film, of at least 2000m in length, receives a subsidy of 55 Forfolgelsen (The Witch Hunt), Anj[...]Bernt Lindekleiv in Laila Mikkelsen 's Liten Ida: a child '5 experience of war. per cent (or 45 per[...]es first. The film production company Norsk Film A/ S, which is two-thirds owned by the Ministry and[...]ript development for feature film (anything from a mere ‘encouragement’ of around $1000 up to[...]he Study Section (Studieavdelingen) of Norsk Film A/S, operating independently and now also physicall[...]rsk Film to the centrally-located Oslo Filmhouse, a building only opened last year. It now houses, am[...]easily Per Blom’s Solvmunn (Silver Mouth): a child’s involvement in a parental split.
	[...]ast year, will provide new venues that may foster a more vital film culture. The Study Section of Norsk Film A/S, set up in 1973, provides funding for research and script development, and acts as a supervisory umbrella organization for the product[...]avel. The annual budget is around NKr. 2,000,000 (a little more than $300,000). Usually, grants are given out twice a year in doses of about $1500 for a period of three months, not precluding that the r[...]tion, Andrew Szepesy, its function is to serve as a research and development centre, as well as a production unit. He feels it has to function inde[...]wants to use it “to demonstrate that Norsk Film A/S is a very bad producer”. In answer to the much debated question of whether Norway needs a film school, he replies, “Of course! Not necessarily a film school, but rather a screen studies centre.” The leader of the Study Section is clearly a controversial figure in Norwegian film, not only by virtue of being a foreigner in an influential position. On the one hand, he brings a much needed sharpness of critical judgment and th[...]ing on promises that may or may not be fulfilled. A new generation of neurotic ﬁlmmakers may be in the making in Os 0. . So far there seems to be a doubling up in the functions of training between[...]brary activities also has courses and seminars of a more practical nature throughout the year, drawin[...]ges. The Study Section was intended primarily as a training ground for potential feature film direct[...]erne (The Sm'pers).' the conflicting loyalties of a soldier. An area that seems to be sadly neglecte[...]is the experi- mental film that explores film as a visual art form and is concerned with the image as such. Consciousness of such film seems to me at a very low level. Perhaps it is a reflection of a culture where everything has to be spelled out, a[...]dcasts can also be seen in some parts of Norway. A bright spot in the development of a vital film culture and a venue for short film is provided by the annual Sh[...]estival staff, and there was talk of moving it to a larger city. Aside from a visiting Polish con- tingent and films from Oberh[...]elopments. With around 10 feature films produced a year in aa team that managed to get Solve Skagen and Malte[...]to blow them up to 35mm for theatrical release as a two-hour program. The first film concerns a protracted strike in support of an unfairly sacke[...]s government-funded production unit, Filmgruppe 1 A/S, to work on a major documentary on the post-war period, entitle[...]ve spent much time researching archival footage. A phenomenon in a class of its own is the spate of films produced b[...]label Mefistofilm. When they first hit the screen a few years ago, young audiences responded extremel[...]rker than the Night); points are driven home with a sledge- hammer. But their films marked a welcome departure from the literariness that marred much film in the 1970s, and had a strong visual and theatrical sense at their best. There is a punk quality in their demonic humor which clearly[...], Across the Fjord (Kjarleikens ferjereiser), was a fine debut in 1980, is now working on a second feature, The Snipers (Krypskytterne), shot[...]to deal with issues of conflicting loyalties for a soldier. From a culture with a strong tradition of individualism and an adventur[...]great vision. There is another side to the coin: a certain preachiness that has been dogging much of Norwegian film in the 1970s — that, and perhaps also a complacent streak, where things are expected to sort themselves out. If backed up by a vigorous and critical film milieu, now in the making, and a stronger theoretical framework for thinking about[...]N Solve Skagen and Malte Wadmanis Bravo! Bravol, a black comedy about oil. CINEMA PAPERS Aug[...]
	[...]y choice? Well, it often ends up that way — as a choice. But my feeling was that there had to be a[...]rl that makes her afraid of throwing herself into a passiqnate love relationship. And it is some- thi[...]an’t just explain in terms of wanting to become a writer or whatever. That same fear is in a lot of people. I do believe, though, that many love relationships can ruin women’s careers. Ours is a society that creates such a situation, and it becomes a personal conflict. But that conflict is still an artificial one. In what sense? It is as if a woman is supposed to go into a kind of puritanism in order to contribute anythin[...]question of career versus love. I imagine you are a bit sick of that type of question . . .[...]tween men and women. I got the impression you had a very definite attitude to work relationships . . . Yes. I was very moralistic, which is something I have a tendency to become. It was also because I found t[...]ctor quite an enormous one, like going from being a sex object to a boss, in a way, which is com- pletely absurd. On that score, we have a long way to go. I often say that I don’t have great problems being a woman director, and I don’t think I do. I have[...]can handle the job, at least to some extent. But a female director is automatically thought of as b[...]r director . . . Yes, Per Blom. Did you feel it a risk stepping into someone else’s project? No, I found it a very good experience. Would you have made the fi[...]ve. At the same time, I feel Hjalmar Soderberg is a great author, and I enjoyed working with his mate[...]ho are unable to throw themselves completely into a love relationship, who are constantly taking two[...]- ience is that that dread of total commitment is a relevant issue. But it was expected that I would make a film with a woman as the main character because women’s issues have become very in lately. It is a portrait of a man in that ﬁlm, and that is something one should be allowed to make as a female director. Do certain expectations hang over you as a legacy from “Wives”? Yes, absolutely — a feminist director, and so on. I don’t see it as a burden, but I do register that it takes place. W[...]. Is the project you are working on now based on a work by another author? No, I have writte[...]
	[...]one in mind for the main female role? It will be a Norwegian-Swedish co-production, so I am going to Sweden today to look at a screen test of an actress. She has to be someone[...]lm be in Norwegian? Well, really Danish; we were a part of Denmark at that time. There will be some[...]raditional beliefs and Christianity? Yes, it was a period of transition and conflict, when they tried to adopt Christian beliefs. But a lot of things that had to do with the old beliefs[...]rites, for instance, demons might have to cut up a body as a necessary transition to a new stage. The demons were not automatically evil. With Chris- tianity, it is a totally different matter. But that’s not exact[...]lled The Witch Hunt. I feel that we are living in a time of much persecution. It is a part of the climate of our times. It’s dangerous to mean anything. There has been a lot of political persecution. Here in Norway? N[...]But I am perhaps rationalizing. I get an idea for a film and think I can say something about today th[...]n with the landscape. I felt I would like to make a film there, on the West Coast, a film that is much more visual than what I have made so far. We easily end up with a lot of naturalistic ‘talk dramas’ in Norway.[...]this once and for all. I am going to try to make aa post- Breien‘s Forfalgelsen ( The Witch Hunt): “We are living in a time of much persecution. " card. It is a matter of trying to find visual solutions for eve[...]say; not let them be spoken out. I want to go in a completely new direction. In Norwegian films, we[...]“Next of Kin” as well? Yes, I consider that a natural- istic drama. So now I’ll have to do so[...]e but for which you feel an affinity? Yes, I was a scriptgirl on Hunger, which Henning Carlsen made. It was a very different type of film. When it comes to an[...]e influenced me, in the last few years I have had a regular phone Contact with Ingmar Bergman. That has been a tremendous support. Has “The Witch Hunt” bee[...]? No, I wouldn’t dare — though I think it is a fantastic film. Mine will probably be very differ[...]such as Egedius and Astrup, and perhaps Kittelsen a bit. Have you wanted to approach ﬁlm- making in a more visual way before but felt constrained? Yes[...]orted in Next of Kin. confidence to dare to make a break. If you make a film every second year, you are risking two years[...]e responsible for so much money . . . Yes. It is a very inorganic means of expression, in one way, com- pared to being a painter, for instance. You end up not taking chances because it is so expensive. In the case of a man like Fass- binder, ﬁlms literally came pour[...]uld have been able to do that in Norway. You need a lot of the right people around you. How do you f[...]s one of the easier countries in the world to get a chance to make films. I know a lot of people will disagree and say it’s just e[...]t on the whole, it is easier. There is relatively a lot of money around for the size of the film milieu. It’s still not enough, however. That is a development over the past few years, isn’t it?[...]particularly for women, it is much harder to get a chance to make films in the bigger countries, whe[...]t that the Government has recognized that film is a cultural responsibility. They have a lot less money for filmmaking in Denmark. Sweden has a lot, but there are so many filmmakers in Sweden.[...]too many people who only make one film. There is a problem with continuity. We need artistic adviser[...]case for everyone, but, once you have established a form of contact, he is a tremendous teacher. He recognizes things right away. Now, however, I have started to protect myself a bit. He wanted to read the manuscript of Next of[...]burn my house before I die!”‘ Actually, I got a very positive reception from him. Conclud[...]
	[...]meeting place of business and art, but in writing a festival report which will appear months later, i[...]wave. However, it merely proved that Newsfront is a hard act to follow. Although the all-too obvious[...]live up to the expectations raised by his first. A foreign audience found that there was far too muc[...]he climax wipes off all the strands of mystery in a flurry of gunshots and confusion. Besides, even apart from Crombie’s film, the whole story, of a battle between “the people" and the wicked barons of development, carries a sense of deja-vu. For a fresh outlook, or even just a new ambience, there was Sam Pi\|Isbury’s The Sca[...]hreshold of adolescence are placed on the edge of a murder mystery which is set up skilfully, from many small details which create tension, beginning when a weird and mysterious stranger (John Carradine) arrives in a small country town. Of course, it is possible that at a festival such as Cannes one over- estimates the h[...]e nursed Neil's talent along, and I think this is a marvellous film", Boorman remarked before the scr[...]the memory in spite of all odds. Angel is about a saxophonist in an itinerant group whose casual ro[...]te piping by the roadside, hidden from view, when a carload of masked men arrive. They kill the bandl[...]322 — August CINEMA PAPERS and taken to a hospital, where the police start to question him.[...]film it begins to appear that the saxophonist is a Catholic, and the killers were probably Ulstermen[...]r, an artist com- mitted to nothing but music, to a vengeful killer. It is not that he goes mad and t[...]ay Anderson . . . To set the tone, perhaps to set a high standard, the opening cere- mony was the out-of-competition presentation of a new, and somewhat vulgarly tinted print of D. W.[...]i's The Night of San Lorenzo: last days of war in a small corner of Tuscany. again during its tw[...]l- berg's E.T. The Extra Terrestial which, though a long way from High Art, is made with more cinemat[...]orenzo (The Night of San Lorenzo), and Ettore Sco\|a's La nuit de Varennes (The Night of Varennes) - Varennes being a small place, but the scene of an important event:[...]ant perfor- mance as the aged Casanova is lost on a generation dulled by the crass inter- pretation i[...]lgarizing conception of the man. All in all, Sco\|a's drama may look like a costume-drama without action: there are no battles, and not even a duel. Love scenes are avoided with courteous apol[...]ing judged the best film in Competition. There is a tradition, emphasized by awards in
	trump \\\ v Taking a ship across a mountain to a nearby tributary: Werner Herzog's Fitzcarraldo. recent years, of making the Palm d'Or a political statement, rather than an artistic cate[...]cording to his instructions) who has escaped from a Turkish prison into poli- tical exile; and Costa-[...]t its political and moral standpoint necessitates a simple division of the audience's sympathy. Compared to either, the Taviani brothers could create a series of almost overlapping viewpoints, explore a wide range of characters and describe not just the last days of war in a small corner of Tuscany, but also the layers of m[...]lien to the spirit of the people; politics may be a mess in Britain or in Australia, but it was Italy[...]r, about communism) all show that there is always a ruling elite, who can be and have been corrupted by power, with lackeys (or a police force, or an army) whom they can buy, corr[...]ower. Paolo and Vittorio Taviani are the sons of a rich industrialist, and World War 2 was their bap[...]hat the people, especially the poorest, possessed a strength which socialism could perhaps tap, but[...]invalided out of the jungle. Ftobards was to have a partner-companion, played by Mick Jagger, but by the time Herzog found a replacement for his hero, Jagger's other commitments intervened. It took nearly a year for Herzog to find an actor: in the end, it[...]og notwithstanding, he is hope- lessly miscast as a loony Irishman. And Claudia Cardinale, decorative as she is, has little to offer in a conventional part as a brothel-owner in love with Kinski: whatever the p[...]or Mick Jagger may have been, it would have added aa film from its central charac- ters and, as Kinski[...]mlins that beset it. As it is, it has turned into a director’s film; the com- bination of staggerin[...]g Indian tribes complete with ethno- graphic bric-a-brac, sunrises and sunsets teeters between the br[...]intentionally funny: its bad press may be due to a wilful refusal to see Kinski as a comedian. As for Wenders’ Hammett, I found its[...]e-known directors. Douce enquete sur la violence (A Gentle Inquiry Into Violence), by Gerard Guerin,[...]wake- fulness failed altogether. It may have made a better impression, had there not been an instance[...]on concerned is the passion for work, embodied by a tele-feature director (Jerzy Radzivilowicz) and a factory owner (Michel Piccoli). They reflect the[...]y irrational sequences; so that after an hour and a half of his film, and as long again as his theori[...]Invitation au voyage (Invitation to 2: Voyage) is aa record cover. (The same could be said of Alan Par[...]s, record covers are in this year.) Invitation to a Sissy Spacek and Jack Lemmon in Costa-Gav[...]
	[...]n and Michelangelo Antonioni's Identiﬁcation of a Woman: “there is nothing as deep as an empty British political organization". Voyage is a variation on the thief-and- hooker, or buddy-budd[...]g man’s companion is his sister's corpse. it is a chic film, but even in its minor key and sombre h[...]Smith- ereens, directed by Susan Seidelman, with a combination of a steady, well- meaning, innocent boy and prom- iscuous, restless, quasi-criminal girl giving a new twist on the increasingly fashionable theme o[...]erzy Skolimo wski's British ﬁlm, Moonlighting, "a nightmare allegory . . . on characters and the c[...]turnal existence like young, sinewy sewer-rats. A few years ago, films like Smith- ereens, Invitation to a Voyage and par- ticularly Aa fresh approach used to make their mark. But the f[...]censored information . . . and all other tools of a dictatorship". 324 — August CINEMA PAPERS[...]t and the Third World, seems to cut investment to a minimum and reduce the lavish grandeur. Besides,[...]irectorate had asked for Elmer Klimov’s Agonia, a grand and spectacular drama about Rasputin, in th[...]l refused in turn. On the Soviet stand. there was a timetable of films showing in the Market, listing[...]ever, it concentrates on the hostile prurience of a ma\|e-domi- nated society, and the lesbian heroine’s mad dash across the firing lines at a heavily-guarded border post reaffirms the deviati[...]sually-paced films as Girlfriends. This sense of a static, museum-piece quality dominated many of th[...]d arrogant for satirizing his contemporaries from a rigidly moral standpoint, assuming that as men wh[...]litary coup in December 1981, who came to rebuild a house for their corrupt boss. Only their foreman (Jeremy Irons, giving a performance which should have won the Best Actor[...]with meticulous realism, it gradually turns into a nightmarish allegory (got unlike Grot- owski’s[...]censored information, on forcing labor to fulfil a timed plan, and all the other tools. of a dictatorship. As Jeremy Irons lies, steals and cheats for a dubious goal, his mates turn against him while the outside world has disappeared behind a curtain of non-communication. Communication, rel[...]ldentificazione d’una donna (Identification of a Woman) cannot be ignored, especially as it won the fanciest prize, a tribute awarded to celebrate the 35 years of the[...]is actually the identification of two women: one a rich bitch who escapes from the exceedingly borin[...]hat there is nothing as deep as an empty well. ‘A’
	[...]graphy, We of the Never Never is directed by Igor A uzins, from a screenplay by Peter Schreck, for producer Greg Tepper. Shot on location in the Northern Territory on a budget of $3.2 million, We of the Never Ne[...]
	[...]t), Elsey station hands; Jeannie is pulled across a ﬂooded river en route to Elsey; Dan (Mar[...]
	[...]s deeply engraved upon white Australian culture. A deliberate forgetfulness about the history of w[...]ty of Aboriginal lives by tying their identity to a few selected criteria. Two Laws, a two-hour ﬁlm in four parts, opened a season at the Sydney Opera House on May 3. It cha[...]lllllllllllll Aboriginal people from Borroloola, a small township in the Northern Territory Gulf of[...]of their own world, even if it is intersected by a European world whose centre and rationality lies[...]iginal people (We Stop Here, Protected and Ningla-a-na). Their aim as been to give the Aboriginal peo[...]ntrol in direction and expression. Two Laws goes a deal further in this direction than their earlier[...]e highly-decentralized Borro- loola community and a smoother ﬁlm, in cinematic terms, would have di[...]which had been decided by the Aboriginal people. A wide-angle lens is used throughout the film. The[...]nt the audience from forgetting that it is seeing a selection from a reality, and not the reality itself. The audience[...]n which the ﬁlm was made. This is as important a message as the more explicitly- informative parts of the ﬁlm. The ﬁrst part of the film deals with a police patrol to the east of Borroloola in[...]
	[...]ple taking the parts as if she were teaching them a new dance or a ritual. They know the story already, but their fu[...]t humor, takes the constable’s part in flogging a tree, which represents himself: “You been eati[...]yself.” Fifty years before this police patrol, a bloody battle between the Karrawa Aboriginals and[...]g cattle. The police sergeant at Borroloola sent a con- stable and a tracker out on patrol as it had been done years a[...]tal treatment was meted out to Dolly; she died as a result ofit. She had been arrested because she was living with a white man. few of the white men —— small pas[...]ers, prospectors: all battlers — had agreed to a com- promise with the Aboriginals in the area. Their activities were on a scale compatible with the Aboriginal use of the l[...]semi-Aboriginal lifestyle. Bill Harney, who wrote a number of books about the combo life, was the mos[...]ied against him, yet he was acquitted. Combos had a role in the resistance to an attempt by the Comm[...]ch to move the Aboriginal people at Borroloola to a proposed reserve about 100 km east of the town. T[...]d to maintain an orderly community at Borroloola. A great deal of their power came from the role in d[...]ed with the mission- aries, who tried to exercise a harsh moralism in the affairs of the Aboriginals.[...]fluence ofthe combos. Borro- loola has never been a mission or government settlement capable of exclu[...]the Northern Territory’s legendary figures and a combo. A letter was sent to Darwin appealing against the r[...]to the Borro- loola Aboriginals has its roots in a pattern of foreign contact which preceded the Eur[...]l- lected over the year. In return, they received a variety of Macassan goods: rice, molasses,[...]
	i A SHIFTING DHEA MING A Dramatized Documentary Marcus Breen ocumentary filmmakers inevitably confront a wide range of dilemmas when considering any aspec[...]d reinforces this point, insofar as what began as a documentary about Aboriginals was transformed into a fully-fledged, realist drama by Aboriginals. But[...]rns too few Australians and is now the subject of a forthcoming tele- vision documentary is land righ[...]ring Aboriginal land rights claims is, therefore, a matter of major importance, not only to filmmaker[...]Australians, themselves included, and established a film company, Imago Australia, which will attempt[...]t of their efforts is the television documentary, A Shifting Dreaming, which will go to air sometime[...]ugust CINEMA PAPERS ob Plasto, who began work as a journalist with the ABC in 1968 and was for six years a producer, director and,writer of the ABC series A Big Country, became aware of the importance of Ab[...]ve penin- sula. That was in 1969, when Plasto was a young journalist based in the Northern Territory.[...]raditional land to Aboriginals and, consequently, a movement began that now takes on momentous proportions. It was a movement that surpassed any superficial expectati[...]it is now clear that land rights claims represent a major develop- ment in Australia’s recent histo[...]ional owners. But the real motivation for making a docu- mentary about Aboriginal land rights develo[...]ps each year to the Northern Territory: “I saw a remarkable shift in the relationship between bla[...]ines were finding voice, with strong demands for a return of their lands. I felt Australia was in t[...], and black and white were confused. I felt that a land rights inquiry would provide the essence of[...]ut them. Indeed, it is the realiza- tion that, as a European, a filmmaker is excluded from participating in Aboriginal culture that is a persistent limitation of any documentary effort. The only approach can be that of a sympathetic and compassionate white, who s[...]
	[...]e change”. evolution is, of course, too strong a word for the land rights claims. Rather, reform[...]the conﬂict between the Aboriginal claims for a radical reversal of the mechanisms that have robb[...]of the Northern Territory forms the foundation of A Shifting Dreaming and will have far-reaching impl[...]t’s what I think anyway. It’s going to shake a lot of people and bring to the screen what we al[...]saw.” What the ﬁlmmakers saw and ﬁlmed was unique in Australian documentary history: the proceedin[...]: Cul Cullen (centre) and Gerard Kennedy rehearse a sequence. land rights claims of the Warlpiri peo[...]of the project and of the feeling Plasto had that a change in Aboriginal-white relations was underway[...]espected Plasto’s concern and, furthermore, had a feeling for what Plasto was trying to achieve. I[...]ly should be argued that this sort of approach to a matter of implicit concern to Aboriginals ~ was s[...]project was rolling and, of course, obstacles of a logistical and personal nature developed that wer[...]g recorded. Plasto recalls his experience: “At a land rights claim your emotions change every day[...]nniston massacre which left few arguments. It was a massive emotional experience. And it all happened[...]he claims for the whites as well. Also, there was a lot of dignity in the way the claims were made wi[...]o in that way we think we will be able to present a fair story.” ilming Aboriginal people led to other conﬂicts of a different kind. Plasto notes, for example, that[...]aims in the Northern Territory, it is likely that a further groundswell of support for Aborigi[...]
	[...]The joint participant in Imago Australia and “A Shifting Dreaming” is David Millikan. Recently,[...]ore involving himself in filmmaking, Millikan was a theologian, writer and publicist for the Zadok Centre in Canberra, a facility established by Christian organizations t[...]originals and white Q . Australians. Was there a particular situation or experience that directed[...]to go to the Northern Territory —— and film a land claim, which is something that hadn’t been[...]ack to the Aboriginals, and that is going to have a long-term effect on the way our culture perceives itself in the future. There were a lot of issues that were unresolved in my mind, and the documentary seemed a superb way of looking into them in some ._ dept[...]ched this docu- mentary? We are trying to strike a balance between the role of an observer and that[...]roach of the Americans. Rather, we are aiming for a view which in itself has a certain depth and which doesn’t avoid the deepe[...]uppose one thing that may be distinctive, but not unique, about the way we have approached it is that we have a certain interest in what dilemmas the situation p[...]ould be whether or not we find ourselves adopting a partisan view in support of the Aboriginals in their fight for land rights. Every- one in the centre has a view on that. People farther south and east tend[...]e matter. But we have been in the thick of it for a number of months. Still, there are a lot of issues in relation to the Aboriginal land[...]stood the Aboriginals more than most, said, after a life- time of study, he didn’t understand a lot of things. I am very suspicious of people who[...]ng the Aboriginal position on this. We are taking a position of European outsiders who are int[...]
	[...]ts and Abori- ginals generally? It happened over a period of some time. I probably became ﬁrst awa[...]when I was living in Los Angeles. I used to spend a bit of time bushwalking in the High Sierras — i[...]who had lived here for 40,000 years and developed a culture that was ﬁnely tuned to life in this pa[...]als have to say. So, they would be recognized as a major force, if not the major force, in how this[...]e going to be the major force because we now have a population of 15 million in this country and the Aboriginals are a minority. But they have a perception which has not been understood or recognized, and which must. They have a lot to say about what the experience of beauty, the experience of meaning, the experience of selfhood as a nation is. Does that mean you see yourselves becoming part of a political move- ment representing Aboriginal politics, or is it more distant than that? No, it is at a step further back than that. Other people may assume that approach. We have assumed a different approach. We are trying to look at what[...]riginals are struggling to reassert themselves as a viable cul- tural identity in certain places. I don’t think they have ever lost their cultural identity in a lot of places, but in some places they have. The re—emergence of a vital Aboriginal So you can see it as an act of[...]they have wreaked on the Aboriginals, burdened by a sense of conscience and are now throwing back stuff to ease their conscience. In a sense, you can see it as the ﬁnal act ofcon- qu[...]Wrong Side of the Road”, who started out making a documentary but realized they were doing the wron[...]the major issues in this We were able to unearth a tran- script of the incident — in fact, that se[...]we looked into the incident we were looking into a matter of quite profound implica- tions in terms of the way we, as a people, had dealt with something quite devastatin[...]at 31 Aboriginals had been shot in the process of a police party searching for the murderers of a white dingo trapper. We have since found that the[...]e to terms with that. I knew nothing about it and a lot of other people have never heard of it. Inquiry chairman, A. H. 0’Ke/ly (Martin Vaughan), and Police Inspector Giles ( Victor Kazan). A Shiﬁing Dreaming. culture is something that is going to be very important to Australia. We are at a point in this documentary where we are seeing tha[...]act of sur- vival, that the Aboriginals have, in a sense, clawed their way back from almost total de[...]and got it back. documentary is that it includes a large section of drama. This was an evolution. We[...]lked, the more we realized they were dealing with a reality which they were still struggling w[...]
	[...]provided the 1982 Mel- bourne Film Festival with a notable media event, it revealed an interesting c[...]tion of representative democracy, Brazil is still aa consider- able achievement by any measure — pol[...]apparently rested upon the fact that in the film a 10- year-old boy watches a couple copulate. Yet one also sees him kill three people, shooting two men and knifing a woman in the stomach. He also witnesses the pack rape of a boy not much older than him- self in a Sao Paulo reformatory. Gamines like Pixote and his teenage comrades are a disturbing fact of life on the streets of virtual[...]n is largely one of benign neglect, epitomized in a curious law that precludes anyone under 18 from being prosecuted for a criminal offence. This neither keeps minors away[...]ch Babenco courageously depicts in action against a group of street urchins). A brief prologue to Pixote states that 50 per cent[...]he inmates. Thus we meet little Pixote (played by a wide-eyed prodigy named Fernando Ramos da Silva),[...]e and Babenco spares the audience nothing, before a boy is beaten to death by warders and Pixote joins a mass break- out. Under the leadership of a teenage transvestite, he and three others make ou[...]ons about the film's “detachment”. Pixote is a harrowing, remorseless and saddening social docum[...]r effect, but also, one suspects, in deference to a prevail- ing official climate that permits only a certain degree of social observation. Another fi[...]1-year-old Japanese boy befriends the children of a prosti- tute and has his view of the adult world[...]east part of the director's task easier, portrays a child in a far happier situation than Pixote. His loving parents run a working-man's. restaurant on the Osaka riverfron[...]ilt-ridden war-veteran father (Takahiro Tamura). A remarkably sure-handed first feature, Muddy River[...]t and Up the Junction), Looks and smiles presents a bleak view of the lot of school-leavers in Britai[...]ore to cope with than the unequal task of finding a satisfactoryjob. Not only is he constantly disapp[...]ost of his life about the importance of “having a trade"), Mick finds society coolly unhelpful in o[...]er and off-hand talk of fallen comrades. Through aa final freeze-frame, Mick stares accusingiy into t[...]stivalgoer had trouble covering them all, because a number of the most important were screening at th[...]ch, James B. Brown’s The Weavers: wasn’t That a Time, shared a plum slot at the main venue. (I rank it slightly ahead of the highly enjoyable A Personal History of the Australian Surf, reviewed[...]y mindful of contemporary realities. in picturing a Weavers reunion and final concert before the death of bass baritone Lee Hays, he strikes a nice balance between past and present, indulging[...]ithout losing sight of the dialectical verities. A bigger, and stronger-voiced, Ronnie
	[...]enelik Shabazz'Burning an Illusion. Gilbert adds a coda to their inevitable Spanish civil war song, “Venga Jaleo”, with a moving rendition of “Hay Una Mujer”, Holy Nea[...]res that fell into three approximate categories: (a) films about women who want to be people; (b) vig[...]Duckworth and June Rock's Une histoire de femmes (A Wives’ Tale) and Rosa von Praunheim's Rote liebe (Red Love). Maeve, a British Film Institute pro- duction set in modern[...]the Catholic women of this milieu. The return of a 20-year-old exile, feminist and free- thinker, Maeve Sweeney (Mary Jack- son), for a weeks holiday with her family in beleaguered Belf[...]with girl- friends (when she runs the gauntlet of a fire-fight between unseen antagonists). Maeve’s[...]plied reproach of this omission carries over into a sequence in which three Irish women — Maeve, her mother and her sister — flee from a dofty old man bellowing about \|reland’s lost wi[...]achieve. Thematically, The Subjective Factor has a lot in common with Maeve. A long, demanding (but engrossing) auto- biographical account of a West German sociaIist’s painful journey into ra[...]o, points out how women are repressed even within a movement devoted to “liberation”. Most of th[...]urchill were permitted to shoot long sequences at a U8. army camp which show girl recruits being hara[...]ed by incredibly overbearing drill sergeants (one a woman). Their 80-minute film follows the mis- fortunes of three young volunteers among a squad of 50 during basic training at Fort Gordon,[...]ies inflicted upon the girl soldiers. Perhaps, in a period of rising unemployment, the army has all the recruits it can handle! Soldier Girls goes quite a bit deeper, however, than its horrifying account[...]f the sergeants that Vietnam had destroyed him as a human being. A Wives’ Tale takes up one of the themes of Barba[...]SA — the politicization of strikers’ wives by a prolonged industrial struggle. The three Canadian[...]an Kopple, but give themselves scope to pursue it a good deal further. Though their locale (Sudbury, site of the world’s largest nickel deposit) is a bigger and more sophisticated place than the Kent[...]ury wives had been held responsible for defeating a similar long strike and also help explain the mod[...]inist, with the still highly-active Helga Goetze, a German sexual liberationist. After Kollontai eme[...]amid the “shocking" rhetoric) with scenes from a Kollontai novel illustrating how sexual standards[...]rd Petrick’s The Case of the Leg- less Veteran, a caustic account of the senseless McCarthyist persecution of a maimed ex-soldier because he was a member of a Trotskyite (and, therefore, fiercely anti—Stali[...]Live and Who Shall Die?, handled explosive themes a mite gingerly. Else interestingly outline[...]
	[...]n’t make his task any easier by insisting, like a latter-day Eric von Stroheim, upon shooting in one of the world’s most inaccessible locations and hauling a steamer over a steep hill — commands, struggles, pleads and raves. One could under- stand Blank’s answer to a question that the experience had both enhanced hi[...]ght Pierre Granier Deferre's Une etrange affaire (A Strange Affair), a wickedly fey tale of modern business take-overs t[...]legory on French politics today, and _ Ettore Sco\|a’s Passione d’amore (Passion of Love), an oper[...]gia’s La festa perduta (The Party’s Over), is a very uneven critique of political terrorism from[...]e the malaise in Marxist movements while cleaning a lavatory) but the young leftists’ growing accep[...]re convinc- ingly — in the well-worn context of a fatalistic road movie. Comerford follows two inarticulate gypsy newlyweds on a cross-border smuggling trip through a still-beautiful, unappreciated, land- scape that[...]Sch\|on- dorff's Die falschung (Circle of Deceit), a 1981 German-French co-production. Concerning a West German journalist sent to Lebanon in 1975, it moves forward with a purposiveness rare in the Festival’s films. The[...]tary situation in Lebanon, is established through a compelling juxtaposition of images (denoting the personal and the larger conflicts) and a powerfully sustained emotional rhythm. Laschen ([...]wife Greta (Gila von Weitershausen) have reached a stalemate in their marriage when he is sent to co[...]o works in the German embassy and is the widow of a Leban- ese. As this relationship grows, Georg rec[...]ai Herrmann) somewhat surprisingly refuses to see a lasting liaison between Georg and Ariane growing[...]kes just as much and that Georg is only there for a few days, whereas Lebanon is now her life. Arian[...]bserver". He has not secured Ariane, but there is a clear sense of an integrity shakily and movingly[...]eployed by Schlondorff with unflagging energy and a sure control of his films parallel and converging con- cerns. The footage which creates a city under conditions of civil war is horrify- in[...]layed by Polish director Jerzy Skolimowski) poses a bunch of tri- umphant soldiers, the camera cuts t[...]e: Joe Comerford’s Irish feature, Traveller — a ‘fatalistic road movie Above: Ettore Sco[...]
	[...]osure to the horrors of war, Schlondorff has made a film on a large scale. Large enough, that is, for some mino[...]tter much — and large enough, I hope, to secure a healthy commercial release. War, omnipresent in[...]stubborn Mule). Directed by Franz Antel, this is a more or less engaging account of a Vienna butcher, Karl Bockerer (Karl Merkatz), who[...]urse, be done, as Leo Mccarey showed in Once Upon a Honeymoon, for instance, but here one is aware of[...]n of families divided and friendships sundered by a repulsive ideology. That is to say, the films pow[...]er than, Merkatz to one side, in its treatment as a film. Perhaps expecting less, or perhaps having[...]o in this respect). Nevertheless, this is clearly a film made by someone who loves films, and whose a[...]erprise. Allegedly based on the fading career of a former UFA star, Sybille Schmidtz, a favorite of Goebbels and wartime Germany, and red[...]melodramas. As Fassbinder records the efforts of a sports reporter Krohn (Hilmer Thate) to find Vero[...]what happened to her and her career, he offers us a full-throated, sometimes overwrought, picture of a life out of control. initially claiming that “a[...]atient Veronika now is. She is in fact trapped by a gang of drug racketeers led by Dr Katz and there[...]of old Hollywood about all this. Dr Katz exhibits a fine line in enigmatic threat that recalls, say,[...]pired to tragedy in this film. Film stars work in a fantasy world and their work involves the creatio[...]agination, in satisfying its dreams of glamor, is a subject for melo- drama. Fassbinder, recognizing[...]our — filmgoing memories and the result evokes a world of light and shadow with much panache and even a little poignancy. If I had no special expectatio[...]In the 19605, Michel- angelo Antonioni staked out a crucial piece of cinematic territory: simplis- ti[...]n Jean Cocteau’s interminable, yappy play about a revolu- tionary young poet, Sebastian (Franco Branciaroli), sent to assassinate a widowed queen (Vitti) whose late husband he resem[...]disrupt the workings of society."). There is not a shred of humor in this high-flown nonsense and its preten- sions are underlined by a lot of peculiarly ugly, obtrusive and puerile cam[...]". The inner sanctuary of the castle is bathed in a soft orange glow, except when the Chief of Police (Paolo Bonacelli) is there eccen- trically lit by a pale mauve wash. When the lovers move outside, for a bravura ride on white horses over brilliant green[...]at the camera and Antonioni are up to without for a moment approving or caring. The Queen has told Se[...]"has never lived”, that she “was taught to be a Queen”, that she “has never been a woman” — until now, one assumes, the colors g[...]creeping through the birch forest and the deer in a death struggle evoke a world of muffled violence. The figure crawling up the castle wall (pale blue light by now) is caught in a recog- nizably Antonioniesque image of man dwarfe[...]uty now coarsened so that she sometimes resembles a weak- willed Martita Hunt), she is a tedious cipher, a clattering symbol, bearing no recognizable link w[...]rewell in Duel in the Sun: there, however, it was a fitting climax to King Vidor's pyrotechnics; here[...]ents who, to everyone's surprise, himself becomes a father after accepting an invitation to share a bed with a big-breasted American lady; she Concluded[...]
	[...]in was taken out of it. Brideshead Revisited was a nos- talgic excursion. Waugh wrote it, as he said, “in a time of Spam and austerity”. He poured out his heart. He had been a firm Catholic convert since I930. Are you a Catholic? No, my young director [Charles Sturrid[...]augh suddenly come back into favor? He was really a phenomenon of the 19305 . . . Waugh is a master. and one of the great writers of the 20th[...]one forgets about Decline and Fall is that it is a daring book. I had remembered how funny it was, b[...]ed. 338 — August CINEMA PAPERS family and has a terrible journey from the station. They all assume that he is drunk because he is a journalist. And every time the wine is passed, he gets a chilling cascade of water. The descriptive bits of all those books are wonderful. As a producer, do you think about the wider, social co[...]atriotic blood back into the nation’s veins. In a way, Waugh comments on that just as he did when h[...]hink you can legislate for topicality. Wejust hit a lucky streak. We were fortunate in our delays, fo[...]actually feeling much poorer, and there is always a reaction. In a time of affluence, everyone is in jeans and sweat[...]he girls and boys are starting to dress up. It is a kind of defiance against the times. The analogy[...]white sofas. It must please you tremendously, as a producer, to have made something that ﬁt[...]
	[...]strange, difficult and interesting. One could put a lot into it. You were asking whether one should[...]t doesn’t matter. If you are successful, it’s a kind of bonus, and it should come out of the blue like a coconut falling on your head. In a funny way, we made some- thing which really broke[...]were working full-time on Brideshead. We amassed a great deal of research and photographic material. There was a lot to do. We had to turn over every country hous[...]r: David Plowright and Dennis Foreman. But it was a concerted effort within the whole organization.[...]We started ﬁlming on May 1, 1979, and did quite a bit — all the African scenes and bits and piece[...], and went on to January 4, 1981. That’s quite aa disastrous moment, because we lost everything —[...]dge, who took on this extra- ordinary burden with a week’s notice. Left: Derek Granger, pro[...]
	[...]are aware of that detail. They are also absorbing a lot more than they actually realize, which pays o[...]ul. “lt’s wonderful to see something going at a natural pace rather than being dramatized in a superficial way”, Phyllis said. In Charles Rid[...]tion in the 1920 edition.” But somehow it gives a kind of feel. The actors get it and I think the a[...]conceptions so one is in fact doing something in a new way. One has to trust one’s taste . . . Yes, though obviously one is not such a total fool as to be com- pletely unaware of the a[...]s watching the preview yester- day and it came to a moment I have always been very worried about: the[...]if he gets entangled with the Marchmains, who are a bizarre family of “peculiar awfulness”. That[...]Still too long, Charles; still too long. Must get a bit more out of it.” And Charles said, “No, i[...]. Yes. He was in my production training course. A heavy burden to lay on young shoulders . . . Good Catholic boy, you see. Educated Stony House. One of a family of seven. Not a good Catholic — a lapsed Catholic [laughter]. Made him even better,[...]John Mortimer scripted it at six hours, which was a lunatic mis- calculation as it turned out [the pr[...]n, and from the time we began shooting, there was a great deal of expansion and re- writing. We had d[...]ave him to provide the dramatic structure? I had a fairly heavy involvement in the script, but John laid down a basis, which was fine, and we worked from that. O[...]the book itself. You said earlier that you took a different approach. What was new in the program a[...]c. I think people like making the effort of doing a little translation themselves. We were do[...]
	[...]al Film Archive, London it June 1981, as part of a visit to Aus- tralia to present a retrospective program of rare archive ﬁlms at[...]end some days with Ray Edmondson and his staff on a consultative basis. Visits to colleague ﬁlm arc[...]heritage: its recognition of the value of film as a primary research tool in the study of 20th-Centur[...]s records); its desire for public recognition and a clear identity; its awareness of the importance o[...]e peculiar to its situation in Aus- tralia. It is a difficult, but worthwhile, act to sustain, and on[...]itional shortcomings if Aus- tralia is to develop a serious, healthy and respected national film arch[...]rts — namely, the lack of recognition offilm as a fully- fledged art beyond limited cultural circles. Because it was a child of technology, began life in the fairground[...]trol of philis— tine entrepreneurs, appealed to a mass audience and is costly to create, cinema has[...]tolerant countries like France, the U.S. and, to a lesser degree, Britain, where film has at least b[...]ur cultural heri- tage not to have made more than a token effort to put matters right, since the means to do so were established, is a cause for justifiable concern and anger on the pa[...]—out” assets; in commercial terms, films have a shelf—life beyond which it makes no sense but t[...]joyed potential commercial revival), it is simply a fact that the film industry accepts no brief for[...]e.g., by legislation towards statutory deposit in a state archive). ‘fa kt thoroughly righ[...]
	[...]oftheir ﬁlms, this has often been no more than a passive act of storage leading to the ulti- mate[...], and success in that regard, iron- ically, means a greater ﬁnancial burden for the archive. All this is by way of arguing that any nation which has a genuine commitment to the rescue and survival of[...]ably, it should give comparably more: 0 ﬁlm is a fragile as well as a costly medium, constantly put at risk by changing[...]et in 1981 was, I understand, $140,000, which for a state-funded film archive charged with a national responsibility seems an almost risible s[...]institutions. How much, for example, is spent in a year on the acquisition of books for the National[...]paintings? It might even be instruc- tive to draw a comparison with the amount of subsidy, direct or[...]signed and well-maintained storage facilities and a couple of willing hands to look after them; it also employs a qualiﬁed and dedicated technical ofﬁcer. Yet,[...]ile supervising occasional projects farmed out to a commercial laboratory. 342 — August CINEMA PAP[...]h is attempting to recreate the master version of a unique ﬁlm. Film restoration work is often similar to[...]heir own technicians, at least to the point where a restored film can be safely entrusted to a lab- oratory. The basic requirements for this, as[...]at least two staff trained in manual restoration, a tester to inspect nitrate ﬁlm for signs of instability, a printer/inspector to duplicate shrunk ﬁlm and o[...]- tions. In fact, even this seems to me too small a complement for the potential task in hand, but it might be regarded as a realistic minimum for starting aa step- printer for copying shrunk nitrate ﬁlm, a[...]d transfer machines — together, of course, with a specialist video- examiner capable of developing[...]chnology. for that matter) will inevitably become a museum of nostalgic cinema and little more, and,[...]images. In the end, I believe every archive with a com- prehensive preservation program will have to consider equipping itself with a full laboratory operation to cover all aspects of[...]house facilities, and can no longer be tackled by a system of hit- and-miss amateur bofﬁnry coupled[...]-miss efforts of com- mercial agencies which have a different set of priorities to consider. This mi[...]Natural Life. Under the circum- stances, this was a remarkable achievement, comparable in impact to t[...]e for archival public rela- tions in the space of a few months than all the hidden hard work of the p[...]ol to link to an appeal for preserva- tion funds. A shrewd ublicity point could even be made out of i[...]very archive which fails to embrace it and adopt a high standard of preservation work, a commen- surately heavier burden is thrown on thos[...]on. The NFA has, in my experience, always adopted a vigorous acquisition policy, at home and abroad,[...]wise remain unavail- able in Australia. Recently a well-publicized ﬁlm search was launched to ﬁll gaps in the Australian collec- tion, which denotes a proper sense of priorities and has stimulated the[...]e same. All this has been done, it seems, without a full-time acquisitions ofﬁcer: at present, this[...]work. I would not, incidentally, recommend that a formal selection procedure, employing com- mittee[...]actice, whereas the NFA seems to have established a satisfactory selection policy and one which can b[...]lm and television material being considered makes a formal committee system more necessary, but it is better avoided if possible. A general advisory committee, on the other h[...]
	[...]ave been properly catalogued, and is supported by a computer system which few other archives enjoy an[...]than one actually needs. However, cataloguing is a vital element in film archiving despite being ard[...]er of staff in each area to prevent this becoming a more serious omission in the future. come to a point now which, on the surface, may appear triv[...]larly unfortunate that the NFA was established as a minor adjunct of a much larger and, on the whole, unrelated public i[...]the NLA-NFA relationship. There has always been a temptation in civil service minds to regard ﬁlms in a ﬁlm archive as documents no different from book[...]ance, their preservation and availability require a different set of conditions and policies from books and papers. They are also related to a totally different cultural and commercial sector[...]ndustries. It seems to me quite inappropriate for a film archive to be housed in, and have its destiny controlled by, a book library. In the case of the Australian NFA[...]allocation of space and resources appears to come a miserable second to the more monolithic needs of[...]y banner. This confusion of purposes and lack of a separate identity can be very destructive for an[...]sting that autonomy, inde- pendence and acquiring a recognizable identity would necessarily make the NFA better off, but I feel it would have a greater chance to make its needs felt, would acquire a distinctive reputa- tion of its own and would be[...]luded on p. 389 The National Film Archive of A ustralia CINEMA PAPERS August — 343
	[...]"O\|d Mel- bourne with Flinders Street station for a tap number under the clocks, Richmond lanes for a barbershop quartet or a soft- shoe shoot-out or even a flamenco Spanish flu, and the Yarra Bank for a song about My Moll Doll. There is a high- kicking routine in a lamp-lit alley, but it is too late. It occurs under the closing credits, as a flicker of the musical that might have been. Muc[...]bes the subject of U.S. bases in Aus- tralia with a wealth of surprising footage, some of it old and[...]ace's captives of Care deals with the struggle of a group of hos- pitalized spastics to win recogniti[...]unflinching observation of them forces us beyond a vague sympathy towards an informed concern. it is[...]n, two narrative lines work in counter- point — a nurse's story which proceeds from its beginning and a story of the patients’ rebellion which starts near its end — until they join in a confrontation with hospital staff. if the film d[...]l’ people. The patients act themselves and have a degree of authenticity that the hospital staff, p[...]not) match. The juxtaposition puts the actors at a dis- advantage in terms of conviction. Their cred[...]and baddies. Perhaps this is inevitable in such a context, or it might be a deliberate and legitimate propaganda ploy aimed ([...]from Wol- longong, which fashions its fiction in a documentary mode with such ease that the line bet[...]ces and touchingly convey what it is like to live a jobless, peripheral life. Both films make importa[...]phen Wallace's Captives of Care: "the struggle of a group of hospitalized spastics to win recognition[...]. The ironic “greetings" in the title are from a city that is not as pretty as a post- card and from a Coca—Cola, commercial radio generation that is not having a wonderful time. Gallagher's account of them is sh[...]day from dawn to dusk, within which she organizes a large number of short scenes, each appropriately casual and deceptively random, and each with a precise grasp of its useful length, into a cumulative impression. Gallagher seems to me to[...]ail, an ear for idiom, the strength to throw away a line, a feel for the ragged texture of days without hope, and an instinct for her craft. The Festival provided a timely glimpse of what has been happening in New[...]John Laing’s Beyond Reasonable Doubt considers a controversial murder case and miscarriage of just[...]h the 19705. Mike Newe\|l’s Bad Blood deals with a multiple murder and manhunt which occupied the po[...]he Scarecrow, Sam Pillsbury recalls growing up in a small country town in the 1950s. And in Carry Me[...]their mums." (That opening legend is followed by a shot of sheep looking scared — a swift joke about sexual mores.) This looking back seems to signify a sense of place rather than nostalgia. in explorin[...]Girl, says of his own work in Scotland, ‘‘If a film isn't provincial, then it's from nowhere.”[...]ans, Swedes and Czechoslo- vakians know, can have a universal relevance. One hopes that serious New[...]David Hemmings in Beyond Reasonable Doubt is but a temporary divergence from a sound principle. There are memorable features of[...]pastures, the chain of intense fire imagery, and a tight, intimate scene between Jack Thompson and C[...]s escaping briefly from their paranoia to sing “A tisket, a tasket” in the dark. Yet at times they are, I t[...]being more than the sum of their parts. They have a strong coherence and a firm control of their own dynamic. They show conf[...]nor meant to be. It mixes two narratives: one is a cheerful account of the mis- adventures and Mintles moments of a 14-year-old boy and his family and friends; the other relates the dark doings of a sinister stranger (John Carradine) who is bent up[...]n, family comedy, Dad and Dave slapstick — with a dash of Tom Sawyer and Peyton Place thrown in. A[...]e imagina- tion (his own) of an adolescent fed on a diet of films. It seems to float in all direc- tions. but it is anchored in its evocation of a time and place — the summer of 1952 in a country town — when it was Friday night[...]
	[...]and refresh- ingly sentimental. Fast cutting and a rapid pace ensure that the film moves with zest. its own enjoyment is infectious. Carry Me Back is a farce about the attempts of two brothers to smuggle their father's corpse, locked in a wardrobe. from Wellington to their farm in South[...]ed by unreli- able transport, inquisitive police, a crafty relative called Aunty Bird, and by the bod[...]ot always the same ones and not always together. A Festival program note says there are visual allusions to Two Men and a Ward- robe and to La lemme lnfidele. If this impl[...]not the kind of director to lean out of reach of a general audience just to give a film-buff a tingle. Given Joy Cow\|ey’s original story, it is inevitable that there are going to be two men and a wardrobe in a variety of positions and that sooner or later some- body is going to stuff a body in the boot of a car. Nor would it be helpful to offer The Trouble[...]nce its tone of imperturbable calm in the face of a macabre situation is different. Anyway, John Reid[...]ories clearly and concisely and how they maintain a balance of humor and suspense. In an interview,[...]he convenience of the story or the convenience of a couple of good jokes. He is prepared to slacken p[...]e about foreigners and false teeth) to allow them a certain human dignity. When the brothers (Grant[...]-joints and massage parlors in The Big City after a rugby match, there is a satirical put- down of the “Boys’ Own" ethic[...]ir embarrassment is funny, yet it is viewed with a touch of pity. A waitress in a cafe (“We’re sort of closing down”) has only a slight connec- tion with the plot, but is nevertheless given a curiously tender scene with the boys’ father and a chance to escape from her dead-end urban job. Even wily old Aunty Bird (played a lot larger than life by Dorothy McKegg) is released gener- ously from caricature to a more human dimension. At the end she shares the c[...]of the family inheritance now regained, there is a sweet echo of a romance with the land. For all its prior black comedy irrever- ence towards death, Carry Me Back expresses a regard for a quality of life, and a regret at its passing. This year, new work by es[...]Wedding) has been patronized by one critic as “a tastefully-wrapped cultural package”, which suggests a limited response to this fusion of Federico Garci[...]ny arrive in their dressing-rooms and prepare for a dress rehearsal of his ballet version of Lorca’[...]ips and attach eye- lashes and insert hairpins in a series of close-up details which insist upon the[...]d hair. Gades, while telling us how he came to be a dancer, painstakingly blackens the flesh around h[...]heymove into the studio to practise some steps as a warm-up, there is again a heightened awareness of the physicality of feet a[...]reating illusion requires such body discipline as a professional skill. But lest the technical perfec[...]Even during the “performance” (tech- nically a “rehearsal") they are seen to be creatures of m[...]waiting for cues. Then they move to the centre of a bare floor to become, in an instant, “The Bride[...]tificial. Sometimes the camera takes the place of a mirror, and they examine the audience as if to as[...]e see with the imagination which, in turn, is but a reflection of other ways of seeing. After all, this film is a visualization of a choreo- grapher’s version of a p\|aywright's vision of a journalist's view of an incident in Almeria. The[...]icit love, family feud and revenge became in form a prose item in a newspaper, a poetic play, a modern ballet and finally, in Saura’s own phrase, “a document on creation". Gades strips Lorca’s se[...]cations of the Moon and Death in the interests of a driving narra- tive simplicity. He transmutes the[...]olvement required. Occa- sionally, he contributes a framing or bravura embellishment of his own to ad[...]ould be, which means it is more per- suasive than a full shot. And the knife fight is breathtaking (l[...]circled by Saura’s camera. This film poetry is a powerful equiv- alent of Lorca’s final scene, which does not show the knife fight. Instead, he uses a Greek chorus report of it and lamenta- tions of w[...]images of cutting, slicing and blood-letting with a knife: a knife “that slides in clean / Through the aston[...]/ The dark Sydney Film Festival 1982 root of a scream”. That silent scream, frozen in time, informs the closing image of the film -— a frozen frame, sepia colored, of a posed wedding group — which, naturally, is a portrait of the dancers. Tinted family photograp[...]her new film Dulces horas (Tender Hours) in which a writer explores his own past, trying to remember[...]ip with his mother, to recreate it in the form of a play which is in rehearsal. Another "document on[...]u to be? Characters search for an author and,. in a rehearsal, one actor (playing an actor) is so con[...]by an actor) cries, “Everybody forgets this is a play." in 1934, Pirandello wrote in his note- bo[...]his own memories, it is impos- sible to arrive at a truth. And if his past is governed by shifting pe[...]d Wedding, Top: John Reid'sfarce about smuggling a corpse in a wardrobe, Carry Me Back. Above: John Laing's examination of a contra versial murder conviction, Beyond R[...]
	[...]ng. it moves in waltz time. The film closes with a burst of delir- iously-happy song from his now-pr[...]the final Pirandellian joke: that we are to apply a conversation in the film about the writer's relat[...]s 23rd) in Die sehnsucht der Veronika Voss, about a bright star who falls into a drug-addicted decline and death. l am not sure h[...]reas in Sunset Boulevard we share the feelings of a weak-willed scriptwriter made dependent by his pity and her spell, we have a poor guide here in a sportswriter who seems merely weak-witted, too su[...]d which by- passes anything like the poignancy of a similar scene in Francois Truffaut's La nuit Amer[...]m model. And because it denotes the act of making a film. Above all, Fassbinder wants us to appreciate a film's surface, that which “will but skin and film the viscerous place" — a thin membrane on a screen of dazzling black and white photographed i[...]hadow,” says Veronika, demanding candlelight in a restaurant, "the two secrets of motion pictures."[...]the audience constantly that they are looking at a shining surface by the way he changes scenes: he[...]s the tight theatrical structure of three acts of a play, one each for morning, afternoon and night, with a prologue and epilogue. lt observes the theatrical[...]nd time, confining itself to the inter- action of a group of characters during one day in Paris, and[...]and the ending is left open. It has elements of a detective story: there is a sleuthing game and two characters think a lot about how to play it, wondering what Sherlock[...]ing it”.) There are also elements of fairytale: a Sleeping Prince of a hero who keeps nodding off; a would-be Sleeping Princess who daydreams of a Prince Charming to carry her away, pre- sumably in an Air-France jet; and a Good Fairy disguised as a schoolgirl (the enchanting Anne-Laure Meury) who helps out while waiting for life to become magically a fiction. “Life", however, as someone remarks, “is not a novel.'’ Ironically, Rohmer introduces prop- e[...]f accident, chance meeting and coincidence and in a great deal of dialogue. The talk is no more literary than one would expect from a post-office sorter cum student, a secretary and a schoolgirl, being the voicing of thoughts about t[...]which are not only part of the parapher- nalia of a novel but also a characteristic of Rohmer’s film. It is meaningful that his hero works in a post-office. The plot is conceived in terms of l[...]ersect, an idea which is brilliantly exploited in a scene in a park where four characters pursue and retreat, cross and re-cross, like a geo- metric doodle. It is mathematical, too, in i[...](the aviator’s wife who is never seen except in a photograph) be the unknown and in trying to proce[...]ng duologues in which the human beings adopt such a variety of postures. Playing off laws of mathema[...]detail, the early and late moods and the feel of a day of sunshine and rain. The color is attrac- ti[...]narrow limits, his film is yet “about” quite a lot, for as the proverb states at the film[...]
	[...]new to us, though this is his 15th feature. It is a moving account of the efforts of a single, working mother to prove to social welfare[...]although one actress has her sensitive playing of a scene undermined by a distracting lack of continuity — her fur coat is on and off her shoulders with a perverse will of its own. The film’s most impr[...]val. Like Jutta Wachowiak in The Fiancee, she has a plain face that becomes beautiful through its expressiveness, especially so in a \|over’s rejection scene which is treated as a long and demanding medium close-up. As the tough little battler on proba- tion, determined to make a go of being an adult against all odds, she makes[...]in which she pushes herself slowly back- wards on a roundabout in a playground, carries its meaning without strain. A larger roundabout occupies David Carradine’s time in his first feature, Americana, and it carries a great deal of symbolic significance not entirely without strain. A Vietnam veteran walks into a small Kansas town in 1973 and, for no reason that[...]can understand, sets about repairing and renewing a broken- down merry-go-round. To them he is a fool, though some are drawn to help him in his ta[...]o under- stand that the madman is the sane one in a sick society and that his task is their spiritual regeneration. it is a figurative narrative with its moral meaning thinly veiled: the merry-go- round acts as a metaphor for salvation, or a state of grace, and the soldier has similarities[...]nail jobs for residents); the fisher of men (near a bait- shop): an expulsion from a church hall; a threefold denial (by a Hell's Angel running a garage); and there is a kind of Agony, an Ascension and a Resurrec- tion, the details of which it would do[...]ges and touches of laconic humor. It is, I think, a sincere, personal statement. As a table about human aspiration, it is arguably more[...]with the silly mechanics of an attempt to fly — a sequence which would fit better into the lunacy o[...]the strength to hold on to his past to complete A la recherche du temps perdue. The film details t[...]nky, asthmatic, fussy (“My skin cracks if I use a damp hand towel twice“), dedicated to his great[...]rlus' experiences in the male brothel. Invited to a performance by a string quartet, she hears what will become Marcel[...]where Celeste waits patiently, sitting upright on a chair, for his bell to ring. This and other sequ[...]plication of timelessness — the perpetuation of a moment of time as in any painting of movement, o[...]ce and Slow Time”) or Vinteul’s phrase or, in a sense, Proust's prose. Time lost is sought in me[...]ery of the time spent with Proust, carefully cuts a lock of his hair. One day, it could be her madele[...]on to extend time. Spare and immaculate, it holds a mystery as intriguing as time itself. Similar in[...]V' Top: Hermann Zschoche’s 0n Probation, about a single woman ’s attempt to convince the authorities that she leads a responsible life. Above: Amalie R. Rothschild '5[...]unusual in its filmmaking response. For it finds a method to approximate Hopper‘s own. The narrato[...]f desk separating them. Unnatural, of course, but a respectful pastiche. Whenever the paintings are on display, there is hardly a sound to inter- rupt the quiet. Of course, all pa[...]. And to emphasize this, there are sequences like a long car journey from New York to Truro, Cape God[...]d where there is no sound of the car at all, only a breathing silence of leaves and distant birds. Un[...]ries. Lucid and well-shaped, it shows how to make a subject com- pletely accessible by using talking heads in a way that we are rarely likely to see in a television documentary. Among other notable short films was the highly-popular Murder in a Mist, in which Lisa Gottlieb parodies the private- eye genre with a female detective and a flair for jargon (“the briny kiss off”) and reverse sexist assessments (her male helper is “hung like a horse”) and film in- jokes (‘‘I thought of[...]gger than anything Fay Wray ever saw") to achieve a clever feminist comedy. Among the films in the A[...]ssed, unfortunately, De atilte rond Christine M. (A Question of Silence) which was voted by Green sub- scribers Best Feature at the Festival and described as a film “of remarkable elo- quence and quiet subve[...]n and Vlridana. it is based upon the writings of a young schizophrenic from an affluent middle- clas[...]rlin picking up men in whom she believes she sees a reincarnation of Christ. One of them, a Ghanaian with whom she has bloody sex two days after an abortion, she attempts to marry, as if to become a bride of Christ. Her full name is Veronika Chris[...]cus “of or belonging to an image", was given to a cloth believed to retain the image of the face of[...]the saint who wiped His face with it, and also to a woman who was cured of an issue of blood; the sec[...]of an early Christian martyr and associated with a saint who bore the Christ-child across a river. The film absorbs these references and makes them work in a forceful and dis- turbing way (and makes F[...]
	[...]by all Australian masterpiece. laboratories. Its a film that passes with flying So ifyou’Ve got th[...]how, and the will, we’Ve got the It also offers a wide exposure latitude way. Gevacolor Type 682. that Caters for even the most severe AG \|:A_GE\/AER-r LIMITED V3ri3tiOnS - _ _ Melbourne 878 8000, Sydney 8881444 But, none-the—less, it g1V€S a Very Brisbane 352 5522,Adelaide 42 5703, P[...]
	[...]ELEASE The Documentar Documentary films occupy a special place in the history and development of A[...]today. Contents The History of the Documentary: A World View International landmarks, key figures,[...]The Development of the Documentary in Australia A general history of the evolution of the documenta[...]ntaries made in Australia, and who produces them. A study of government and independent production. T[...]e, box—office performances and ratings. Making a Documentary A series of case studies’ examining the making of[...]rs and directors. Repositories and Preservation A survey of the practices surrounding the storage a[...]isons of procedures here and abroad. The Future A look at the future for documentary films. The imp[...]t affects production, distribution and marketing. A forward look at the marketplace and the changing[...]documentary, Producers and Directors Checklist A checklist of documentary producers and dir[...]
	[...]nal “The Australian Motion Picture Yearbook is a great asset to the ﬁlm industry in this country. We at Kodak find it invaluable as a reference aid for the industry." David Wells Koda[...]on your Australian Motion Picture Yearbook. It is a splendidly useful publication to us, and 1’m su[...]is easy to read and the format is set out in such a way that information is easy to find. I consider[...]ort from the Cinema Papers team, and essential as a desk-top reference for anybody interested in our[...]ly revised and updated. The Yearbook again takes a detailed look at what has been happening in all s[...]ntries, and many new categories have been added. A new series of profiles has been compiled and will[...]art director David Copping and actor Mel Gibson. A new feature in the 1983 edition is an extensive e[...]a, including film financing, special effects, and a survey of the impact our films are having[...]
	[...]time 4 when television for most Australians was a - curiosity — a shadowy, often soundless, picture in _ , the wind[...]enge the ratings of the westerns and delight, and a Commemoration of a lively. fast- situation comedies from Amer[...]
	[...]irth, 12 leading ﬁlm writers combine to provide a lively and entertaining critique. Illustra[...]
	[...]film and television industry. The symposium was a resounding success. Tape recordings made[...]
	[...]David William— son. Richard Rush. Cuban Cinema. A Town Like Alice. Flash Gordon Channel O/28[...]
	[...]$5.85 (Air) (Air) (Air) (Air) (Air) (Air) NOTE. A “Su rface Air Lift" (air speeded) service is av[...]ME 7 NOW V out orderfornl (numbers 25-30) . In A Overleaffor _ "°'.:‘.1‘.‘f3?2(‘3;1§’;?..‘l3i.‘Sl.'.ﬁ.i3£’°’ ‘ » Cinema Papers . a * .':::d::.:r;:..€::.:3 32.32:: A : Subscriptions, x2:rii,:i.:?:;:;i5.Z‘.[...]
	RDER FORMS SUbSCripti0US Please enter a subscription for 6 issues ($18) D 12 issues ($32)[...]D renew D my subscription with the next issue. If a renewal, please state Record No. (Details) Deli[...]de _ Glft SUbSCript10’lS' If you wish to make a subscription to Cinema Papers a gift, cross the box below and_we will send a card on your behalf with the first issue. D Gift[...](save $2.20 per copy) To order your copies place a cross in the box next to your missing issues, and[...]sues 9-12) B 4 (issues 13-16) D 7 (issues 25-30) A/[amourWWWpmmsmg at $30 per volume. Volume 5 (issu[...]me D copies of Cinema Papers’ Ezibinder at $1 5 a binder. 2. Australian Motion Picture Yearbook (a) Please send me D copies ofthe 1981/82 Yearbook at $1 9.95 a copy (Foreign: $30 surface; $40 airmail). (b) Please send me D copies of the 1 980 Yearbook at $19.95 a copy (Foreign: $30 surface; $40 airmail). 3. Aus[...]lease send me E] copies of Australian TVat $14.95 a copy (Foreign: $17 surface; $26 airmail). 4. The New A ustralian Cinema Please send me D copies of The New Australian Cinema at $14.95 a copy (Foreign: $17 surface; $26 airmail). 5. Fil[...]E) copies of the Film Expo Seminar Report at $25 a copy (Foreign: $27 surface; $32 airmail). Name .[...]......................... Total amount enclosed: A ll foreign orders should be accompanied by[...]
	[...]ntory of Movie- cam products. The Moviecam 3N has a virtually soundless movement and a built-in microprocessor which controls several fu[...]ng speed to be changed at programmed rates during a shot. For example, a pole vaulter can be shown at normal speed running[...]ponent fails, the Dicom will immediately indicate a fault condition and identify the faulty component by number. Supplied with a set of circuit boards, this module enables “in[...]s. Moviecam 3N also incorporates pro- vision for a video system. it is equipped with a Newicon television pick-up tube which provides a high contrast display of the ground glass image,[...]ch is easily attached to the camera. Videx houses a small 38mm (11/2-inch) monitor which serves to ma[...]ixing studio at Atlab Australia. Stereo F im Now A vilable it Ala The increasing use of Dolby stere[...]evels and other information relevant to cueing on a floppy disc arrangement. This facility aids the o[...]tape is then trans- ferred to optical negative on a new Westrex 9235 two-track, 35mm variable- area r[...]inema Papers will interview Julian Ellingworth in a later issue.) New Mini Video from Technicolor[...]e in the U.S. Unlike VHS or Beta systems, it uses a 1/4-inch (6.25mm) video-cassette tape, and is only slightly larger than a normal audio cassette. According to Dynavision,[...]of the larger tape formats, but allows the use of a video-cassette recorder (VCR) con- siderably smal[...]purposes. Included in the Technicolor system is a VCR comparable in size to a household radio-cassette recorder and measuring only 11cm x 25.5cm x 7cm, a Techni- color video camera with power zoom lens a[...], and an AC adapter/charger. The camera features a built-in preview screen within the viewfinder. it[...]n black and white but without sound. When used as a portable unit, the se\|f-con- tained VCR receives[...]echarged in one hour. It may also be operated off a normal 240-volt house- hold outlet through the us[...]ng its ver- satility, the VCR may be operated off a 12-volt car or boat battery via a cigarette lighter socket. The price for the enti[...]Metro Television T Metro Television is running a series of public workshops that started in April covering a whole range of aspects of video production. It is[...]roduction; lighting workshop; video art; planning a rock clip; acting/directing workshop; shooting a rock clip; script- writing for video; chor[...]
	[...]om. 28 Baxter St,Fortitude Vly 4006.52 8816 d L W.A. 110 Jersey St, Jolimont 6014.387 4492 A S.A. 239 Anzac Hwy,P\|ympton 5038.293 2692
	[...]- ventional systems, the M-format system combines a broadcast quality color video camera and a videotape recorder in a single hand-held unit. The size and weight of th[...]ms, which eliminates connecting wires, and allows a single cameraman to have unrestricted access to program materials. Although the M-format system uses a much narrower 1/2-inch tape and is more compact[...]n 3/s-inch video recording. Miller ENG Tripod T A new tripod designed specifically for ENG applicat[...]This non-tubular aluminium tripod, which features a specially-designed and extruded channel, provides[...]hat collect dust, etc. The ENG tripod comes with a built-in tripod spreader and claw-ball levelling[...]th is 1.5m. 9, Technical and Scientific Academy A wards Due to the lack of space in the last issue[...]onsolidated Film Industries‘ Stroboscan device, a unique pulsed Xenon light that enables high speed print[...]dustrial Light and Magic received their award for a sophisticated special effects optical printer usi[...]morphic. Industrial Light and Magic also received a technical certificate for their Empire Camera System, a servo-controlled, computer-operated special effects camera and a device called the Go Motion Figure Mover that adds a slight blur to specific frames to stop the strobi[...]motion animation. Eastman Kodak's development of a rapid processing device, the Prostar pro- cessor,[...]ontinental Camera Systems pitching lens that uses a flex- ible, optical-relay tube to allow a range of prime lenses to be used, tilted 180 degr[...]ly smooth, repeatable pan and drag action through a range of three pre-set drag positions. In additio[...]eads that are not locked. The Miller 50 provides a choice of two camera platforms, a quick-release plat- form, and a sliding camera plate with built-in quick-release.[...]s the VHS ‘/2- inch videotape cassette, enables a single-unit configuration of camera/VTR combinati[...]e who was responsible for intro- ducing lasers as a visual medium to Australia. Past clients in Aust[...]outdoor displays, including the opening of Sydney Tower at Centrepoint and displays emanating from transm[...], said the range of lamps was designed to produce a spectrum of light similar to daylight, at[...]
	[...]ed release .. . . . . . . ..March 1983 Synopsis: A horror film about a night watch- man who spends his last shift in a depart- ment store. Twelve hours later, two men a[...]ick, that Teresa comes to understand her power as a woman and emerges from obsession to a real consciousness of sexuality and love. THE MO[...]Flannery Prod. manager . . . . . . . . . . ..Pau\|a Gibbs Prod. secretary . . . . . . . . .. Elizabet[...]writer ...Charles Stamp Photography ..Phii Pike A.C.S. Sound recordlst. . Don Connolly Editor . .[...]t Based on the original idea by . . . . . . .. ...A\|exander Stltt Sound recordist .. . Brian Lawrence[...]. . . . ..Meredith Baer, Hilary Henkln Based on a story by . . . . . .. Meredith Baer Photography .[...]ynopsis: Romeo and Juliet: R-rated and updated to a New Zealand prison.[...]....Charies Stamp Photography... . .....Phil Pike A.C.S. Sound recordist .. Rowland McManis Editor .[...]a Lawrance (Sally Cooper). Synopsis: Fluteman is a modern day Aus- tralian version of the Pied Piper[...]ing Service journalist. arrives in Jakarta during a time of political upheaval. There he is be[...]
	[...]es are still charged with emotion and futility in a small New Zealand town as they try to escape the[...]Mrs Stoiiier), Peter Coliingwood (Mr Hollisteri. A DANGEROUS SUMMER Prod. company . . . . ..McE\|roy[...]per.(Saily), Jon Darling (Bob Henning). Synopsis: A contemporary story of sexual rivalry and obsession: of lost youth and false manhood. A triangle which leads to disaster. DEAD EAS[...]d her search for the missing joey. Dot meets with a hobo in her outback home town, the hobo becomes Santa Claus, and takes Dot on a wonderful adventure witnessing various Christmas[...]secretaryll June Jago (Mrs Coolidge). Synopsis: A psychological thriller, its plot is a mystery of manipulation and double- dealing about[...]ane, successful rnan-of-the-world husband, Peter, a daunting, sensuous young man and Peter's efficien[...]. . . . . .. Lee Larner Lighting cameraman . ..,.A\|ex McPhee Focus puller . .. Brendan Ward Clapper[...]spratt). Will Kerr (Jim). Synopsis: The story of a sheepdog in the Australian outback, based on the[...]uel (Chris), Kit Taylor (Paul Sloane). Synopsis: A suburban community is bliss- fully unaware that a killer stalks the streets. A mother and her two sons survive in a dis- integrating relationship. These two e[...]
	[...]briel (Moreland), Wyn Roberts (Payne). Synopsis: A remarkable relationship be- tween a young teacher and a deeply- disturbed 13 year-old boy. Tom is written off as a delinquent by most adults until John. the teacher[...]opsis’ She was all any old fool could ask ior—a beautiful masochist with an Electra Goodbye Paradise complex. She knew her life was a great pre- destined adventure, and. if it ended l[...]Thomas). John Ewart (The Train Driver). synopsis: A period comedy drama set in Sydney about two crime[...]oarlng 19205. playing. laughing and fighting with a gusto the city has never known since. LADY, STAY[...]James Elliott (Patrolman Rex Dunbar). Synopsis: A young woman. looking after her sisler‘s.house w[...]murderer returns to kill the woman. and so begins a battle of wits. LONELY HEARTS[...]Blake (Pamela). Jonathon Hardy (Bruce). synopsis: A tragi-comic love story about Peter Thompson. a middle-aged bachelor. and Patricia Curnow, a 30-year-old spinster. MIDNITE SPARES[...]y . . . . . . . . . . . ..Wednesday investments. A Fiimco Presentation Producer . . . . . .[...]
	[...]T:':":'E BEFURE UE ULi'.C:'iu' SUHI ...FUTURI5Ti'a': 5:‘-iJR‘:IL:':":'ES U/TH 331" NC 5'. UE5:'5[...]HNU. SE3, EH3 HIE’ EQUIPHENT HRE hy not give us a call and 7”.‘ I. N NI‘! 1': T get SOITIG r[...]u don’t needus to tell you about the changes in A_1,1stra.1ia.n Films over the last few years, cn1:A'J.‘IV1‘. advantages musing a publisher for ﬁlm scores, so W find ou[...]
	[...]is: Two turbulent adolescent weeks in the life of a teenage migrant ltalian boy living in Melbourne's[...]ty life, accept his Italian background, and start a new kind of life, hopefully one more step towards[...]dren cross the harbor to explore Castle House — a strange, unoccupied mansion — they en- counter sinister baddles, a kidnapping and a hilarious, eccentric lady. Btcitement, mystery an[...]ooting stock Eastmancoior cm: Jackie Kerin ( In a Stevens), John Jarratt (Barney). Charles McCaIlum[...]), Virginia Hey (Girifrield). Synopsis: Norman is a sensitive, precocious 13 year~o\|d preparing for h[...]ions of "Mazeltovl", but Norman's response raises a preposterous question — who is the father? NOW[...]aughlin Grip . . . . . . . . . . . . . ..Pat Nash A531 grip Eric Pressley Gaffer ....Rob Young Best b[...]n Standby props . , . . . . . . . . . . . . . . ..A\|an Ford Scenic artist Ned McCann Set constructio[...]ent), Henri Szeps (York). Synopsis: The story of a stylish Sydney boutique owner and her husband, a promising writer who has not as yet achieved financial success. On the surface, they appear to have a perfect relationship. However, their marriage is shattered when he is accused of rape after a casual indis~ cretion one afternoon with another[...]r . . . . . . . ..AIan Walker Asst electrician ...A\|an Walker Boom operator .Andrew Duncan Mak[...]Bernadette Hamilton Helicopter pilot . . . . . ..A\|an Edwards Best boy .Al\|eyn Mearns Runner[...]
	[...]t and Sullivan songs, and six new ones. Story has a con- temporary beginning and end; most is a long fantasy sequence. THE PLAINS OF HEAVEN[...]be (Soldier on train): Synopsis: Two men work in a satellite relay station on the Bogong High Plains[...]. Cabcharge Unit cars . . . . . . .. Thrifty Rent A Car Best boy . . . . . . . Paul Gantner Runner .[...]Bluthai, Maggie Dence, Norman Erskine. synopsis: A madcap, musical comedy- adventure where the flyin[...]ornelia Francis (Member for Southdown). Synopsis: A young girl taking photographs of her pet cockatoo is prevented from leaving a lonely island by an illegal immigrant, who fears deportation. After a widespread search, she manages to escape with the help of a boy scout. Sympathetic to the immigrant’s probl[...], Shane Porteous. Synopsis: The poignant story of a young child, orphaned by war, and her struggle to[...]e suffer- ing and hardships imposed by all wars. A SLICE OF LIFE Prod. company . . .[...]Carlie Deans (Aust.), Dennis Davidson & Assoc. (L.A.) Unit publicist ....Ben Mitchell Catering . .[...]Synopsis: The year 1995 — the world is run by a strict regime. if you step out of line you are labelled a "Turkey”. Further failure to conform means you are a candidate for the “Turkey Shoot". WE OF THE NE[...]. . . ..Adams Packer Productions, Film Corp. of W.A. Producer , . . . . . . . . .. Greg Tepper Direc[...]ackaroo), Donald Blitner (Goggle Eye). Synopsis: A story of the hardship faced by newly-married Jean[...]mor of early cattlemen and Aboriginal stockmen in a harsh, but memorable Northern Territory environme[...]. Marcia Hatfield Photography . . . .. .Phil Pike A.C.S. Sound recordist . . Rowland McManis Editor .[...]fairs with visiting Russian ballet dancer becomes a matter of concern to the family when it has a dramatic effect on several of the business[...]
	[...]ott Burgess, Tony Barry, David Downer. Synopsis: A dramatized reconstruction of the trial, in Februa[...]. . . . . . . . . . ..Pre—production Synopsis: A film about lovers who are forced, out of trust, i[...]. . . . . ..Royden Irvine Based on original idea a by . . . . . . . . . . . . . . . . . . . . . . .[...]and altered through the medium of film to create a dream symbolic of the mystery of the unconscious.[...]ylan Hodda, Lucinda Powell, Alan Cinis. Synopsis: A sensitive study of a neglected child, DOCUMENTARIES FEATURES[...]luxury and squalor of the Philip- pines following a group of West Australians and speaking to profess[...]any . . . . . . . . . . . . . . . . . . . . ..T.B.A. Producers . . . . . . . . . . . . . . . ..Don Mc[...]ed . . . . ..June 1982 Silver Screen Synopsis: A look at life on the road with Circus Oz. Filmed d[...]ip between humans and dolphins. The film examines a number of cases where people have had exper- ienc[...]th Wales, one in 1928 and the other in 1982, and a look at how and why these tragedies occurred. HARDY WILSON: A Living Memory (Working title) Polak Productions[...]. . . . . . . . . .. Awaiting release Synopsis: A re-enactment of the first scien- tific crossing o[...]. . . . . . . . ..June, 1982 Melbourne Synopsis: A documentary tracing the history of Rembetika musi[...]. . . . . . . . . . . . .. July 1982 Synopsis‘ A look at the development of the sport of windsurfi[...]rmula Pacific cars. the Malay- sian Grand Prix in Kuala Lumpur and the Penang Grand Prix. WINGS ACROSS THE CENT[...]le terrain of the Northern Territory. YANKS ON R a R (Working title) Prod. company . . . . . . . .[...]. . . . . . . . . . . .. 1" videotape Synopsis: A study of the workshop and developing relationship[...]rl Schultz and the actors in the Whitlam series. A CREATIVE PARTNERSHIP — THE ACTOR AND THE DIRECT[...]nette Curran, Deborah Kennedy. Synopsis: Tracing a segment of a feature film from casting to the shoot, an[...]
	[...]e you to have SUPER"-"E SEPMEES PTY. LIMITED A PROFESSIONAL SUPER-8mm LABORATORY Now offering h[...]ne (02) 498 7668, (O2) 498 7835 . MOTION PICTURE a total in—house control over your Sound and Edi[...]’ S ' for % GRAPHIC PTY. LTD. AunioariiisuAL \ A ’ -' ARTfA3gn/Y\c/J'i_\'i'T"A\|gv\§T§0e4 Shooting in — I ' - ANAMORPHIC WID[...]TELEVISION _ , and an I ‘ ' \ 439-5611 3- J A/V FORMATS \|T’S FRUSTRATING To have a good Doco idea but no resources to ﬁnance and p[...]ntary Package. Call or write to Brian Morris for a confidential interview. 343 Sailors Bay R[...]
	[...]. . . . . . . . . . . . ..Rob Mccubbln synopsis: A film for the Trade Union Release date . . . . . .[...]henne, Cameron College in Wodonga, Vic. Synopsis: A short film forthe Department oi Pi'°d- °°”i[...]Nllllll ANIMATED MUSIC FILM prowess sY“°P'i'5 A d°m°"'5"3“°“ °i "'3 '-'55 °i G3’-'99 ~ A - - - - - - -- ---~i6""”‘ Editor . . . . . . . . . . . .. . Denise Hunter Synopsis: A dramatized documentary rhythm in iiirnrnai<in9- S[...]GARRETT 1 _ _ Lengt .... .. 20 mins Grahame Jack A I to Anniversary celebrations. 3aowN "'li°hk°¥[...]. . . . . .. Eric Halliday suMMEﬁT\|ME synopsis: A teaching film for the Depart- Exec. producer .. V[...]r the Vic- Rob Scott use of the Steadicam unit in a number of Dlrector_.. . . . . . ..Rob Mccubbln pr[...]drian Tame Soun recordlsts . . . . . . . . ..l_.l.a.r.rl(arrlATrt]:lr:hi\|l. photography . _ r _ _ _ r[...]ss . . . . . . . .. ..Post—productlon Synopaln: A documentary on the urban commission meeting. may[...]rratiy ..... .::_. lsnfrooﬁli ’rif§3.“c8f3?a“rﬁ§lo; ::§;’i’:2.%!..::’;‘$ isnzsilsftrilezzlre -.5.-...a...‘.’.:‘:l=si.“;~‘:: :::?;.!"rl.:L i;:"[...]_’{ Unit nnanaoer -- -Corrie Soeterooek THROUGH A LOOKING GLASS Pty Ltd); script development for 2n[...]ny - - - - . . - Fllrn _Vlctorla Dlsll company l A _ _ l _ ‘ _ I _ l V _ H Fllm Vlclorla '’ V e5[...]. . . . . . . . . . . .. Film Victoria - Love on a Tourlet Vina — Jan Sharp; script Marshall (Boy[...]0 boarder ' . . - ~ - - - - v - - - - - - - - - - A l r . . .. .. . . ). Danny Irwin (Danny). Sean Fi[...]Dln9 5 - - M _ l H t Th M p t . , 9. . , ynopsia. A film for drama teachers about C:3l‘":c,lplvﬁe[...]rrihter 1952 . "" °‘' ° — '3 me .9 95- P as a motivational film lor use in schools. Gene Moire,[...]ard Vance; script G fl Gary Ph''.''pS 0' Consumer Aﬂalrs‘ A” P'°d”°"°”5 .393” "°m mesa have developmem for lsl dram clnema lealure a ers . . . . . , . . . . . . . . . Bruce Galley.[...],l.0d_ company ' l_—lll.l.l Vlclolla developing a malor television series to be additional 3rd dra[...]. . . . . . . . . . . . . ..Janina Craig ac \|°n_a Ven ure orma __'g i9 ting t 3 . D l C lh - M-ll[...]l lrec or’ . . . . . . . . . . . . . . . . . .. a erine l_ at , _ _ , - Production company ...... .[...]ll B'""'”i E"?°k — 39” '—9W'h? Cinema A t d I Auk’ y P ' cl 'm 0 e om Prod. co-ordinatc[...]mb 1932 Cinema feature‘ scripting and pre- JUST A STORY Photography . . . . . . . . . . . . ..Mlck Borneman l _ _ V .. er l I i Photograph . . Synopsis. A training film on the technique Production- Prod.[...].. ear is ovlc DU - » L « L -- - ggﬁgiwlllel A l l _ l_B:;b:;: 33;, A2u:[Z3,'] Lighting , _ , _ , _ _ _ 4 _, Bruce Gal[...]. . . . . . . . . . . .. Production Toilitlns E AA teenage boy begins to discover that literature can be a good deal more than “i us! a story"! Synopola: A true story of Annie, who entered an institution a[...]years on the construction of a major housing estate. Made for the Ministry of Ho[...]n mini- KOALAS 31 C0- l‘3',f,'l,lf§’;',‘°a"y " ' ' ' ' §‘l‘,f,',;l“Z'L“l (working[...].... ..AVRB Film Unit BETTY VIAZIM Asst producer. A ' ' ' ' A A ‘ . . . —.Gerry Letts ALCOHOL ABUSE) "i5i°"[...]. . . . . . . .. Elisabeth Knight Gauge, ' I ‘ A A I I H lssmm Dist. company _ , , _ _ , _ 4 _ , _ _ _ _ lzllrrl Vlotorla Thomaatown — a documentary on Producer . . . . . . . . . . . .[...]r . . . . . ..Pam Ennor Shooting Si0Ci< - ~ - - - A « < ~ ~52/'7 Dlreclor _ _ _ ‘ _ H _ Michael or[...]se Jonas Sound recordist Leo Pollini 5¥n°P\|i53 A Wide'5Ci€e” Piiiema Sh?" sound recordlstg tan[...]”i ‘he ’9i"3°e"“’”‘ °i "‘°.i’a”Y“'"° Editor ......... .. .David Hipkins E[...]glhglf Sretlleggggsd-3.18 F'05t-Pr01iiU‘3i:si'l A WINDOW TO TRADE Camera assistant . . Brgndan Laveiie lxe a . . . . , . . , . . . . . .. . . . . . . . . . .[...]_ H __ca,la oxeelg Length 12 mins Council about a 70-year-old milllner. Dist. company .. lFilm Aust[...]’ _ _ l _ __pelel. lsrosl Snooiino Si°°i<- --A‘-~l-ll-E‘3“l72“7 CLYDE CAMERON COLLEGE 3.[...]- - - « - -- - Mike O,E°ilia"*’lli' Synopsis: A short fii about the early g‘i"?°:“:l’,l-~-[...]. . . . . . . . .. ....Alian Mearns Photography .A . . . . . . . . . . ..Russeli Galloway Dist, com[...]es Branch. Progress ting script approval Gauge-~ A - - - - - - -- ienfini Education Dept., V[...]
	[...]ently laudable feature of John Duigan’s work as a writer and a director has been his skilful and com- passionate social observation. A deli- berate economy in the use of dramatic incidents has been complemented by a deft, naturalist style to highlight his concern w[...]terates this funda- mental theme, it also reveals a signifi- cant alteration in style and a departure from the familiar terrain of urban Aus-[...]n the words of its writer-director, to provide “a glimpse of life behind the tourist poster”. Sadly, this admirable inten- tion is n[...]lexity of Winter of Our Dreams. Far East depicts a country fractured with polarities of wealth and depriva- tion, and victimized by a brutal and repressive military government. It exposes a society where government and industry are synonym[...]orruption, but chooses to develop this theme with a narrative structure popularized by Hollywood film[...]in Casablanca. The resulting combination produces a style so dependent on narrative drama that it con[...]and Winter of Our Dreams, his films have attained a level of complexity and unobtrusive observation n[...]this film are omni- present yet somehow nebulous. A sadistic and corrupt army is identified, as are t[...]they are overshadowed and rendered simplistic by a desire to recreate the type of love story that si[...]sited. Outside the walls of the Klub the world is a dangerous and turbulent place. Within its confine[...](Bryan Brown) in Winter of Our Dreams, has carved a niche from which he can view the surrounding world with ambivalence, and a distance illustrated by the declaration that he j[...]red from cynical passivity by his love for Jo and a memory of the relationship that they shared while[...]nt to help Jo, by rescuing her husband, activates a chain of events that not only jeopardizes his bus[...]perils and ultimately claims his life. He dies in a barrage of slow-motion machine-gun fire, loaded w[...]ltaneously suggesting the altru- istic suicide of a man who has just seen the woman he loves dutifull[...]eon) and expatriate Morgan Keefe (Bryan Brown) in a tight situation. Jolm Duigan ‘s Far East. K[...]ees, and brusquely ignore Nene’s pain, ascribes a type of callous- ness and a dubious morality that seems malevolent, except by the cosmetic con- struction of a personal, if idiosyn- cratic, moral code. The portrait of a stoic spurred to participation in a poli- tical struggle is stretched to unbeliev- able limits by his single-handed assault on a military safe house, and further confused by ques[...]ratoriums of Winter of Our Dreams, which provided a background for Rob and Lisa’s (Margie McRae) romance, the past for Jo and Keefe denotes a time of shared values and involvement that necess[...]d constructed to reproduce the type of female, in a triangular rela- tionship, that both he and Duigan seem to prefer. Jo is in many respects a replication of the female characters created by H[...]d Ball of Fire. Her effortless transition through a male world, characterized by card games, d[...]
	[...]d glamorous sexuality, whether she is lounging on a loo or blufﬁng her way through a poker hand. Finally, however, forcing her to forf[...], ﬂamboyant adulteress Jo eschews. She may have a conscience, but she has no cause until Rosita and[...]ves, and make her support for him and his work as a journalist her primary concern. It is a lukewarm resolution for a character who has generated so much electricity,[...]es not com- bine easily or well with the image of a wilful, independent female. For a woman whose predilection is for tumul- tuous envi[...]gambling and applaud her flir- tatiousness, it is a form of repentant self-sacrifice best left to Ing[...]. .Jo’s relationship with her husband provides a useful insight, if not a suffi- cient explanation, for the film’s con- c[...]initially to be discordant. Reeves, like Rob, is a man who partially enjoys and simul- taneously res[...], ultimately, it is an insufficient rationale for a relationship totally undermined by the sexual and[...]ersonal responsibility”. The tenuous search for a balance between the two is a recurrent theme in Duigan’s films and most appa[...]ts intricacies, dominate the film, yet it is also a depiction of a society rife with the type of exploita- tion that pervades every facet of exis- tence. In a country where free speech is tantamount to sediti[...]o function as the ornaments of, and servants for, a thriving tourist trade. The sweaty, suit—clad Australian 1[...]ences of their actions. Tourism is viewed as both a welcome employer and tawdry exploiter, willing to consume anything appealing — beer, women, souvenirs and a smattering of traditional dancing: i.e., local cu[...]racious gusto and an absence of selectivity. For a country caught between a need for the dollar and an inability to make qualitative choices through a represen- tative government, the only source of refuge is the church. It is represented as a supportive yet impotent institution, able to witn[...]probe the instigators of injustice and produce “a protest against the treat- ment of the poor and p[...]. Its convictions are con- tinually undermined by a style and structure that inhibit both the develop[...]irector. The marriage of Duigan’s concerns with a Hollywood love story results in an unconvincing romance and a simplistic political thriller. It is a liaison that does dis- service to the intentions[...]Though it is his first for Hollywood, Missing is a very characteristic Costa- Gavras film. Tendentio[...]t-wing olitician Lambrakis in Z and the kiling of a U.S. police “adviser” by Uruguayan urban guer[...]volving drama out of the story of Charles Horman, a U.S. citizen who is presumed to have died at the[...]orman: An American Sacrifice.‘ Charles Horman, a 31-year-old writer and filmmaker, who had been living in Santiago for little more than a year, disappeared — along with 100,000 Chileans[...]sands of Chileans died because they had supported a freely- elected and constitutionally-endorsed gov[...]ng reality with deft incursions into the surreal: a riderless white horse gallops down a deserted street, spurred on by the volleys of trigger-happy soldiers; a helicopter gunship threateningly buzzes a resort hotel; patrons rush to a res- taurant balcony to watch military rule being[...]ce Jovanovitch, New York, 1978, now published as a Penguin paperback under the film's title. Mor[...]tary takeover.) As the Hormans move warily about a city under aggressively-exercised martial law, pe[...]lynch-law is still rampant when Ed Horman arrives a fortnight after Charles’ disappearance. In thei[...]imprisoned (and hundreds were actually executed). A flashback description of the arrest of two other[...]Szarabajka), shows prisoners being forced to run a murderous gauntlet of flailing clubs and rifle bu[...]resented, in typical Costa—Gavras fashion, with a cold directness that makes it all the more discon[...]g for being either background or middle-ground to a personal drama. However, the search for one U.S. citizen among a multitude of tyran- nized Chileans is the dramatic focus of the film —— a focus sharpened by the performances of Lemmon and[...]through doubt and bewilderment to reach, finally, a mood of contemp- tuous anger towards the dissembl[...]eater concern for personality is his depiction of a gradual flowering of understanding between the tw[...]partment went to extraordinary lengths in issuing a three- page document denying the filrn’s[...]
	[...]-out of the coup itself. There is, however, quite a bit of evidence that the U.S. was indeed deeply i[...]erican counterparts, the Chilean armed forces had a reputation for respecting the constitution and ke[...]tion of the White House — urged them to prepare a military takeover. And generals like Pinochet (wh[...]e naively-inquisitive Charles Horman was probably a marked man from the time he stumbled upon circums[...]ral days later, Horman and Terry Simon were given a lift back to Santiago by Captain Ray Davis, head of the U.S. Military Group (a similar character in the film is known as Captain Tower, played by Charles Cioffi). In its document atta[...]cess to, many relevant documents. (Thomas Hauser, a lawyer, makes in his book a strong circumstantial case that U.S. officials, p[...]man’s arrest but acquiesced in his execution.) A prologue to the film, spoken by Jack Lemmon, conc[...]: “I don’t see why we need stand by and watch a 2.lnterview with Dan Yakir, Film Comment, March-[...]y Senator Frank Church) ofa U.S. desire to incite a coup even before Allende assumed office in 1970 (he had topped the presidential poll with a 36 per cent vote and had to be confirmed by the Chilean Congress). After Allende was duly installed by a vote of 153 to 35, the U.S. had to bide its time[...]anging empty cooking pots ﬁlled the streets and a strike of self-employed truck-drivers disrupted t[...]d another eight seats. That U.S. agencies played a major role in “destabilising” Chile in the ye[...]conflicting with all our professed principles as a nation”.“ Leading elements in the armed services had been preparing a coup for months, possibly years. Aided and advise[...]se of another U.S. coup victim, Frank Teruggi, in a Santiago morgue and that revelations by former Ch[...]vras has said that he believes in film serving as a mirror to society and making people think — aim[...]for mass-appeal cinema requires craftsmanship of a high order and that’s something this director h[...], visual precision and resourceful imagination to a steady commitment to the underdog, usually the virtuous left-wing underdog (like the victim in L’aveu, a good communist fallen among Stalinists). H[...]
	[...]ictum that there should be no discrepancy between a film’s being serious and entertaining — and t[...]ne, while his second film Un homme de trop, about a traitor in a French Resistance group, doesn’t even identify[...]ts it depicts? Those who deplore the overthrow of a freely-elected govern- ment by a U.S.-backed-and-influenced military putsch may we[...]storical or ideological terms, it is nevertheless a powerful reminder about what can happen in the Americas to a people who vote “irresponsibly” in a democratic election. One suspects that the lesson[...](Terry), John Shea (Charles). Charles Ciofii (Cpt Tower), David Clennon (Phil), Richard Venture (U.S. Amb[...]ey Grip is an underwater shot of legs swimming in a chlorinated pool. It is accompanied by aa product of, its time which is now a decade ago. This is not really a major quibble about the film. It is so exact abou[...]structed on the string-of-beads principle. So are a lot of quite entertaining novels, but in Monkey G[...]got home”). In spite of not being able to feel a ﬂicker of interest in or sympathy for any of Ga[...]daughter Gracie, I still elt that there might be a good film in it somewhere. By “somewhere”, I meant that a director sensitive to its social/ political setti[...]time, he has unclamorously but surely put on film a small inner suburban world of streets and shops,[...]in preserving, and in doing so he has established a mise-en-scene which helps to explain the lives of[...]ivided view of their emotional lives. It balances a clear sense of rootless, itinerant camara- derie,[...]at feckless emotional life: without ever becoming a knowing tot, she does know what’s what. When No[...]” It’s not censorious, or wise-childish; just a plain answer to a difficult question. And one of the sweetest mome[...]star have in fact con- trived to give Monkey Grip a narrative purposiveness it never began to have as a novel. Where the novel is a tiresome mood piece, its characters and ambience[...]That is, Nora’s attachment to Javo (played by a too-healthy-looking Colin Friels) is not just a series of episodes but the shaping force of the f[...]ing factor for everything else in the film. It is a fine, unmannered performance that makes us accept her final comment about her life as “a complicated dance to which the steps hadn’t qui[...]a’s world. He en Garner’s daughter, Alice, is a very engaging presence, responding with (d[...]
	[...]ization than in its persistent success in evoking a locale and a time of year. Cameron has created convincingly on[...]d by the end of which emotional resources seem at a low ebb. The hundred minutes it takes to see the[...]book, undoubtedly works in’the film’s favor. A sin le shot in the film can suggest so muc more about the physical setting or the emotional state of a character than the novel was able to do in many p[...]en sharply discriminating: it has understood that a film can dramatize monotony and repetitiveness wi[...]ralia. l982. Dark Times Les Rabinowicz There is a haunting moment at the end of Die bleierne zeit ([...]years ago, abandoned him and his father to become a terrorist. Lampe compassionately reproaches the child for having, a few moments earlier, torn up a photo of his mother. She insists that his mother[...]everything about her, only what she knows. It is a measure of director Marga- rethe von Trotta’s honesty that she chose to close Dark Times, a ﬁlm about the personal anguish surrounding Juli[...]sister’s lives, with this admission. And it is a measure of the com lexity of her subject that her[...]o known in English by other titles: Leaden Times (a reference to a line by Holderlin: “I almost feel as ifin leade[...]tween von Trotta and the sister of Gudrun Esslin, a member of the Baader-Meinhof gang, who was said t[...]d not kill herself, spent several years preparing a book, setting out the circumstances surrounding h[...]has, as she explained in an interview, fashioned a film that reflects her own preoccupations as much[...]from her meetings with Christiane. The result is a film which, despite its unashamedly left-wing and[...]about its characters. What at first appears to be a slightly predictable story about two sisters born[...]s to bring about political change — the eldest, a prag- matic and reformist road by becoming ajournalist, and the other, the opposite path, by becoming a terrorist — quickly develops into a film of many unexpected twists and turns. The tw[...]the human costs involved. Dark Times begins with a vexing issue. A young boy is left with his aunt Juliane by his fa[...]r sister Marianne (Barbara Sukowa) force her into a lifestyle they have rejected? At the film’s en[...]ht by someone who had learned that his mother was a terrorist. By now, his mother, who had advo- cat[...]ue story behind her sister’s “suicide” with a single-mindedness similar to that with which Mar[...]iane’s efforts, though, are to little avail. In a chilling indictment of left- wing journalism, an editor of a prominent magazine recites the names of the new,[...]sisters as they grew out of adolescence. Through a number of flashbacks evoking Juliane’s child- h[...]ther’s favorite, while Juliane was something of a dare- devil and outlandish teenage radical. In t[...]Night and Fog). As its images are projected on to a screen in a makeshift auditorium, they are given added resona[...]ike the Esslin sisters, they are the daughters of a Protestant clergyman) hovers about the projector.[...]r probing here. (Also the ﬂashbacks suffer from a certain clumsi- Squizzy Taylor ness due to the way in which they are introduced: a childhood recollection is set off by an imposing stone courtyard, another by a cup of burnt milk ...) And more seriously perhaps[...]he audience to interpret. Von Trotta’s blend of a number of strategies which eschew emotional ident[...]film’s scenes — invites the audience to adopt a contemplative attitude toward the film. And it[...]opening credits to Squizzy Taylor hardly suggest a factually-based period film shackled by matters of accuracy in an attempt to present a cinematic account of a notorious 1920s Melbourne criminal. Rather, the m[...]and out under the well-publicized Squizzy logo to a familiar-sounding, pleasant jazz score carry with[...]s 0fSquizzy’s character and associations create a fractured impression of his career, with lapses i[...]ther Squizzy’s notorious reputation is valid or a mere media fab- rication, and, particularly, his[...]ral concern is well-depicted and is contrasted to a gentlemanly civil and emotional dimension[...]
	[...]ime ofthe assault, pres- sures him to help set up a competitor, Whiting, by robbing ajeweller with hi[...]ca- tions of such an offer: “Are you calling me a fizz?” Stokes, however, appeals to his baser priorities: “You stop Whiting, and it‘s worth a hundred quid.” The next shot shows Squizzy rob[...]ntly, Squizzy‘s ambi- valence merely represents a patchily- drawn character, rather than the extreme ends of a character continuum. After Murray’s capture, S[...]work, to which she replies, “Some fellas expect a bit extra.” Squizzy then approaches her, blade[...]lm’s nostalgic touches, prances with Dolly like a gent, breaking to knee one of her rude johns in t[...]to Stokes and desire for revenge seems to reflect a strong sense of loss and emotional injury as he e[...]h suffering damaged merchandise: “Maybe she is [a moll], but no one does that to me.” This sudde[...]Dolly after her assault, and her image of him as a pillar of security are ignored. When Squizzy ﬁ[...]by what means he acquires the position. There is a point later in the film where Brophy warns Squizz[...]ins ofhis operations to Squizzy until his return, a dire insufficiency in the depiction of this transference of power exists. Stokes saw Squizzy merely as a small-league, petty thief, even disbelieving that[...]osition in the under- .world, it remains largely a mystery as to how he curbed the ambitions of any[...]uizzy jumps bail for stealing liquor, he goes for a boat ride with Harvey, reading him an article which, the reporter assures, is front page material. There is a sudden familiarity between the reporter and the u[...]best of which I’ve written myself. But I'm only a newspaper hero.” The extent of this manipulati[...]edia sensa- tionalism of Squizzy’s exploits, as a means of selling papers, is also rele- gated to h[...]en. Piggott replies sarcastically that Squizzy is a respected citizen, an asset to the community, men[...]e children of un- co-operative people, of keeping a pros- titute in line by giving her a ‘rest’ with Piggott (Michael Long) in[...]
	Squizzy Taylor Southern Comfort the broken end of a beer bottle neck. Ida denies these accusations, t[...]ock irritation that, “This is getting to become a habit”, despite it being the first interaction[...]ay have been more satisfactorily fulﬁlled, with a stronger developmental coherence and sustained v[...]hompson Gumbo File with Blanks Finally, here is a Walter Hill film that didn’t shoot through the down- town theatres faster than lard through a goose — and one which reviewers took "‘Th[...]than any other Hill Special (cheap but deadly on a Saturday night). '1»/"I « Hey Sarge, Where Ar[...]oing or what sort of place they are in. They talk a lot about this. But they face another, more puzzl[...]Phoenix looks like the answer, but the film turns a corner and surrenders its brief flirta- tion with[...]o-operation. So, the survivors decide they are in a revisionist, unpretentious remake of Deliverance, but the film doesn’t deliver a city versus country structure or a fixation on male sexual identities. Just when it[...]eir way out of the meta- swamp, they stumble into a Les Blank film, complete with zydeco music, com-[...]of these convergences. So, this review will take a while before it gets to the film proper. In fact,[...]activates. War Games Comfort proposes itself as a war film of the type developed in American cinema after World War 2. A small. contentious military unit is cut off from[...]up actively rep- resent various parts of society (a reworking of an old literary conven- tion: The Ca[...]ing to Get the Range Twinned with the war grid is aa haven for the damned.” —Robert Mitchum, “[...]u- ment Records SLP l8086, c. I967. It’s both a swamp movie and a red- neck movie. Comfort is virtually tem- plated by “What’s Your l0-20?: “A haven ofthe damned": lost in a Louisiana swamp. Walter Hill '5 Southern Comfort.[...]quite interested in transforming the redneck into a star, but it is very inter- ested in asking what[...]ecks and under what conditions. It is completely a swamp movie. The swamp is the film’s enveloping[...]ator) or destroyed by it (Ruby Gentry); nor is it a place of potential Rousseauian grace threatened b[...]na Story). Comfort’s Guard helicopter recurs as a beacon and a tantalizing reminder of the non-swamp, but[...]
	[...]IPMENT, PERMITS, CREW, PRODUCTION SUPERVISION AND A MILLION OTHER THINGS THAT CAN DRIVE YOU NUTS WHEN[...]. TEL AA20902 or Tlve Balance of Happiness " ' @ A Film by Margaretbe van T rotta MARY GAFFNEYAPRIA[...]Zeit) — Margaretbe non Tnolta (106 mm. P 35mm ) A Distant Cry from Spring — Yo/‘i Yamada (124 min. A mm) 1 /35 Shirley Rood, \>/ollsro roﬁ,[...]
	[...]de the swamp (the Cajun’s brace ofpigs). (It is a mark of Hill’s carefully—focused dis- cipline that given a swamp full of alligators he never shows or refers to them. That’s resisting a mighty tempta- tion.) No indexation is offered t[...]ble/simul- acrum of Vietnam. Comfort is more like a cavalry Western than most war ﬁlms, in that the[...]sufﬁ- cient power in the national legislature, a bill was passed barring the use of Federal milita[...]comprised of volunteer citizen soldiers who train a few weeks each year and who are not under nation[...]tself invokes Vietnam. The Cajuns are seen not as a military force, but as a native people affronted, and they are indistin- guishable: you can‘t tell a friendly from a hostile. The ﬁlm’s ﬁrst sequence enacts, wi[...]culture. And the impaling of the black soldier on a bed of spikes is a tip of the hat to John Wayne and Ray Kellogg’s[...]t We’ve been going in circles because scribing a straight line through this blue-green-brown-unsun[...]). Years ago, U.S. critic Manny Farber called for a criticism of con- noisseurship. That need escalat[...]eir richly-condensed laconic dialogue, continuing a major tradition (see Law- rence Alloway’s Viole[...]attention and respect. But the riveting aspect of a Hill ﬁlm is the continuous and unpredictable te[...]ment through (or around) them. “Minimalism" is a word often used to link these ﬁlms with those of Monte Hellman, but a distinction is needed between the unremitting, ar[...]r on the railway trestle; and Hardin’s kniﬁng a Cajun in the thigh after Spencer plays the ﬁnal[...]ﬁrst half of the ﬁlm thinking this is really a John Carpenter ﬁlm, what with its obsessive and[...]eter, Vol. 6. No. 7, August I978. ,... . , , _,,, A A’ , ''I think genre films are the best kind[...]r at all —— they are gapped or chopped, as in a Sam Fuller combat sequence. This serves again to narra- tivize abstract tensions and to create a complex point of view system which is strictly li[...]s Carolyn Strachan and Alessandro Cavadini. It is a feature-length documentary divided into four part[...]able Gordon Stott rounded up and chained together a large number of Aboriginal people and herded them[...]sions of this deed. One old woman, Dolly, died as a result of this mistreatment on thejourney. Con- s[...]illness. This event is presented in Two Laws as a simple re-enactment, rather than an elaborate and[...]has the effect of placing the historical event in a contemporary context, stress- ing that the history of the Borroloola people is a recalled and immediate history, one that is lived[...]nes who were involved in the event. It is not, as a reconstruction would suggest, a series of events that happened a long time ago and are ﬁnished. As well as the m[...]en they should be crying. The white man who plays a reluctant Stott, and beats CINEMA PAPERS[...]
	[...]tuckout bullock. eatim whole lot meself.”) hits a tree with a stick to demonstrate how it happened. The re-enac[...]. The inter- change between the two then involves a bartering of promises to conform to white ways in[...]ple and Aboriginals, rather than trying to create a con- vincing reconstruction. The theme of dispos[...]foreign parts on the back ofa truck as they sing a lament for their lost land. These glimpses ofloss[...]thod of simple re-enact- ments is also developed. A beautifully- stylized, almost abstract, represent[...]scene is staged outside and the participants form a stark tableau against a vast backdrop of orange sand. with just a card table and maps depicting disputed areas for props. Dispensing with a realistic court scene emphasizes the connection w[...]nd black law is highlighted by the performance of a ceremonial Abori- ginal song, gudjika. that tradi[...]urt. It exists entirely outside it. This scene is a pivotal point for the film, in that it contains t[...]o contains footage ofa spontaneous debate between a Borro- loola man and a white immigrant after the latter has chopped down[...], over who has the right to the land. It involves a discussion of leases, tangible proofs of ownershi[...]s, that is the heart of the film, is contained in a powerful scene from Part Three. A Borroloola man stands in front of a river explain- ing that it is the Rainbow Serpent[...]f what is being discussed. The earlier parts have a fragility that reflects the position of fear and[...]sing contem orary conflicts, the people speak rom a position of complete knowledge of, and confidence[...]the sacred trees have been chopped down, there is a follow-up of discussion about what action can be[...]final scene of Part Four — Living With Two Laws a woman summarizes this change in atti- tude and th[...]ing: “When the land rights came in, it made us a bit stronger and I think we’ll get stronger sti[...]t like in those days. They used to just put us on a truck and take us somewhere else where we don’t want to go. Now we’re not get- ting on a government truck, we’re getting off it and going where we want to go." Besides reflecting a historical change from a position of weakness, repres- sion and fear to on[...]edium. Part Four -- Living With Two Laws works in a broader panorama, showing details of contemporary[...]ocess, Two Laws is also exceptional in the use of a wide-angle lens throughout the film. This wide-an[...]saying about land rights. At times when there is a group shot. it is impossible to discern the speaker. It really doesn’t matter, as it is an expression of a group attitude that is being recorded. The use o[...]on of land usage and ownership. These shots give a timeless quality to the land that stands outside[...]with their land. The photo- graphy never becomes a mere scenic ride through the landscape of[...]
	[...]just plain dull. Despite her critics, she enjoys a strong cult following in the U.S. and Australia.[...]lar in her native Italy where her detractors take a nationalistic stance and condemn them for denigra[...]eared in The End of the World in Our Usual Bed in a Night Full of Rain. They also appreciate her humo[...]a. Si sospettano moventi politici (Blood Feud) is a film that combines all the elements for which peo[...]nes in some of her previous ﬁlms, such as Tutto a poste e niente in ordine (All Screwed Up) and Tra[...]rked together as what Wertmuller considered to be a successful team in her first play, Two and Two A[...]which for all her acting career have ensured her a position as one of the world’s most popular sex symbols, guarantee a melo- dramatic touch. Loren comes from a poor Neapoli- tan background and she has said that she felt empathy with the role of Con- cetta, a peasant woman from Sicily. Loren is also a master of comedy and farce, another two character[...]ing. “We met in Pompeii in 10 AD. when he was a chariot driver and I was selling statuettes on t[...]esting combination for this ﬁlm. Blood Feud is a film that uses poli- tical realism rather than th[...]ed in the court. Rosario Spallone (Mastroianni), a socialist lawyer from Rome, comes to town and, he[...]also keen to further his own career and establish a reputation in the town. He does not bargain on Co[...]y her husband’s murderer, the local mayor. With a loving picture of her husband, similar to the rel[...]for him develops. Concurrent with the growth of a tentative and improbable relationship between the[...]bols of his material success and cultural change: a brightly-colored madonna for his native village, a gramophone to play “il jazz”, plus an amusin[...]and his mob. They ﬂee the village together. In a final con- frontation at the port of Naples, Nick[...]archist in Seven Beauties, who hurls himself into a tub of excrement knowing he will be shot, rather[...]sely for the two men involved with her, maintains a rigorous religious and emotional, if not ﬁnally[...]appropriate. Her nocturnal visits prove to be of a different nature: giving abortions to village wom[...]urdered husband, three people simultaneously —- a theme explored in the more petulant character of[...]inds, Spal- lone blunders about trying to live by a lofty moral code that has vague intima- tions of[...]ooders. The more she reviles him the stronger his attraction to her and her principled stance becomes. For hi[...]will give his land away. He uses it as stakes in a card game with Nick. He tips a plate of spaghetti on his mother’s hair to offe[...]m with assurances of respect and affection. He is a victim of an attack by fascists and he drags hims[...]port as the fascists claim, he gives himself like a lamb on a sacriﬁcial altar to their bullets. The act highlights the sense that Spallone has wanted to make himself a martyr to a cause to prove the moral ﬁbre that he suspects[...]routine from the shore, his gramophone resting in a tree. Nick stays despite her protests and ﬁnall[...]ew prevents her ﬁlms from developing too strong a narrative sense. As in many of her ﬁlms, in par[...]er of the film, peasants in Sicily, could provide a welter of romanticism for a Bernardo Bertolucci, but Wertmuller keeps the lig[...]nditions of the poor village where people scratch a living from the dry earth. The gentlemen’s club where Spallone offers his land as stakes is not a glamorous retreat from the village but a depressed and decaying, physically as well as atmo- spherically, bastion of Italian gentry. While keeping a realistic camera, Wertmuller is capable of creating intriguing, at times almost abstract, images — a difﬁcult achievement in the narrative film medium. Spallone’s first encounter with Concetta is a memorable one. He is motoring with colleagues on rural roads. He carries a camera. She approaches atop a lumber- ing cart stacked high with the bundles of sticks she collects daily. She forms a bundle almost indistinguishable from the sticks -— a mixture of eharcoals, greys and browns in capacious trousers, a skirt and cloak. The cart whirls by, the troubled face of Concetta is revealed for a moment, then moves on, a strange form on the road. Such potent ima[...]
	[...]llerson 192 Small Television Studio — Equipment A Division of BUHERWORTHS piy pages $19.00, The Len[...]~ Ray 202 pages and Facilities — Bermingham et.a\|. i_iMiiEDi 271-273 Lane Cove Road, $17.95, The L[...]II $12.50; THE AVENGERS (JOHNSON) $14.99; MAN OF A THOUSAND FACES (SKINNER) $11.99; ANNIE (STROUSE &[...]YARRA. Telephone (03) 267 1885 We are open 7 days a week[...]ARP MO—VIE BUFFS . . . NEW CATALOGUE A comprehensive guide to all the major actors and[...]ne: 662 1777 Open 7 Street Melbourne, 3000, days a week. write now for 0 Victoria free curren[...]
	[...]carbon copies of their originals is at last dying a slow death. To cite a recent example, critical reaction to the ﬁlm ve[...]le. Fewer ﬁlmgoers are prepared to countenance a more radical approach, however, one best summed u[...]intelligent adapta- tions could only result from a process of re-interpretation, of regarding liter-[...]for essentially new works. That the question is a complex one is apparent when one cites, on the ot[...]view that true (rather than literal) fidelity to a classic literary text was invariably an easy option for a ﬁlm- maker. However, his advocacy of the need f[...]major heresy of many screen versions, represents a posi- tion not many ﬁlmmakers are likely to fin[...]he US. in countless literature and ﬁlm courses, a phenomenon hardly found in Aus- tralia, at least at tertiary level. The volume, in a sense, both explains and questions such a lacuna: explains, because too many of the essays[...]both mediums, and in the process merely achieving a colorless sort of writing which constantly hedges[...]he editors’ claims that the essays illus- trate a variety of critical approaches. For instance, Ric[...]owing Roland Barthes) shows the strategy of using a classless narrator to be aimed at presenting the[...]m to be for him the most uncon- genial of texts, a tribute to a bourgeois hero, is shown to result in a subtle critical commentary on Daniel Defoe, a deconstruction rather than a trans- lation. Another ﬁne essay is James Good[...]d, from the impenetrable jargon which disﬁgures a good deal of recent writing on cinema. A valuable ﬁlmography of adapta- tions is include[...]e done, it wasn’t worth it” - applies only as a useful warning for ﬁlm adaptations (as Simon hi[...]and Unwin, Sydney, 1982 Sam Rohdie This is less a review of Australian Cinema, still less a referendum (good/bad) upon it, than a comment on certain problems connected with Aus- t[...]so much to what is discussed in the book than to a question why most studies of the Australian cinem[...]alyses of this sort using narrative theories over a wide range in relation to speciﬁc Australian ﬁlms (A Girl of the Bush, The Hordern Mystery, The Man fr[...]tralian cinema which lends itself more to work of a historical/sociological kind (not that such work[...]mas outside Australia which it surely is) than to a structural, semiotic one. I think the Aus[...]
	[...]om 5-50 frames per second, both viewfinders, type A & B, 2 x 400ft film magazines with I ~op protec-[...]pe Get in for your chop now. Drop us a line or call us at: The Open Program, Australian[...]VOCA ST.. STH YARRA (on Toorak Fld) pl. 257 4541 a Design and set construction service availa[...]
	[...]te simply, and starkly, for anyone concerned with a transformation of the cinema, with new directions, new possi- bilities, a new consciousness of things, the Australian cinema is without interest. It is not simply a matter of names and all they signify (no Jean-Luc[...]), but that at best Australian ﬁlms demonstrate a skill and expertise in handling what is only rath[...]nres (Cinema Papers‘ New Aus- tralian Cinema is a compendium of these: epics, war ﬁlms, historica[...]ans- form, question, challenge, even inflect. In a sense, what is of interest in the Australian cine[...]in this way (and I doubt if he would accept such a pose), the analyses he speciﬁcally offers of Au[...]nd social determinations made elsewhere for them, a colonial bourgeoisie still grimacing with the soc[...]ritain). The structure of economic domination and a limp, _grovelling, managers-of-foreign-capital bo[...]ed Senett Abrahams/Macmillan Aust.. $65.00 (HC) A large coffee table book on the history of the Hol[...]olor and black- and-white stills. Masterpieces ~ A Decade of Classics on British Tele- vision Alist[...]ley Head/Australasian Publishing Co., $35.00 (HC) A superbly-illustrated survey of great British tele[...]zabeth R and Lillie. Movies from the Mansion — A History of Pinewood Studios George Ferry Hamish Hamilton/Thomas Nelson Aust., $29.95 (HC) A history of Pinewood Film Studios, one of the worl[...]Outland and the James Bond ﬁlms have been made. AA year-by-year, il ustrated survey of the mass of s[...]. Ruszkowski Barnes/Oak Tree Press, $27.50 (HC) A complete, illustrated survey and assessment ofthe[...]Ronald Howar William Kimber/Imp., $31.95 (HC) A biography of Leslie Howard by his son. Kim Novak[...]Tree Press. $27.50 (HC) The career of Kim Novak. A fully-illustrated survey of her life and ﬁlms.[...]an Louis Catelli G. K. Hall/Remal, $36.95 (HC) A guide to references and resources. Biographical b[...]ood British Film Institute/Gaumont Books, $1595 A revised edition of this book originally published[...]iscusses the 40 ﬁlms made by Hawks and includes a new cha ter particularly relating to new theories[...]Style and spectacle in four ﬁlms, I948-I955 — A title in the Arno Press “Dissertations on Film[...]Hamish Hamilton/Thomas Nelson Aust., $29.95 (HC) A study of the controversial director and his ﬁlm[...]r Van Nostrand/Thomas Nelson Aust., $40.00 (HC) A profusely-illustrated survey in color and black a[...]ed by John Kobal Dover/Doubleday Aust., SI l.l5 A collection of superb scenes from great German ﬁlms of the \|920s. A History of Narrative Film David A. Cook Norton/Feller and Simons, $2\|.30 (TPB) r A comprehensive cinema history ideal for the ﬁlm[...]ey Hochman Ungar/Ruth Walls Books, $22.50 (TPB) A National Board of Review Anthology 19201940. A survey of the major ﬁlms of this period. Reference Cinema — A Critical Dictionary Richard Roud, two volumes S[...]published so far. Cinema, the Magic Vehicle — A Guide to its Achievement Adam Garbicz and Jack Klinowski Scarecrow/James Bennett, $36.95 (HC) A comprehensive listing ofﬁlms of the l950s. each[...]$27.95 (HC) The latest annual review of ﬁlms. A survey of the ﬁlm world, plus book reviews and[...]am Katz Macmillan/Macmillan Aust., $19.95 (TPB) A comprehensive one-volume guide to the cinema. Mo[...]strated, with more than 2400 mini ﬁlm reviews. A Reference Guide to the American Film Noir: I940-I958 Roberto Ottoson Scarecrow James Bennett, $20.25 (HC) A list of ilms with synopsis, cast and credit detai[...]u Can Gerald Cole Star/Gordon and Gotch, $3.95 A novel based on the ﬁlm script ofthc Clint Eastw[...]pital Gerald Cole Star/Gordon and Gotch, $4.50 A Lindsay Anderson ﬁlm. Squizzy Taylor Richard[...]st., $3.95 Novel based on the Australian ﬁlm. A Woman Called Golda Michael Avallone Q Books/Gor[...]Aust., $5.95 Behind the scenes in the theatre by a leading writer and producer. * VIDEOREP INTEGRATED TELEVISION WORKSHOPS A NON-PROFIT ORGANISATION AIMED AT IMPROVING[...]
	[...]vo motors, locations, etc. F I L M N C 3 8 8 C I a rend 0 n S t re et If you think you have anything[...]our own longhand, to South Mel bou rne V Ict or I a 3 2 05 Executive Producer, 1>.o. Box 333, Bondi B[...]prefer not to have to return anything; enclose s.a.s.e. if you ( O 3 ) 6 9 9 9 O 7 9 want an[...]
	[...]altons: R. Gosclnny, France. 2286.82 m, Filmways (A‘s\|an) Dist. The Champions Part 1 (16mm): Natio[...]onster: T. Shlndhara, Japan, 2579 rn, Fllm- ways (A’slan) Dist. Tue recht und scheue nlemand (16mm[...]y, 704 m, German Embassy Vargiasmeinnlcht (16mm): A. Rabenait, W. Germany, 1140 m, German Embassy Wh[...]ilms, O(adu/t concepts) I Married You For Kicks (a): G. Cechln, Italy, 2743 rn, Cinema ltalia, O(adu[...]rn, German Embassy, O(adult theme) Picasso -— A Painter's Diary (16mm): Net 13, U_.S., 979 rn, Na[...]Germany, 1219 in, German Embassy, O(adult theme) (a) Previously shown on October 1971 list as I Marri[...]t., V(i-m-g) Chanel Solitaire (reduced version) (a): L. Spangier, France. 3067.68 rn, GUO Fllm Dlst.[...]S(i-I-I), L(i-l-/) Der atarks terdlnand (16mm): A. Kluge. W. Germany, 1065 rn, German Embassy, O(ad[...]o Cinematogratlca, \|\;aly;, )2413.84 m, Filmways (A'slan) Dlst., S(l-I-g), '- -9 Fillai Son: Hal Hu[...]st/Chibote, Sweden/Britain, 2940.85 rn, Filmways (A'sian) Dist., O(adu/t concepts, nudity) High Risk[...]. Siegel, U.S., 2593.58 m, Hoyts Dist., V(t-m-/) A Man oi Immortality (16mm): Central Motion Picture[...]Phillips/Demme Prods, U.S., 2565.70 rn, Filmways (A’sian) Dlst., O(adult themes) Monkey Grip (b):[...]esurler Films, Aus- tralia, 2673.50 rn, Filmways (A'slan) Dlst., S(/-I-/'), V(i-/-I) Swamp Thing: B. Meiniker, U.S., 2459.62 m, United Artists (A'sia), S(i-l-g) Underground USA (16mm): New Cinem[...]Britain, 2509.92 m, Road- show Dist., V(i-m-g) (a) Reduced by producer's cuts from 3374 m [Sep- te[...]rs (reconstructed pre-censor cut version) (16mm) (a): T. Taylor, U.S., 471.70 in, 14th Mandolin, S(i-[...]show Dist., V(i-m-g) Last Drive-in Movie (16mm): A. Pickersgill, Australia, 252.31 m, National Libra[...]nsor cut version) (c): Lolas Films, U.S., 1841 m, A.Z. Associated Theatres, S(i-m-g), L{f-m-g) The P[...]14 rn, Superstar lni'l Films, V(f-m-g), O(drugs) A Woman's Torment: R. Norman, U.S., 2426.26 m, impa[...]F (German language, English sub-titled version) (a): Golden Harvest, W. Germany, 3589 m, Fox Columbi[...]Reason for deletions: O(sexuaI activity involving a minor) Hot Times (b): L. Mishkin, U.S., 2210 rn,[...]1 min, 52 secs) Reason for deletions: S(i-h-g) (a) See also under “Films Board of Review". (b) P[...]n in Peril (second reconstructed version) (16mm) (a): Not shown, U.S., 623.50 m,14th Mandolin, S(i-m-g), O(sexua/ violence) (a) Previously shown on September 1981 list. Films[...]F (German language, English sub-titled version) (a): Golden Harvest. W. Germany, 3589 m, Fox Columbi[...]hold the decision of the Film Censorship Board. (a) See also under Eliminations". (b) Previously s[...]80 in, Warner Bros (Aust.) Napoleon (videotape): A. Gance, France, 232 mins, Cooke Hayden Pri[...]
	PIBTURE PREVIEW A tragi-comic love story about Peter Thompson (Norman Kaye), a middle-aged bachelor, and Patricia Curnow ( Wendy Hughes ), a 30-year-old spinster. Lonely Hearts is directed by Paul Cox, for producer John B. Murray, from a screenplay by John Clarke and Paul Cox. Opposite[...]first meeting, after having been ‘paired’ by a dating service, Bottom left: Patricia appeals to[...]er parents. Bottom right: Peter is interviewed by a detective (Chris Haywood), right, after ha[...]
	MIXING POST-SYNC RECORDING VOICE-OVERS We have a well equipped sound department with first rate st[...]ions Pty. Ltd. Telephone (o2)958 1088 (3 Ilnes] w.A. 110 say st. imom6o14.3e7 4492 S.A. 239 ac Hwy,P\|ympton 5038.293 2692
	[...]ify his Veronika seem glib) and extends them from a personal to a larger relevance by relating the terrible stressa[...]sickness and division of her country. They share a death wish, and Berlin's Wall and severed Germany are figured in her slashed wrists and throat. A harsh and shocking indictment of national sicknes[...], having seen it, voted it Best Film, was Pixote, a lei do mals fracs (Pixote, Survival of the Weakes[...]street kids who roam the cities of Brazil, and to a law which prevents anyone under 18 years from bei[...]criminal acts? To examine the spread of crime in a society so corrupt that when one inmate of a sadistically mismanaged, crime- breeding reform school is offered a chance to escape says, “I'm staying - it’s wo[...]sequential flow and child perfor- mances. It has a cumulative effect which makes its two final scenes almost unbearable: the first, in which Pixote finds on a prostitutes breast the mother he lost, and she th[...]e mentality of totalitarianism”. it is patently a matter of great seriousness for the Sydney Film F[...]osition — the security of the Festival rests on a “deal” made in 1975 without solid legal sanct[...]he most unfortunate and onerous characteristic of a film festival audience is the expectation of an i[...]mmentary so bleak and pessimistic in content that a lack of inventiveness in style may be over- looke[...]the State Theatre and the glittering spectacle of a gala opening herald an invitation for an elite in[...]ms like Bill Forsyth’s Gregory’s Girl, elicit a response tantamount to condescension. Description[...]lightful and engaging abound, but barely conceal a prevalent belief that optimism about the human c[...]in the post-session coffee queue is to recognize a vaguely- concealed insult. While Gregory’s Girl is indeed all of the above, it is also a hilarious, subtle and satirical glimpse of adolescence, in a spirit that effectively topples many of the tradi[...]d by the prospect of redundancy, Gregory moves to a defen- sive position and stands amiably by as the[...]upheavals of life provides an admirable basis for a valuable education. Another comedy feature of th[...]and (Mary Woronov) in the pursuit of their dream: a restaurant in the country which they con- sider c[...]and. As they murder and pillage their way through a smorgas- bord of sexual perverts and lecherous sw[...]cts an ode to life on the west coast of the U.S., a Gomorrah where “the barrier between food and sex has been totally dis- solved.” Shot on weekends, with a skeleton crew and rented camera, the film com- pe[...]cuisine American style and swingers, it becomes a stylistic counter- part to the acidity and black[...]ing Ducks. The Hungarian satire, Peter Bacso’s A tanu (The Witness), cast some equally barbed, if[...]ermittent cuts to explanatory notes, it resembles a fairytale, tracing the ascent of Jozef Pelikan (F[...]ests that the occa- sional lapses of integrity in a simple man will be suspended when challenged by s[...]Rafferty, Jayne Loader and Pierce ﬁafferty, is a documentation of the naivete, ignorance and propa[...]s. its inter- pretation of recent history is also a chilling testimony to the power of the media and[...]ty to convert any phenomenon, even paranoia, into a marketable commodity. The film depicts the transformation of post-war euphoria to atomic fever, a fashionable title effectively used to sell cockta[...]c. Hasty preparation for Armageddon gave birth to a host of cottage industries, from the design of an[...]n of survival kits (with all the serious- ness of a Sunday picnic), and the furnishing and protection[...]what they hear now.”‘ Indeed, the message of a nation’s criminal ignorance and flippancy, effe[...]techniques that necessitates biting the head off a live chicken; and the ditch- digging punis[...]
	[...]tival 1 982 Georg Laschen (Bruno Ganz) beside a terrorist in the war-torn Lebanon of 1975. Volker Scl1l0r1d0rff's Circle of Deceit. are unclear. There is a vague admission that a uniform will enable them to “stand talf" and ea[...]ouraged to resent until the film's conclusion. As a veteran of the Vietnam war, he privately despairs that he has lost a part of his soul. He is unable to cry or to share[...]his ability to train others to do the same. it is a penetrating glimpse of the function of an army and a process of regimentation that seems to necessitat[...]count of the indoctrina- tion of an individual by a religious cult reveals many similarities to the training procedure depicted in Soldier Girls. When a disillusioned David Kappel (Nick Mancuso) arrives in California to visit a friend, he is unwittingly lured into the extended family provided by a cult. The film traces his demise and eventual red[...]g and chanting; the intensive, exhaustive pace of a group that emphasizes physical exercise, mental d[...]duality and his sex drive on the road to becoming a heavenly child. He becomes a fictional counterpart to Sergeant Abing, as his r[...]ramatic impact rather than lucid investigation of a perplexing phenomenon. its answers are too simple[...]cause ofsocial evils, rather than the symptom of a more complicated deficiency in the cultures that[...]ts his lyrical black-and-white scenario pro- duce a more complex, and ultimately more potent, appreci[...]that govern social trends, without resort- ing to a judgment of their validity. Mick (Graham Green) conveys a sense of powerlessness: the frustration of being[...]company enlistment in the army. He is locked into a society with a dearth of alternatives. In a film punctuated by the image of endless dole queues, Mick's aspiration for a career as a motor mechanic seems chimerical. It is as temptin[...]environment that crushes initia- tive and imposes a maddening lack of privacy, his escape is to the garage, where he repairs a motor-bike that can guarantee a limited freedom. The bike assumes the significanc[...]d Karen (Carolyn Nicholson). Loach’s talent as a director is evident in his ability to suggest and[...]f judgment. The army, introduced at the outset by a recruiting film, provides the only immediate, leg[...]riend, who has been stationed in Ireland, reveals a transformation from an apolitical youth at the crossroads to a soldier whose primary emotions are vengeance, bitter- ness and a barely-concealed racism, which his enlistment has[...]uggests, it is able to look at situations, create a per- ceptive awareness of the factors that create[...]hlondorff’s Die falschung (Circle of Deceit) is a thankfully-rare film, so consummately assured in[...]aws of its content. While purporting to elucidate a complex contemporary crisis, it suc- ceeds only i[...]ts juxtaposition of sex and violence, and invites a voyeurism molli- fied by the reassurance of valid[...]hat alternate between fascination and disgust, in a style that is characteristic of pornography. The civil war in Lebanon becomes a vehicle, a showcase, for displaying atrocities and relishing[...]tise of their depiction. Laschen (Bruno Ganz) is a foreign correspondent who shares the director's p[...]cognition, and their obscurity is seen to justify a nihilism. While on assignment in Beirut, his disillusionment with life —— a crumbling marriage, a profession in which he has littlefaith or commitment — is temporarily allayed by a brief infatua- tion with Ariane (Hanna Schygulla)[...]ivate not only sexual desire in Laschen, but also a justifica- tion of his own frustration and dis- interest. For a while, she becomes his preoccupation, his cause.[...]n (Jerzy Skolimowski) is an uneasy liaison. It is a unity firmly mired in the ideology that transport[...]ionals who invade beleaguered countries, and with a minimum of personal involvement profit and thriv[...]mented by Laschen’s cynical belief that he has a responsibility to alleviate boredom in the lounge[...]film re- sembles its soulless hero, purporting to a substance and depth of conscience that is nothing more than a facile pretence. Laschen’s monotone narration t[...]s and his self-doubt are no more than devices for a circular process that can never pene- trate its p[...]s tale of disillusionment never penetrates beyond a glossy recreation of the horrors of war. Wars do[...]_sHon all sides. What it supplies is no more than a diversion whose achievement is based solely on it[...]talls. Comparing Jean-Jacques Beineix's debut as a director in Diva to the stylish, innovative thril[...]nd complement them with an originality of design, a fluidity of camerawork and an aptitude for the cr[...]. Jules (Frederic Andrei) is an opera lover with a passion for the work of soprano Cynthia Hawkins ([...]ure her voice for his private pleasure, he sneaks a Nagra into her concert and produces the first hig[...]ext day, his inadvertent presence at the scene of a murder involves him in a police investigation. As a result, Jules becomes the unwitting target of the police inquiries, the mob reprisal and a blackmail attempt on his idol, the dive. He has been hurled into a classic Hitch- cock scenario; unable to rely on familiar territory, forced into a situation where his survival is dependent on his wits, he becomes the resourceful protagonist of a volatile world. Happily, Beineix's concerns are[...]f business” and the suggestion that everyone is a little guilty. He elevates Paris from a glorious background to an integral character, a technique equally effective in Rohmer's La femme[...], evoking an atmo- sphere so mercurial that it is a continual delight. The bevy of idiosyncratic characters is as diverse as a black soprano, a Viet- namese thief, a French detective with a penchant for puzzles, a few sinister thugs and a couple of Taiwanese black- mailers. The visual feast, enhanced by discriminating selection of music and a host of ebullient characters, makes Diva as stimu[...]k of Robert Bresson, and an inspiration to create a
	film in the style and mood of Pick- pocket. It is a daunting standard to impose on any film, but part[...]ved, written, financed and into production within a month. Yet the tension that highlights Moonlighti[...]ts with an almost im- perceptible flicker make it a homage that is to be appreciated for its influenc[...]its ironic political allegory. As the leader of a group of Polish tradesmen flown to London to reno[...]his boss (briefly glimpsed as the director doing a Hitchcock), Jeremy irons gives a taut and sensitive perform- ance. His voice as th[...]mber of the group, he learns through the media of a military coup in Poland. Caught between a desire to complete the project and a responsi- bility to inform his co-workers, he pos[...]mpossibly-meagre budget provided by the boss and a work. schedule that resembles a five-year plan reduced to a single, hellish month. The budget problems are so[...]ne, following the comple- tion of the project and a six-hour hike to Heathrow. The depiction of the[...]verishly laboring on an inadequate diet to repair a house he can never enjoy, is an apt allegory. Sko[...]so the theme that underlies Claude Miller's Garde a vue (The In- quisitor) and Michel Deville‘s Eau[...]ll three films revolve around the construction of a male protagonist, whose initial appear- ance of ineptitude is gradually unmasked to reveal a calculating murderer, or, in the case of Garde a vue, a character that the audience could accept as a murderer. As the agent of law enforcement in the[...]s public opinion of his own buffoonery to conceal a series of vendettas aimed at eliminating the town’s trash. Ostensibly spurred by the vigor of a neighboring police chief, he systematically dispo[...]ier gradually persuades the audience to formulate a portrait of Cordier in accordance with the opinions of the townsfolk. Having constructed a character we believe to be a genial yet irredeemably sluggish fool, he proceed[...]opinion, until the impact of the final scene — a repetition of the film's first shot — reveals the true nature of Cordier as a devil figure. Using his status as the reigning l[...]one of the guilt. The "paradise" he has chosen is a state of limbo, where there is no distinc- tion b[...]in trips to and from Bourkassa suggest that it is a place where time stands still. The blind man on t[...]e tone of Coup de torchon are further enriched by a number of excellent per- formances. Noiret’s ba[...]e adaptation of Patricia High- smith’s story of a husband driven to murder by his wife‘s promiscuity labors under the weight of its.source. It is a film so doggedly faithful in its translation that[...]depths of its central relationship. The result is a film that suggests the exist- ence of some fascin[...]results from their respective abilities to create a visual language as expressive in style as that of[...]reta- tion that must accompany its translation to a new medium. Light Years Away is Alain Tanner's i[...]at 25, and, though its language and location mark a departure for Tanner, its concern with the pursui[...]ic of his films. Jonas (Mick Ford) is enticed to a sanctum that civilization has literally by- * pa[...]initially goads, and later guides, Jonas through a spiritual journey that will enable him to inherit[...]subside, and Yoshka subsequently transforms from a brooding master to a supportive mentor. Jonas’ growing respect for and harmony with nature enable a unity to develop, based on mutual respect and und[...]encouraged to share his wonder as Tanner creates a universe resplendent with luminous mauve light, s[...]e mechanical wreckage that litters the year 2000, a testimony and obituary for an industrial age, is[...]and appreciation of this beauty. Light Years is a film that encourages the pursuit of dreams, a theme shared by Les Blank's Burden of Dreams, a docu- mentary chronicling Werner Herzog’s produ[...]etween depression and exhilaration that accompany a venture as defiantly ambitious as Herzog’s. Burden of Dreams accomplishes an admirable synthesis; a combination of Herzog’s sensual imagery and Bla[...]l that delineates diverse cultures. The result is a film that cele- brates men like Fitzcarraldo and[...]he pursuit of dreams and, in that quest, discover a truth and purpose in their own exist- ence. Yet, it is simultaneously a film that illuminates the preoccupations of pro-[...]'s technique of cut- ting away from the action in a scene to lingering shots of the extras. He con- structs an acute awareness of a culture imperilled by the onslaught of indus- trialization. Finally, Burden of Dreams is a fascinating documentary with an admirable[...]
	[...]/ists NIGHT 7247/ \|/ F WOR\|El}J:,JR\|£TG A PROCESS 8‘ , . . ELECTRONIC FILM SYNCHRO- -[...];; §’f;§,‘- fﬁﬁdﬁfgg *;;;;,°;; 35:; A I‘ .. 1: tech,‘ inspection ,and preview machi[...]C95‘ " ~ - . , ELECTRONIC CUE DETECTORS 16 or - A V 35mm ﬁlm with counter, beeper, and light 724[...]4‘ Blooping tapes 16 and 35mm, for sound PRINT. A "T - track or picture, 50 ft from $3.25. B[...]
	[...]nd director of /he aulabiograp/iical celebration. A Personal History ofrlre Australian Surf. Melb[...]ian production, Take the Money and Beat It, takes a serious subject — the cultural problems of an A[...]grown up in different cul- tures. It is apt to be a bit loose and predictable as we observe teenagers[...]little to do with its cinematic merits. There is a sense of strained serious- ness about the Swedish[...]of Berg- man’s great repertory players. Against a physical background of snow-covered woods and mountains, a political back- ground of a neutral country in a world at war, and with a remarkably difficult family for its emotional context, Thulin unfolds, in a leisurely, disjointed way, the growing up of 13-y[...]villages in which Thulin grew up and they become a metaphor for Erika’s ignorance of the wider wor[...]Thulin’s narrative grasp is too shaky to ensure a firm sense of continuity. What one gets are scen[...]onships which finally pushes her off on her own. A different kind of growing up is cele- brated in Michael B\|akemore‘s A Personal History of the Australian Surf, the most sheerly enjoyable film of the Festival. Blakemore, now a successful stage director in London, recalls growing up in Sydney in the 1940s. He was, he says, a “straight poofter", a mother’s boy who loved the movies and hated rou[...]he other main formative influence of his youth is a witty, sardonic father who, while not overtly opp[...]himself into his “advantages”: he undertakes a medical course (in the loosest sense of the term)[...]ouch and the wit of the narrator’s voice, it is a serious film about the relative shaping pressures on young people's growth. There is a more obvious serious- ness at work in the only ot[...]42. It does more than this though. The method — a sort of “dramatized documentary” — is not c[...]of remembering. As Bill Neave recalls “sticking a Jap with a bayonet”, he comes to terms with the notion of himself as a “murderer" and weeps to think of Melbourne Fil[...]ow his father would have responded to the idea of a son who had killed. “We shall never be at peac[...]uy. This particular quotation does indeed provide a statement about the docu- mentary’s procedures:[...]single greatest performance in the Festival; in a more teasing sense, it seems of course scarcely a performance at all. By collapsing past and present, Tammer has created a remarkable sense of 40 years of one man's life. E[...]ty, but it seems to be that it needs its hour and a quarter to register not just the recollections bu[...]a, director Jean-Jacques Beineix's first film and a highly entertaining melodrama. It is romantic, co[...]and exciting by turns and sometimes all at once. A resume of its complicated plot would not merely t[...]two weeks after viewing, but would scarcely give a sense of its bold inventiveness. The incidents in[...]narrative sources: his illicit tape recording of a concert given by an operatic soprano (played by t[...]ng possession of evidence of underworld vice when a prostitute on the run dumps a tape in his mailbag. These two incidents are onl[...]way they belong to Jules’ sense of his life as a drama in which he is actively engaged but chiefly[...]hase through the Metro and the chilling climax in a deserted warehouse all posit a sharp edge of terror just beyond the well-lit are[...]ror in the sequences I have referred to. Diva is a really stylish entertainment, a film that seems to delight in being a film without being the mere pyrotechnic di[...]
	[...]le editing makes every editing job possible. From a low budget commercial to a winner at Cannes. Forfurtherdetails, call us.[...]%r§8%70‘\|4£31. 514 . . eonar s, ne: . Telex: A/X94150 FILMWA 5233 New South Wales 2065. 3361509.[...]‘INVESTORS’ Wanted for ‘THE PERPETRATOR’ a 90 minute suspense drama, based on the best seller THE GATTON MYSTERY. SAVE A LOAD ON EXCESS FREIGHT CHARGES. BY HIRING THE "HE[...]t Phone (07) 396 0173 (07) 371 8767 DARYL BINNING a_c_s_ TELEX2 43212 AA BARMAC 15 DENNY WAY, ALFRED COVE W.A. 6154 Ph 09 330 5070. We treat our stunts like you treat your film A BUSINESS Australia's most versatile and experien[...]28 A&J Casting Agency Incorporating TOP 10 MA[...]
	[...]sedentary activities of the National Library, but a film archive needs to be where the action is: it[...]l sections of the media (which in itself suggests a burgeoning interest in film archiving work), and[...]position in FIAF. FIAF may sometimes appear to be a ponderous, rather restrictive organization, cloud[...]t its members bear their own name and demonstrate a measure of autonomy and ﬁnancial self-sufficien[...]it in fact makes sense if film archiving is to be a truly collective worldwide effort as it should be. Strictly speaking, many archives have a dubious qualification to membership of FIAF on th[...]information, so long as there is central control, a clearly—defined program and policy for each arc[...]particularly in the costly In Britain, there are a number of regional or specialist archives (the la[...]s is not the case in Australia, and that there is a deal of competitiveness, overlapping and ineffici[...]e position in the National Library. I would make a final suggestion: that the means be found to set up an independent detailed study of the work of the NFA by a qualified group (if this is not already the aim of the present advisory committee) with a view to making recommendations on its future deve[...]tralia be strongly (and financially) supported as a possible key factor in gaining for the NFA the na[...]Filmco, O(aduIt concepts) The Foreigner (16mm): A. Poe, U.S., 998 m, Aus- tralian Film Institute, V[...].45 m, Roadshow Dlst., O(sexuai allusion) Liar’a Moon: Hanna Prod., U.S., 2825.29 rn, GUO Film Dis[...].71 rn, Norman Films, O(aduIt concept) Once Upon a Time: Golden Harvest, Hong Kong, 2565.70 m, Grand[...]lm Enterprises, V(t—m—g) Unmada Bode (16mm): A. Poe, U.S., 767.90 m, Aus- tralian Film Institute[...]ricted Exhibition (R) Au Pair Girls (videotape) (a): G. Coen, Britain, 81 mins, G.L. Film Dist, S(i-[...]uelier W. Rubi, W. Germany, 2192.27 rn, Filmways (A‘sia). S(f-m-g) The Call of Duty: S. Chein. Tai[...]Love: Jurgenz, W. Germany, 1952.16 m, Filmways (A'slan) Dist., S(I-m-g) (a) Previously passed “R" with eliminatlons (Septe[...]tivals and then exported. Against Wind and Tide: A Cuban Odyaaay (15mm): Seven League Prods, U.S.,[...], 1190 m, Melbourne Film Festival The Artist was a Woman (16mm): The Artist Was A Woman, Inc., U.S., 638 m, Melbourne Film Festival Between Rock and a Hard Place (16mm): Blue Ridge Mountain Films, U.S[...]ourne Film Festival Pablo Picasso: The Legacy of a Genius (16mm): Blackwood Prods, U.S., 1018 rn, Melbourne Film Festival Phil Gueton: A Life Lived (16mm): Blackwood Prods, U.S., 682 m,[...]Germany. 960 rn, Melbourne Film Festival Tibet: A Buddhist Trilogy (16mm): Thread Cross Films, Brit[...]bito Abe, Japan, 3678 m, Melbourne Film Festival A Wive'e Tale (Una hlatoire do lemmas) (16mm): Atel[...]minations For Mature Audiences (M) Ghost story (a): B. Welssbourd. U.S., 2940.85 rn, United lnt’l[...]7.8 m (17 secs) Reason for deletions: S(i-h-g) (a) Previously shown on February 1962 list. See also[...]fused Registration The Bloody Flats (videotape) (a): Hong Nik, Hong Kong, 90 mins, J & P Video Hire, V(i—h-g) China Sisters (videotape); A Spinelii, U.S., 74 mins, Blake Films Vic., S(i-h-g) A Coming of Angels (videotape): J. Scott, U.S., 72[...]m. Sunn Classic Prods, O(sexua/ exploita- tion of a minor) Pussycat Ranch: Jack Rabbit Prod., U.S.,[...]ett, U.S., 1816.80 rn, 14th Mandolin. V(i'-h-g) (a) Previously shown on January 1973 list. (b) Prev[...]t 1975 list. Films Board of Review Ghost Story (a): B. Weissbourd, U.S., 2940.85 rn, Cinema lnt’l[...]hold the decision of the Film Censorship Board. (a) Previously shown on February 1982 list. See also[...]partment of Health Services in associa- synopglg; A film designed to promote the camera assistant ____(3arry C\|ement5 p,0d_ a$5istan!_ _ _ _ _ __ pau; Chammon tlon with the N[...]ion effective use of pesticides and herbicides in A551 ednor , , _ _ _ _ , _ H , Debbie Reagan cominw[...]U5l'_3l_'3” Veleflﬁalt’ Chemicals Bynopeiez A look at safe food handling in Asst editor . . . .[...]. . . . . . . .. TFC WHA-I-as COOKING? Synopsis: A young mother thinks she IS Mixer . . . .[...]
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	A nja Breien Anja Breien Continued from p. 32][...]orked with Bergman? No. He saw Wives and we have a friend in common, and met. I have kept in touch,[...]one has to make one’s own mistakes. It may be a bigger problem, in that you have an interest in s[...]I see ours as two different worlds. I think I’m a great moralist and am very marked by moralistic attitudes, but they are more a bour- geois conditioning than a Christian one. The only thing that has bothered m[...]re [laughs]. That has always haunted me. I am not a totally unreligious person, but I can’t see why[...]are working on now? Yes, I hope so. It could be a weakness as well in that I can’t live myself into it. But it may be an advantage to see it from a ‘heathen’ point of view. Which would make it a very differ- ent approach to that of Bergman, with his background . . . Yes. God, he’s a pastor’s son! Bergman said that after The Seven[...]at is preoccupying me. The Seventh Seal is for me a work of genius. I don’t have quite the same for[...]tle of that around. Here in Norway there is such a Bohemia myth in the arts, and what I am learning from Ingmar is that film is a craft, a profession, one can learn. There are, of course,[...]view the witch hunts as the paranoid reaction of a male society x against a female power. ’ I think it is very difficul[...]oo little, notjust technically. It is, after all, a poetic medium. Do you think the cinema has becom[...]stag- nate in the opposite direction. It becomes a new moralism. That film should reflect our lives[...]too. In the Nor- wegian film industry we have had a very important struggle to earn professional salaries. To gain a decent living, a lot ofpeople have to prove that they know their job, and it has resulted in a kind of com- placency with people losing their cu[...]verywhere else. And we are all freelancers. I’m a freelancer, too. I have social security, of course. Those who work up at Jar for Norsk Film A/S are fully employed, but otherwise . . . How do[...]instance Sweden? I found it easier in Sweden on a purely professional level because of the traditio[...]omething isn’t good enough, you are not seen as a bitch but as someone who wants to have the best.[...]tion of the film Forfolgelsen. It is essentially a film about intolerance, and fear of outsiders; in[...]ery contem- porary, Breien suggests. Rather than a film about witchery or the supernatural, it is essentially a love story, about a woman who is not afraid ofexpressing her feelings[...]She is careless, and suffers the consequences. In a sense, one might subtitle the film ‘How to become a witch without really 999 trying . As to the questions “Was she a witch?” or “What is a witch?”, Breien says, “If I accept the conce[...]both Eli Laupstad and myself. Why should I accept a concept that hits woman as a sexual being? There is much fear of women in the[...]view the witch hunts as the paranoid reaction of a male society against female power.” As to her own work as a director, and future projects, Breien says, “O[...]the political.” Breien is starting to think of a contemporary project: “Now I have to make up m[...]ound.” Filmography 1967 Jostedalsrypa 36 mins A short film, based on a medieval legend, about a young girl in a Nor- wegian valley at the time of the plague. 17 Mai, en ﬁlm om ritualer 12 mins A satirical documentary on the cele- bration of the National Norwegian holiday. Awarded a prize at Ober- hausen festival. Ansikter 8 mins Paintings by Edvard Munch. Voldtekt 96 mins A young man, wrongly accused of a crime. sees himself being ground down by thejudic[...]Fortnight in Cannes. Murer rundt fengslet 12 mins A denunciation of the Norwegian penal system. Herbe[...]ves is about three former friends who meet during a party and decide, for a short time, to forget their feminine ‘responsib[...]by John Cassavetes. Shown in Chicago, and awarded a prize at the Locarno festival. 1977 Den alvarsamma leken (Games of Love and Loneliness) 106 mins Based on a novel by Hjalmar Soder- berg published in l9l2, this film was made in Sweden. A Maupassant tone for a love story upset by prejudice and law. Awarded a prize at the Chicago festival. 1979 Arven (Next of Kin) 95 mins 1980 Forfolgelsen (The Witch Hunt) ‘A’ 1969 l97l l97l 1972 1973 1975 197[...]
	[...]interest. In essence, it must satisfy itself that a film can be screened for general or restricted au[...]by the Board of Review to scenes in Pixote where a child is in the presence of people engaged in sex[...]association with persons engaged in activities of a sexual nature was not indecent, obscene, injuriou[...]cations Act. This Act prohibits the appearance of a child in the presence of a person engaged in an activity of a sexual nature — appar- ently even if the qualit[...]The Films Board of Review does not consider that a decision applicable to all states should be adjus[...]and, Re: 1982 Melbourne Film Festival I enclose a copy of a letter sent this day to Senator, the Hon. P. D. D[...]t that part of the foundation for your action was a pur- ported sustainance of the Victorian Police O[...]to decide whether that is the case and it is not a function which resides with you. You will doubtl[...]Attorney-General, Parliament House, Canberra, A.C.T., 2600 Dear Attorney-General, Re: 1982 Melb[...]by the Chief Censon Incidentally, I note that as a result of the last Ministers’ meeting you were[...]’s intended actions. If so, why was I not given a chance to consider whether Victorian legislation[...]propose to take. I enclose for your information a copy of a letter I have sent to the Chief Censor. John Cai[...]al has been formed in Victoria and will undertake a 10-city tour of that state in March, April and Ma[...]who live outside the Melbourne metropolitan area. Aa genuine variety of film," said Graham Davies, gen[...]rts in the country are gener- ally suffering from a lack of funds and a total lack of any diversity in film presentations[...]program will be variety and diversity." Although a sponsor has been secured and an application for g[...]o the movie theatres that exist across the state. A few have closed over the years and the different programming format offered by our Festival is seen as a positive contribution to the local community.”[...]tival The Jung Society of Melbourne will present a second Jungian Film Fes- tival on September 18-19[...]of Sculp- tor Steiner, Jean Cocteau’s Blood of a Poet and Le testament d’Orphee, Michael Lee's B[...]k- about and Ingmar Bergman’s The Magic Flute. A panel of film critics will offer opin- ions and r[...]k, 2 Devon St, Eaglemont, Vic., 3084. Tele- phone A.H. (03) 459 3530. Nicolas Roeg’s Walkabout.[...]Jones. The investment is to complete scripting of a project funded to first-draft stage by the Austra[...]ries) is an original story by Stephanie McCarthy, a South Australian writer‘ freelancing in the chi[...]n's Television Foundation has been established as a non-profit-making company to encour- age t[...]
	A Shifting Dreaming David Millikan A Shifting Dreaming Continued from p. 33] Territor[...]what is happening in the Northern Territory.” A Shifting Dreaming may have implica- tions in an a[...]00 Aboriginals were slaughtered. This massacre is a well—kept secret of Australian historians and y[...]rank Crow1ey’s general Australian history text, A New History of A ustralia, the massacre gets no mention, although[...]quiry into this massacre is being re—enacted as a major part of the documentary to assist in the po[...]o. Plasto saw the dramatization of the inquiry as a means of going some way towards coming to terms w[...]levision and elsewhere. For Plasto, then, making A Shifting Dreaming has been “an unbelievable human experience”, that is, quite simply, “a historical document that had to be done. It rema[...]ry Australia. The final summation of the judge is a quite extraordinary, even devastating, statement. So, you are making a documentary that combines the issues of land righ[...]mainly. it is the Warlpiris. Are you hoping that a documentary about this sort of issue, or event, will give people a better understanding of the background of Aborigi[...]the long run it matters for us. I think there is a case for forget- ting things, or perhaps a case for moving on, but you only do that on the b[...]e the original owners, that they have maintained a profound spiritual affiliation with the land thro[...]and that they were dis- possessed of the land in a violent and destructive way. Their claims on an e[...]found difficulties in the business of maintaining a viable lifestyle on the land because it is margin[...]o that in itself, for me, is enough. I feel we as a country are enhanced by our capacity to recog- nize their rights. Would you say it is a measure of the humanity of a nation to treat its natives in that way? It may be a measure ofthe sensi- tivity of our conscience; it may be a measure of our sense of guilt; it may, if you put a better light on it, be aa respect for the underdog and a basic aware- ness of the values that make the lan[...]ject? It is being financed by private investors. A lot of them were attracted to it because of the t[...]ion — the normal route these days. It has been a costly project because it has been very expensive[...]t the feeling of largeness and grandeur and quite a deep mystery associ- ated with it. Translating th[...]u see the potential markets for the ﬁlm? It is a film that will be of great interest to Australians because it deals with a question that will become more and more crucial as the years go by. It is also a film that will be crucial to countries dealing wi[...]mericans, the Canadians. The Germans seem to have a perennial fascination with the Australian Aborigi[...]rds any particu- lar audience? No. It is shot in a way that will make it entertaining and interest-[...]f doing this we have found ourselves caught up in a fascinating and huge set of issues. We may[...]
	[...]camera on the market (23db i idb). These are only a few sound reasons for choosing AATON. Ther[...]
	[...]Because it was the first, it was contested from a number of quarters not necessarily directly inter[...]claimed by the Aboriginals. At the time, MIM was a foreign company and these purchases required the[...]he Foreign Takeovers Act. One basis for preventin a foreign takeover under this Act was a con ict between domestic policy and the takeover;[...]any’s purpose in buying these stations included a desire to have control of the area. In particu- lar, it wanted a basis for bargaining with the Aboriginals in the[...]the claimed land was that it wanted easements for a road, powerlines, a pipeline and, possibly, a railway through the Borroloola Town Common and ou[...]in the Pellew group. MIM wanted Centre Island as a site for a port town and power station. Southwest Island, wh[...]frequently made to give evidence sitting alone in a _chair before the whole court. This put the Abori[...]xperience of courts has always been traumatic, at a terrible disadvantage. The Aboriginal Land Commis[...]ining power at all. Part three of Two Laws shows a dispossessed Kurdanji man at a waterhole on McArthur River Station. The place is a rainbow serpent Dreaming, which is part of his tr[...]state. He is standing on the concrete surrounding a large pipe which, he explains, “goes right in t[...]ould become angry and flatten all the miners with a fiery cyclone. How he wishes this would happen![...]was cut down on Manangoora Station. This is also a sacred site, the legacy of a Dreaming shark whose song cycle is chanted each y[...]acred Aboriginal sites. Nonetheless, they allowed a European staying at Manangoora to cut down the trees, to make a new paddock. This was in the interests of “deve[...]ren of male owners.) The argument which ensues is a parody of misunderstanding. It appears that the European, a Yugoslav with a poor command of English, believes that, at some t[...]stroy the people connected with it. There is also a fear that people from outside the Borroloola com-[...]curring more frequently than ever. Photographs of a sacred burial site in the Sir Edward Pellew Islands were published in a book last year. One showed the photographer’s wife peering at a skull in a sacred log coffin. An Aboriginal, other than the[...]ss. The author of the book explained that it was a sacred and secret place of the Aboriginals at Bor[...]oped the island burial sites would one day become a museum. Aboriginals at Borroloola are angry at t[...]four of Two Laws. It opens with some scenes from a mortuary ritual and follows with sections on set-[...]tstations, women’s role at Borroloola, parts of a young man’s initiation ceremony, a camp corroboree and the playful entertainment with which women perform while on a day’s hunting. The work scenes from the outstation show a yard being built from bush timber held together w[...]most to contribute to the out- stations, confront a choice: is it better for them to leave the outsta[...]could possibly earn on their own land? There is a deep dislike of the social conditions of wage lab[...]foreign goods which they valued and it was always a two-way relationship. Even the larger pastoralist[...]refer to work for someone with whom they can have a reciprocal relationship, or the semblance of one. And today, Borroloola Aboriginals, at times, work with a European because he is a “good old bloke”, even if they may not be cer[...]to recognize his obligations in some way, perhaps a lift in his car, or some beef, beer or money when[...]NT) 1976 will only be, as it is said in Two Laws, a “piece of paper”. Two Laws shows that[...]
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TXT
	[...]youVe been perfectly happy, why change? A nd that goes right down the line when you talk to top color graders like A rthur Cambridge - he's made no complaints. IVe got a very good relationship with Kodak. Representatives come and see me at least twice a year and we discuss what my future requirements[...]irst class service. If they're bringing out a new type of stock Kodak always contact me. T hen[...]d or David Gribble, have tested the stock, I get a report from them on how best it could be used.[...]an say is, id very sm ooth ... therek just never a problem." Kodak M otion Picture Film[...]
	[...]always utilised the a t N eutral Bay of air ionisation is reflected pr[...]It not only produces a clean, dust- them to introduce the very[...]Clean a ir N egative Ion[...]
	[...]ely below the site A I'<j of the old Movietone theatrette, Les McKenz[...]/K: quite recently, the Golorfilm executives had a suite of very comfortable offices.[...]. The very least we should do is provide you with a world class theatre to view rushes and finished[...]an we can, and will be only too happy to run you a reel so you can see and hear the results o[...]
	A ustralian Film A wards resources branch of the Education ators (30 per cent of a budget and[...]y become the sole c a te g o rie s in w h ic h th e y are[...]Film Victoria as a producer of quality agers, presumably most[...]record, the VFC is suited to such a task projection in M[...]opportunity to say that, -- especially one on a far larger scale tif[...]Even a cursory glance of film activity in[...]d declara tion. Such a procedure may be an over " I say this, not in a spirit of provin Geoff Gardner, director of[...]cial patriotism, but simply because a bourne Film Festival, announced the[...]the regulations state that no bourne, with a strong cultural tradi the closing night o[...]film which received only one vote, a filmmaking in Australia. We have had[...]e outweighing 52. remarkable success in a decade, but Third Prize[...]Prize Greater Union A wards wind', recapturin[...]were The Decision (Vera Neubauer), A General Category[...]nal press sees the brugge), Murder In a Mist (Lisa Gott[...]
	[...]The Quarter General Category A ward at the Greater Union A wards. empow[...]e. However, it is the func Wales). pared a statement on Pixote's worth as tion of th[...]laiiBiiBBiiiaim a film and the reasons why it should be[...]case and it is not a function which concern over the Censorshi[...]kland. of having dismissed the film with a have been found to be at variance with ney-G[...]ar Sir, (a) I did not dismiss the film any should be, the t[...]nts it made were much Censorship Board has taken a stub violated, among others, the Victori[...]Police Offences A ct 1958. Con Festivals.[...]its that the Censorship Board is acting in a that they cannot ignore their statutory paragraph of a 17-paragraph review,[...]ion of the misquotes critics. It will be a pity if Censorship Board is not the adjudi has been notable for its lack of direc Board, a film contravenes the critics th[...]al material; Films Board of Review took a different June 15:[...]see it as appropriate that film may be a very long time, l wish to put on[...]ed from record through your columns a few[...]cussed at a forthcoming meeting of[...]tensions, never slackened for a second[...]by quite brilliant direction, represent a[...]Pixote yesterday. This was a slightly Dear Sir,[...]wed in As the exclusive distributor of A[...]Board of Review. It has a new intro Most Attractive Man, we we[...]children who have a common back[...]as a film dealing responsibly with the[...]in a corrupt society.[...]
	[...]hat intentional? performance as a country schoolteacher in the[...]e film ended up It was circumstances really; a successful Australian features, "Stone" (19[...]ha Christie and the were offered, and, equally, a couple by a stay in Britain where Morse starred in[...]and I have often had the oppor winning "A Town Like Alice", "Silent Reach"[...]a lot and was able to observe first After^ "Caddi[...]r East", hand how a British production got in Britain. Then there w[...]underway. It was British in terms of a two-year break before "A Town produce Duigan's "Winter o f Our Dre[...]ning show at the Ensemble, which was Rain, and a couple of short Producer Richard Mason an[...]en Morse on location for John Duigan's It had a very large crew, but they plays at the Nimrod.[...]working on films, and worked very of that name, a Samuel Beckett[...]great enthusiasm. One of piece called Not I and a little sketch[...]were a lot of American executives Madison Clocks Out. I[...]ters like a producer called Jarvis called Visit with the Fam[...]Another big difference was that There were a couple of things,[...]films, I've always found a terrific How did you find working in Britain[...]work overseas? was a political exercise, mainly because of Vanessa Re[...]A couple of film scripts came my influence on the[...]tunity to do a play in London, but example, she wrote a six-page[...]people involved in setting that up cing her as a bourgeois romantic,[...]was then fully committed to doing a she had to do this before she could[...]am very lucky, in that I have had A lot of script rewriting went on[...]the chance to do a couple of really with that film. It was original[...]terrific things, such as A Town Like written by Kathleen Tynan --[...]
	[...]three-and- between these two sides of o u r1 a-half months. It is about the con personality. flict between a mining company and a-young Aboriginal who fights There is also a fair amount of dis for his land rights.[...]Morse: I suppose she was an i you look for in a role? appendage to both of them, in a [ way. It is quite an interesting rela- \| A challenge. I guess that's a tionship she has with her husband j fair[...]ion process. ities. Partly because of a certain Obviously, you have to make a con instability in her background, and nection with a project on some kind partly because of a certain lack of of deep level. Then you can look[...]s difficulty in making it and analyze it. But in a way I commitments. She vacillates. But th[...]tion. Far E a st After Jo wins a lot of money at a poker[...]racted you to "Far East"? Jo's reaction is to buy a batch of paintings from a man in the street. I was greatly intrigued[...]tation -- not only in the poli come from watching a group of tical sense, but within the charac hous[...]ke ters and their relationships. It sort way for a Japanese cannery. He of echoed the main theme, w[...]used to -- the good times, the flip being a do-gooder. But her actions Mason: The com[...]cript had in part been pancy, the absence of a need to be come from an em otional and Peter also can be seen as the one based on a particular woman's committed.[...]equal and opposite reaction. McKeon. But it was a tremendous to an extent, but she is not[...]o was able to do something that reinforcement of a decision I had make a strong commitment. At Peter wasn't[...]the Koala Klub? Your character has a French accent reality, to be able to find a way to giving this man money means a lot and expressive facial gestures. How sor[...]cious, though I could have picked them up from a friend of mine, Francoise Villachom, who helped me with the accent. I was a bit doubtful at first, but John thought it wou[...]l seemed to come together. We rehearsed for a couple of weeks and that helped a lot. How do you see Jo's character? There see[...]bably summed it up totally. Mason: We have a whole series of ways of expressing that.[...]
	[...]Jo's dress is a very important facet[...]had a lot to say about the clothes,[...]as well as to John. We just pooled a[...]I paid tribute Morse: Yes, that caused a bit of Reeves (Helen Morse): together again. Far[...]a stir. John and Brian Probyn East. Above: Morse a[...]to Casablanca, which is a favorite [director of photography] weren't[...]I think their fears were Morgan, which happened a long[...]allayed, because I think it makes a time ago, in the very unstable[...]sablanca blanca" is that the loner saves the a scene she knew, and yet which she there ar[...]tried to and did leave. She is not runs a club, called Rick's Bar, and end. ..[...]fascist. They are Europeans in an Mason: In a sense, it is Jo who almost tripping back int[...]a respected journalist and his wife is[...]ause it is something you should together in "A Town Like Alice"?[...]was successful and a lot of the pub[...]a love story -- two people who[...]
	[...]Actually, I believe that unless reading a script and, while that can Was much of the fil[...]rate. And when it is say to me, "God you are a clever gation, that something is inconsis[...]tent, then it is the actor's job to to have a writer-director, parti interiors in Suprem[...]realize the author's intention. cularly on a film like Far East Studios. that -- I'd be a clever producer if I Sometimes an actor comes up[...]vels. had. a line in a truly organic way from[...]make a drama of that, because we[...]think it is a virtue making films[...]a lot of people think it's a negative[...]pleted in a rush to comply with the[...]happened a couple of times on Far is the scene of Peter[...]So, we were right in front. Of Morse: As a director, John is so East. But generally I thi[...]nists making flowers. There is course, it was a bigger film. interested in, and caring of, actors. is to make work the intention of the a constant danger of them squash Having been a[...]rement is that sures, particularly if we had a diffi Are there advantages in working goes to a restaurant where there is a United Sound and the laboratories cult scene coming up. He would with a writer-director? dance with bamboo stalks, and there are working 24 hours a day. They make sure we had space and time.[...]What happens when a script is to be having great fun and are in co[...]about the role? being locked up in a factory to get a John had a fairly firm grasp of what[...]Morse: I usually like to talk to It is a great freedom; it is also a another film this financial year and,[...]the script understood something. That is a graceful people are like symbols of to start thinking of booking United shifted a bit as you worked on it. fantastic advantage.[...]- and a lot of one's own subjectivity when pay a deposit. Isn't that incredible? Morse: Ve[...]have all done -- except I always 314 - A ugust CINEMA PAPERS
	[...]ingly in a society that does not easily tolerate tall Hauges[...]had to leave at some stage, not festival. It was a year of enough promise to Norway was, app[...]signs of hope were by women directors man's Life/A Drama at Sea tr[...]dismal film harvest in drama paa havet) in 1908. A to go to Stockholm, London, Paris, Lodz . . . 1980. A series of failures that happened to be father an[...]released at the same time were pounced on by in a stormy sea. The son falls[...]th Norwegian films?", by then an the elements -- a pretty Tvinde,[...]m ade in 1920) th a t revelled in ru ral appear from places where no[...]but, in an otherwise rather bleak Scan based on a novel by Magnar Mikkelsen. A literary classics, and Tancre[...]cus of attention at science fiction tale, set in a barren North Henrik), who directe[...]rather than Norway of the future, it again pits a fisherman film, Den store barnedapen[...]risten Denmark and Sweden. Although the basis for a and his family against a harsh environment, this ing) in 1931.[...]ital Norwegian film culture is still in the time a sea emptied of its fish through the ruth[...]Hollywood making, there are signs of optimism and a con less efficiency of large factory ships. Again, a and Sweden. Another notable name of the early siderable effort to foster a more stimulating, pretty bleak tale.[...]period is Walter Fyrst who reveals a strong professional and less parochial film milie[...]uch as this -- image, and who created a sense of fairytale sked to put their[...]lem in interviews conducted by individual facing a hostile and prejudiced social environment. Despite a substantial film produc ronically, t[...]he film magazine, Filmavisa (which tion for such a small country, Norway has the G[...]ture, the dogged production, initiated a form of subsidy as a training ground for feature filmmakers, the social realism of film production in the 1970s is a that gave a boost to the films in the lack of good scriptwriters, a virtual non-exis fair mirror of a certain heaviness that hangs over immedi[...]rcee of script consultants or creative producers a hard-edged culture fostered on determination,[...]roblem that films are made for sense of duty and a guilty conscience. That same those by[...]"we have to make film" , stifling gloom nurtured a Henrik Ibsen, a Knut Skouen later turned to sensitiv[...]in Vibeke Lokkeberg's Loperjenten The 1960s saw a reorganization of Norsk in the Australian scene o[...]l). Film A/S, which had been a focus for the film In an interview in the same ma[...]of Team-film A /S, which has had a solid record brightest hope in Norwegian[...]Film Festival a few years ago. enough to[...]
	Norwegian Cinema her a tall poppy in the small Norwegian film milieu.[...]ting the unpardonable sin perhaps of comparing a country that has suffered as much from culture[...]film last year, Forfolgelsen (The Witch Hunt), a film in the first person, based on an original[...]t. The story is told from the point of view of a woman, an outsider who is the victim of a witch hunt in medieval Norway. Where Breien is a perfectionist, very con cerned with the craft of filmmaking, Vibeke Lokkeberg reveals a more unpredictably emotional and intuitive touch as a director. There is a highly sensual quality in both women's films o[...]of the snow-clad landscape in Western Norway, a painterly sen suality. Breien herself comes across as a woman of a great degree of professionalism and poise, som[...]Liten Ida: a child's experience of war. In Lokkeberg's Loperj[...]isual exploration of the textural quality of with a sense of authenticity, the film suffers from[...]interior images. The film captures Bergen of the a heavy-handed realism and not enough control[...]whichever comes first. post-war years and is a sensitive view of a child's of performance. The dialogue becomes stil[...]A/S, which is two-thirds owned by the Ministry exp[...]ssion and so on. From the Glomm's Zeppelin, again a film about adults as film (anything from a mere[...]couragement' of around $1000 up opening image of a girl feeling the silk on a seen by children, received critical acclaim and a to $4000)[...]re very limited; woman's dress or seated beneath a table, peering good audience response, judging by[...]s it is popularly fascinated between the legs of a woman visitor, comments of children. Per Blom's S[...]favor straight documentary shorts of an there is a fine tension in the film that is (Silver Mouth) was realized from a script by inform[...]Martin Asphaug that won a competition in 1980 There is ano[...]to develop their talents in the Where Breien is a technical perfectionist, for best children's film[...]A/S, operating independently and now also Lokkeber[...]wn up, has poor sound and tion, Again it tells of a child's experience of a Filmhouse, a building only opened last year. It[...]he Film Club sometimes soft focus, the latter in a curious way split between parents and a change in partners. Assoc[...], passion and children may be the first fruits of a public debate excellent child performance, as[...]ed by Terje directors. Kristiansen for As Film A/S. As far as film funding goes, Norway is in a[...]weden, where T he third woman director to have a competition is stiffer in a larger film milieu. The film in last[...]to 90 per cent bourne Film Festival a few years ago. of the production costs. These loans are then Again the subject is a child's experienceso--ugthhtisfrom a Norwegian bank. The guarantees time of[...]roef walalor cated, on application, as advised by a on a little girl whose mother works for the seven-member committee appointed by the Germans and is a mistress to a German officer. Ministry. The child suffers so[...]ren and adults at least 2000m in length, receives a subsidy of 55 Vibeke Lokkeberg''s The Errand G[...]fth feature. Per Blom's Solvmunn (Silver Mouth): a child's involvement award at the Haugesund Film[...]in a parental split. 318 - August CINEMA PAPERS
	[...]o! to blow them up to 35mm for theatrical foster a more vital film culture.[...]mental film that explores film as a visual art release as a two-hour program. The first film The Study Section of Norsk Film A /S, set up form and is concerned with the image as such. concerns a protracted strike in support of an in 1973, pr[...]script Consciousness of such film seems to me at a very unfairly sacked worker, and Bravo! Bravo! is an development, and acts as a supervisory umbrella low level. Perhaps it is a reflection of a culture irreverent satire on the " oil fairy tale[...]ted on annual budget is around NKr. 2,000,000 (a little highly conceptual.[...]there. out twice a year in doses of about $1500 for a[...]he production unit, Filmgruppe 1 A /S, to work on the present Head of the Study Sec[...]government-sponsored broad a major documentary on the post-war period, Szepesy, its function is to serve as a research and casting station that[...]archival footage. development centre, as well as a production unit. Norway's radio[...]A phenomenon in a class of its own is the Norsk Film, and even sug[...]Svend Warn and "to demonstrate that Norsk Film A /S is a very buys very little independent film. Chances f[...]mmakers of selling When they first hit the screen a few years ago, In answer to the much debated q[...]ded extremely well to the whether Norway needs a film school, he replies, television stations. The[...]y satire on Norway's "Of course! Not necessarily a film school, but seen in some parts of Norway.[...]democratic hell" , which in their films rather a screen studies centre." A bright spot in the development of a vital only seems to breed apathy and powerlessness, The leader of the Study Section is clearly a film culture and a venue for short film is frustrated anger and viol[...]y. The characters are often by virtue of being a foreigner in an influential far held in the old r[...]rker than position. On the one hand, he brings a much of Roros (which has been used for several Nor the Night); points are driven home with a sledge needed sharpness of critical judgment a[...]ne Day in the Life of Ivan But their films marked a welcome departure film production, but, on the[...]ber 1981, attendance had grown the 1970s, and had a strong visual and theatrical the money given o[...]the small town and sense at their best. There is a punk quality in which may take years to bring[...]estival staff, and there was talk of moving it to a their demonic humor which clearly appealed to[...]pt or project development larger city. Aside from a visiting Polish con young audiences, but unfortun[...]ical Film forced. may or may not be fulfilled. A new generation of Association also holds an annua[...]ll-town portrait, Across the Oslo. -a it was held in O[...]an ambitious Fjord (Kjarleikens ferjereiser), was a Fine debut So far there seems to be a doubling up in the program that included David and Judith in 1980, is now working on a second feature, The functions of training betw[...]i's Two Laws and Oliver conflicting loyalties for a soldier. from its archives and library activit[...]Sacred Ground. From a culture with a strong tradition of courses and seminars of a more practical nature The development of regional[...]0,000 ($10,000), as well as the side to the coin: a certain preachiness that has Report was issued[...]can get hands-on 1970s -- that, and perhaps also a complacent fate is now uncertain. It suggested[...]With around 10 feature films produced a year If backed up by a vigorous and critical film The Study Section was intended primarily as in a country of little more than four million milieu, now in the making, and a stronger a training ground for potential feature film people[...]stival). Malte Wadman, a team that managed to get imagination to Norwegian[...]In Solve Skagen and Malte Wadman's Bravo! Bravo!, a black conflicting loyalties of a soldier.[...]
	[...]Did you feel it a risk stepping into choice?[...]No, I found it a very good as a choice. But my feeling was that[...]in the dramatic structure, throwing herself into a passionate[...]time, I feel Hjalmar Soderberg is a terms of wanting to become a[...]working with his material. It is like is in a lot of people.[...]m is one between two people who careers. Ours is a society that[...]are unable to throw themselves creates such a situation, and it[...]completely into a love relationship, becomes a personal conflict. But[...]commitment is a relevant issue. But[...]it was expected that I would make a It is as if a woman is supposed to[...]film with a woman as the main go into a kind of puritanism in[...]have become very in lately. It is a creative. Of course, it often turns[...]portrait of a man in that film, and out that way -- that one h[...]allowed to make as a female the case of the film] it was some[...]you as a legacy from "Wives"? relationship as well. That[...]Yes, absolutely -- a feminist[...]ming of herfourth feature, Arven (Next o f Kin). a burden, but I do register that it that question[...]takes place. imagine you are a bit sick of that type of question . . .[...]one. There is no impression you had a very definite ually shown that I can handle[...]nships . . . job, at least to some extent. But a Is the project you are working on[...]now based on a work by another[...]You said in an inter is something I have a tendency to thought of as being dominating,[...]thing that like going from being a sex object but they deprive the woman of it.[...]ry created to a boss, in a way, which is com am speaking in cliches, b[...]be- have a long way to go.[...]problems being a woman director, and the female actr[...]
	[...]Forfolgelsen (The Witch Hunt): "We are living in a time of much persecution. " confidence to dare to make a break. from Jostedalsrypa.[...]If you make a film every second card. It is a matter of trying to find phone contact with Ingm[...]ons for everything I Bergman. That has been a your life. You are very[...]you have that very out. I want to go in a completely[...]Yes. It is a very inorganic means snow and flowers.[...]'t dare -- though I pared to being a painter, for Do you have anyone in mind for the None of my films would really fall think it is a fantastic film. Mine will instance. You[...]ial I'm working on In the case of a man like Fass It will be a Norwegian-Swedish drama. They are construc[...]im. But I don't think he Sweden today to look at a screen drama, but it is naturalism.[...]Norway. You need a lot of the right someone who comes from outside[...]orwegian. Yes, I consider that a natural Yes. Some of the good things in[...]ne of the easier Well, really Danish; we were a Have you worked with other re[...]countries in the world to get a part of Denmark at that time. directo[...]such chance to make films. I know a lot There will be some Danes, too. ent[...]you feel an affinity? Kittelsen a bit. just easier[...]tional beliefs and Christianity? Yes, I was a scriptgirl on Have you wanted to approach film- There is relatively a lot of money Hunger, which Henning Carlsen making in a more visual way before around for the size of the film Yes, it was a period of transition made. It was a very different type but felt constrained?[...]however. adopt Christian beliefs. But a lot of[...]the high cost of making That is a development over the past beliefs or the superst[...]e dangerous, were last few years I have had a regular not simply evil. That is where[...]women, it is much harder to get a old initiation rites, for instance,[...]films in the bigger demons might have to cut up a[...]countries, whereas here we benefit body as a necessary transition to a[...]has recognized that film is a automatically evil. With Chris[...]cultural responsibility. They have a tianity, it is a totally different[...]Denmark. Sweden has a lot, but[...]I think one problem here is that in a time of much persecution. It is[...]there are too many people who only a part of the climate of our times.[...]make one film. There is a problem It's dangerous to mean anything.[...]with continuity. We need artistic There has been a lot of political[...]have established a form of contact, clear that thoughts are dangero[...]he is a tremendous teacher. He Ideas have power. That's[...]to protect myself a bit. He wanted get an idea for a film and think I[...]time that I felt I had to make my like to make a film there, on the[...]own version. But he was the first to West Coast, a film that is much[...]hat was his reaction? We easily end up with a lot of[...]die!" 1Actually, I got a very positive am going to try to make a film that[...]stedalsrypa was not to make it look pretty, like a post[...]
	[...]ng textures to the film. The " New and taken to a hospital, where the police again during its t[...]nutes. place of business and art, but in writing a[...]report which will appear months the edge of a murder mystery which is he takes advantag[...]tain's hint that he can go to places though a long way from High Art, is made later, it is not[...]t probably which create tension, beginning when a[...]Carradine) arrives in a small country[...]r Of course, it is possible that at a[...]apart. Varennes being a small place, but the[...]nursed to appear that the saxophonist is a pre-sold packages, will be neither the Neil's talent along, and I think this is a[...]com mance as the aged Casanova is lost on a ai[...]mitted to nothing but music, to a vengeful generation dulled by the crass inter[...]ctors' Fortnight acquired Angel is about a saxophonist in an killer. It is not that[...]he All in all, Scola's drama may look like a proved that Newsfront is a hard act to hail. One girl in particular,[...]no battles, and not even a duel. Love parisons between Heatwave and Donald[...]view, when a carload of masked men beautifully act[...]ust The Night of San Lorenzo won the A foreign audience found that there waiting[...]the best film in Competition. There is a having set up the plot at conversational[...]much this year. There were strands of mystery in a flurry of gunshots[...]rectors, but Crombie's film, the whole story, of a[...]rd: Michel wicked barons of development, carries a[...]W enders, the Tavianis, Lindsay For a fresh outlook, or even just a new[...]set a high standard, the opening cere ambience, there[...]presentation of a new, and somewhat used Ronald Hugh Morrieson's n[...]s The Night o f San Lorenzo: last days o f war in a small corner of[...]
	[...]Cannes Film Festival 1982 Taking a ship across a mountain to a nearby tributary: Werner Herzog's Fitzcarraldo.[...]fo u ". recent years, of making the Palm d'Or a tap, but fascism would only pervert.[...]if not the decade, had enquete sur la violence (A Gentle Inquiry Golden Palm between Yol, produce[...]ard since Pierrot le fou, and occa escaped from a Turkish prison into poli Robards succumbed[...]was made the jungle. Robards was to have a sets. The sub-titles failed to keep[...]dramatic Jagger, but by the time Herzog found a fulness failed altogether. It may have[...]placement for his hero, Jagger's other made a better impression, had there not after an hour and a half of his film, and as[...]oes it commitments intervened. It took nearly a Swiss competition entry was Godard's[...]jungle, Klaus Kinski. for work, embodied by a tele-feature sion, such questions need not obtrude. necessitates a simple division of the[...]director (Jerzy Radzivilowicz) and a Peter de Monte's Invitation au voyage a[...]ner (Michel Piccoli). They (invitation to a Voyage) is a road movie,[...]bution" to the cameraman, brothers could create a series of almost since then, the equally ob[...]ful integration overlapping viewpoints, explore a wide Nosferatu and Woyzeck but, his loyal[...]atic lighting which made the last days of war in a small corner of lessly miscast as a loony Irishman. And buy is as much fun as the creative effort every shot look like a record cover. (The Tuscany, but also the layers[...]en at the time) can has little to offer in a conventional part as Isabelle Huppert, who tries[...]d no longer disentangle from the emotion a brothel-owner in love with Kinski: Pic[...]hich covers are in this year.) invitation to a ally-colored recollections of their w[...]added a bizarre note of sexual menace to her work,[...]lini, Andrzej Wajda, Grigori separate a film from its central charac[...]n countries where fascism is turned into a director's film; the com alien to the spirit of the people; politics may be a mess in Britain or in Australia, bination of[...]atter, about communism) all graphic bric-a-brac, sunrises and show that there is always a ruling elite, sunsets teeters between the br[...]hilarious. However, the power, with lackeys (or a police force, or German critics found it hard[...]into preserving their power. may be due to a wilful refusal to see Kinski as a comedian. Paolo and Vittorio Taviani are the sons of a rich industrialist, and World War 2 As f[...]shed directors especially the poorest, possessed a strength which socialism could perhaps[...]
	[...]n and Michelangelo Antonioni's Identification o f a Woman: "there is nothing as deep as an empty[...]" British political organization". Voyage is a variation on the thief-and- characters and th[...], underground stations investment to a minimum and reduce the cates the only possible parallel, to the corpse. It is a chic film, but even in its and empty building lo[...]satirizing his contemporaries from a ereens, directed by Susan Seidelman,[...]rigidly moral standpoint, assuming that with a combination of a steady, well- A few years ago, films like Smith[...]t boy and prom ereens, Invitation to a Voyage and par for Elmer Klimov's Agonia, a grand and is no difference between knaves and iscuous, restless, quasi-criminal girl ticularly A Gentle Inquiry Into Violence spectacular drama about Rasputin, in the fools. giving a new twist on the increasingly would have bee[...]fashionable theme of unbonded pairing. with a fresh approach used to make their stein[...]stand, there was a timetable of films 1981, who came to rebuild a house for Jeremy Irons in Jerzy Skolimowski's Britishfilm, Moonlighting, "a nightmare allegory . . . on showing in the Marke[...]censored information . . . and all other tools of a dictatorship". the last day of the Festival; on the penul (Jeremy irons, giving a performance[...]Pecs, during the Hungarian Film Days. a nightmarish allegory (pot unlike Grot-[...]forcing labor to fulfil a timed plan, and all[...]tek (Embracing the other tools. of a dictatorship. As[...]Jeremy Irons lies, steals and cheats for a[...]ope which deals openly with homo behind a curtain of non-communication.[...]the hostile prurience of a male-domi Communication, relationship[...]mad dash across the firing lines at a Antonioni's Identificazione d'una donna[...]border post reaffirms (Identification of a Woman) cannot be[...]deviation-must-end-in-tragedy prize, a tribute awarded to celebrate the[...]seems to precede by several genera one a rich bitch who escapes from the[...]This sense of a static, museum-piece rather winsome[...]
	[...]the Never Never is directed by Igor Auzins, from a screenplay by Peter Schreck, for producer Greg Tepper. Shot on location in the Northern Territory on a budget of $3.2 million, We of the Never Never is[...]cond Chinese cook, Cheon (Cecil Parkee). 326 - A ugust CINEMA PAPERS
	[...]Ningla-a-na). Their aim has been to give the[...]Two Laws goes a deal further in this direction[...]loola community and a smoother film, in[...]Aboriginal people from Borroloola, a small Filming started durin[...]ly erratic and Australian culture. A deliberate and lives at present; they regard[...]A wide-angle lens is used throughout the film.[...]forgetting that it is seeing a selection from a[...]d people, the superstitious bar is intersected by a European world whose centre barians or the peo[...]e. Aboriginal lives by tying their identity to a few Alessandro Cavadini and Carolyn Strachan sel[...]ited by the community to make the film Two Laws, a two-hour film in four parts, opened a season at the Sydney Opera House on Below:[...]as important a message as the more explicitly-[...]The first part of the film deals with a police[...]
	[...]were made to walk in chains and at Borroloola to a proposed reserve about 100 as if she were teaching them a new dance or a handcuffs, perhaps as far as 200 km on the trek k[...], with the driest meted out to Dolly; she died as a result of it. She they had to maintain a[...]hgaidngbeaen arrested because she was living with a Borroloola. A great deal of their power came tree, which repre[...]battlers -- had agreed to a com aries, who tried to exercise a harsh moralism in "You been tuckout bullock?"[...]ot area. Their activities were on a scale the Branch and the missionaries was also[...]. Borro Fifty years before this police patrol, a bloody The Aboriginals were able to get supplies of the loola has never been a mission or government battle between the Karra[...]losses by Aboriginal attacks and the wrote a number of books about the combo life, legendary figures and a combo. A letter was sent outbreak of disease, and the per[...]loola Aboriginals has its roots in a pattern of[...]lected over the year. In return, they received a[...]cattle. The police sergeant at Borroloola sent a con " boys" . The constable was charged with Commissioner under the Aboriginal Land stable and a tracker out on patrol as it had been assaulting D[...]crowd. The aim was to arrest the ring Combos had a role in the resistance to an[...]
	A Dramatized Documentary Bob Plasto, who began work as a give the Australian and some se[...]was for six years a producer, the extent of the issues involve[...]series A Big Country, became the attempts to retur[...]g Aboriginal land rights claims is, therefore, a matter of major importance, not only to filmma[...]tralians, themselves included, and established a film company, Imago Australia, which will atte[...]their efforts is the television documentary, A Shifting Dreaming, which will go to air[...]
	[...]arguments. It was a massive emotional although the final step of act[...]as well. Also, there was a lot of dignity in the use his valuable experienc[...]think we will be able to present a fair story." And for the film- or documentary-[...]conflicts of a different kind. Plasto act of bringing change to[...]ty of the Revolution is, of course, too strong a project and of the feeling Plasto had that a word for the land rights claims. ch[...]ed Plasto's concern and, claims for a radical reversal of the furthermore, had a feeling for what Plasto was[...]
	[...]The joint participant in Imago Australia and "A Shifting Dreaming" is David Millikan. Recently, Millikan was seen on A B C television as the presenter fo r the docum[...]volving him self in film m aking, Millikan was a theologian, writer and publicist fo r the Zadok Centre in Canberra, a facility established by Christian organization[...]boriginals and white Australians. Was there a particular situation or[...]as? us to go to the Northern Territory and film a land claim, which is[...]find ourselves adopting a partisan before. All this land is being given[...]their fight for land rights. Every going to have a long-term effect on[...]one in the centre has a view on that. the way our culture perceives itse[...]are not quite as strong in the way There were a lot of issues that[...]have been in the thick of it for a[...]number of months. the documentary seemed a superb way of looking into them in some[...]Still, there are a lot of issues in depth.[...]g to maintain an even We are trying to strike a balance With that in mind, what style of a[...]you producing? Rather, we are aiming for a view ception of the problem and the that of[...]yle, I suppose, is some- which in itself has a certain depth involved in the issues, particular[...]more than most, said, after a life want to present broad information menta[...]involved or sensational distinctive, but not unique, about a lot of things. I am very suspicious as possible.[...]that we have a certain interest in So, we don't pretend to[...]ituation poses. position on this. We are taking a Basically our own. In that sense,[...]
	[...]e we are Austra and which must. They have a lot to So you can see it as an act of We were able to unearth a tran lians and it is our country. say[...]have you the experience of selfhood as a But, on the other side, you can th[...]ated by the the incident we were looking into a Does tha[...]major part of the documen becoming part of a political move sioned by the destruction the[...]olitics, or is it more distant than burdened by a sense of conscience tions in terms of the way we, as a at Warrabri, north-east of Alice that?[...]ease their conscience. In a sense, quite devastating in its implica No, it is at a step further back you can see it as the final[...]was an extraordinary experience assumed a different approach. We That brings to mind the experience process of a police party searching because the Aboriginals t[...]Road", who started out for the murderers of a white dingo the history of their dislocation and reassert themselves as a viable cul making a documentary but realized trapper. We have s[...]an area where Abori cultural identity in a lot of places, say what they really wanted about[...]ith white people. There were re-emergence of a vital Aboriginal people at that claim who are[...]knew nothing about it and a lot[...]and Abori ginals generally? It happened over a period of some time. I probably became first[...]n I was living in Los Angeles. I used to spend a bit of time bushwalking in the High Sierras[...]had lived here for 40,000 years and developed a culture that was finely tuned to life in th[...]e to say of their understanding Inquiry chairman, A. H. O'Kelly (Martin Vaughan), and Police Inspector Giles (Victor Kazan). A Shifting Dreaming. of life here. We, as an Aus[...]that is going to documentary is that it includes a That means the children were aware underst[...]n ginals have to say. are at a point in this documentary evolution. We didn'[...]hites' side. Did So, they would be recognized as a emergence. clai[...]an say we are wit realized they were dealing with a happen. Several of those who par[...]still alive. We are going to be the major force a sense, clawed their way back from mous proportion[...]lso have letters from people because we now have a population almost total destruction with quite de[...]that We have researched it thor Aboriginals are a minority. But fight off the onslaught of the over[...]dent oughly to the point where we have they have a perception which has whelmingly powerful c[...]
	[...]in modern Britain''. bourne Film Festival with a notable media event, it revealed an interesting[...]games played in the reform atory A remarkably sure-handed first plight. In a final freeze-frame, Mick juvenile delinquency a[...]ical structure leaves some Pixote is a harrowing, remorseless Looks and Smiles c[...]nsibility for one suspects, in deference to a prevail Britain, focusing here upon unemplo[...]ing official climate that permits only a youth.[...]When it came to documentaries, even is still a junta-controlled totalitarian state Another f[...]Looks and trouble covering them all, because a be circumspect about such things.)[...]arcely have been more Smiles presents a bleak view of the lot of number of the most imp[...]e" features at the aspire to be), but Pixote is a consider[...]ic -- and I find boy befriends the children of a prosti unequal task of finding a satisfactory job. the lukewarm response[...]
	[...]ition o fIrish Catholics under Gilbert adds a coda to their inevitable Their 80-minute[...]among a squad of 50 during basic Victor Romero, as Del,[...]Illusion. with a moving rendition of "Hay Una training a[...]some dry political observations (" I was in a period of rising unemployment, the[...]Soldier Girls goes quite a bit deeper,[...]into three approximate categories: (a) concedes some method behind the[...]os); and (c) inventive destroyed him as a human being.[...]A Wives' Tale takes up one of the[...]Churchill's Soldier Girls; strikers' wives by a prolonged industrial[...]Rock's Une histoire de femmes (A scope to pursue it a good deal further.[...]the world's largest nickel deposit) is a Maeve, a British Film Institute pro bigger and more[...]of a 2 0 -year-old exile, feminist and free ment in[...]son), for a week's holiday with her family bury wives had[...]leaguered Belfast makes an effec defeating a similar long strike and also[...]friends (when she runs the gauntlet of a language almost in mid-sentence), they[...]reproach of this omission carries over a German sexual liberationist.[...]into a sequence in which three Irish[...]sister -- flee from a dotty old man from her tomb to brief us[...]onger sure what the Republican struggle from a Kollontai novel illustrating how[...]has a lot in common with Maeve. A long, Burning an Illusion, another BFI p[...]biographical account of a West German duction, falls into some simp[...]are repressed even within a movement bourgeois stereotypes, director[...]egalitarian and supportive less Veteran, a caustic account of the[...]f the senseless McCarthyist persecution of a[...]times un maimed ex-soldier because he was a[...]g, occasionally openly chauvinist) member of a Trotskyite (and, therefore,[...]at a U.S. army camp which show girl explosive themes a mite gingerly.[...]overbearing drill sergeants (one a[...]
	[...]me trailing Irishfeature, Traveller -- a "fatalistic road movie". Above: Ettore Scola's op[...]d vacilla absurd censorship controversy is a ptlo tions about the Holocaust (U.S. Jewry in[...], a 1981 German-French co-production. This livel[...]umentary chronicles the enor Concerning a West German journalist mous difficulties (some[...]red in the making of Herzog's forward with a purposiveness rare in the latest feature, Fitzc[...]n also became involved in land-rights through a compelling juxtaposition of struggles and inter[...]y essential. larger conflicts) and a powerfully[...]n't make his task any easier by insisting, like a latter-day Laschen (Bruno Ganz) and his wif[...]orld's most inaccessible locations and hauling a steamer over a reached a stalemate in their marriage steep hill -- comma[...]lm explores his growing stand Blank's answer to a question that sense of involvement in relati[...]n addition to those embassy and is the widow of a Leban already mentioned, or reviewed by[...]s from his dying marriage, Une etrange affaire (A Strange Affair), a held together only by bursts of sexual wicked[...]n of somewhat surprisingly refuses to see a Love), an operatically-melodramatic plot la[...]-political references, Georg is only there for a few days, Peter del Monte's Piso Pisello begins[...]feeling the satisfaction of becoming Over), is a very uneven critique of involved, he is[...]Ariane, but there is a clear sense of an[...]s amid which in Marxist movements while cleaning a the private drama is enacted. lavatory)[...]unflagging energy and a sure control of Another BFI production with a[...]cerns. The footage which creates a city locale, Joe C om erford's Traveller,[...]ore convinc ingly -- in the well-worn context of a ingly vivid, but it points to the porno f[...]of the film two inarticulate gypsy newlyweds on a makers. The music seemed at first too cross-border smuggling trip through a insistent, but later one became aware of still-beautiful, unappreciated, land scape th a t is s tiflin g in taw dry its making its[...]Jerzy Skolimowski) poses a bunch of tri[...]
	[...]interminable, yappy play about a revolu[...]Branciaroli), sent to assassinate a[...]There is not a shred of humor in this[...]sions are underlined by a lot of peculiarly[...]sanctuary of the castle is bathed in a soft[...]trically lit by a pale mauve wash. When[...]the lovers move outside, for a bravura[...]without for a moment approving or[...]taught to be a Queen" , that she " has Bruno Ganz as Georg La[...]in 1975. Volker Schlondorffs Circle of never been a woman" -- until now, one Deceit.[...]erizing sheen. With its forest and the deer in a death struggle[...]evoke a world of muffled violence. The In dramatizin[...]ling whiteness blue light by now) is caught in a recog private life and to his profession as bot[...]nside, the horrors of war, Schlondorff has made a and some sense of the pain of families[...]een is victim of her duplicitous reader, film on a large scale. Large enough, that divided and friendships sundered by a testimony to the remark someone makes[...], and now the anarchist poet, I hope, to secure a healthy commercial subject matter than, Me[...]in its treatment as a film. the film's inter-scene pu[...]ms, is threatened by the by Franz Antel, this is a more or less leagues in the daily press a[...]her -- by those nearest her engaging account of a Vienna butcher, have. There is nothing v[...]of how changing film. Film stars work in a fantasy world those earlier characters she is[...]e "The Fuhrer's brought us home into the a film made by someone who loves films, dreams of glamor, is a subject for melo remarkable beauty now coars[...]nizing this, has that she sometimes resembles a weak- displays of Nazi military power, Bock[...]-- filmgoing willed Martita Hunt), she is a tedious erer stubbornly rejects the messages.[...]terprise. memories and the result evokes a world cipher, a clattering symbol, bearing no With equal stubbor[...]legedly based on the fading career and even a little poignancy. scene in which[...]resists the regime, but it takes his best of a former UFA star, Sybille Schmidtz, a[...]berwald (The Mystery there, however, it was a fitting climax to It is Karl Merkatz's humane[...]set Boulevard angelo Antonioni staked out a crucial romanticism brought only titters.[...]r's tonal control is not equal to the efforts of a sports reporter Krohn (Hilmer su re s of the[...]se much for attention to go. showed in Once Upon a Honeymoon, for offers us a full-throated, sometimes seeking relati[...]ne is aware of some overwrought, picture of a life out of their environment seemed to[...]ttitudes as the Nazis take fact trapped by a gang of drug back in Italy and ba[...]as unsubtly as the crude depic more than a whiff of old Hollywood about tedious films[...]elves. These, all this. Dr Katz exhibits a fine line in surprise, himself becomes a father after recalling Henry Daniell, George Col[...]tor's fault. accepting an invitation to share a bed and other Hollywood Nazis of the early[...]with a big-breasted American lady; she 1940s, ar[...]
	[...]s gone into English family and has a terrible journey much by accident. I don't t[...]ink that he is drunk because he is a hit a lucky streak. We were personality -- that he got[...]The novels are is passed, he gets a chilling cascade came out at the right time, at[...]much poorer, and there is always a out of it.[...]reaction. In a time of affluence,[...]What one forgets about Decline As a producer, do you think about everyone is in jeans and sweaters. Brideshead Revisited was a nos and Fall is that it is a daring book. I the wider, social context[...]irls and boys are starting to dress he said, "in a time of Spam and but not how surrealist. I[...]Britain today is reverting in some up. It is a kind of defiance against austerity" . He poured[...]1930s sense of purpose. the times. He had been a firm Catholic flight. It must be one o[...]nation's veins. In a way, Waugh sion of the 1930s when all the popu Are you a Catholic? Waugh is one of t[...]they want to see back into favor? He was really a[...]Manhattan on white sofas. Waugh is a master, and one of[...]a producer, to have made something[...]
	[...]on for three months. It was a are dead." 1979, when we started, to do all our That's quite a schedule . . . disastrous moment, because we[...]u- forever. interesting. One could put a lot into working full-time on Brideshead. ' ten[...]t. We amassed a great deal of :May 19 until November 28, but he re s e a rc h and p h o to g ra p h ic came back to us for[...]e asking whether one material. There was a lot to do. We ' From May till November, 1980, we[...]ordinary burden with a week's a[...], it doesn't matter. If you are successful, it's a Who makes the decision at Granada kind of bonu[...]resources to that scale of out of the blue like a coconut falling production? on your head.[...]Basically, the managing director In a funny way, we made some and the program c[...]ules of dramatic fiction. We knew But it was a concerted effort within how we wanted to do it,[...]ired the rights in the 1979, and did quite a bit -- all the autumn of 1977, and I went[...]
	[...]we began shooting, there was a[...]That dinner scene first ran for I had a fairly heavy involvement but I think people are[...]t's now in the script, but John laid down a detail. They are also absorbing a lot that? No audience is going to know down to[...]Bell's Civilization in the 1920 get a bit more out of it." And of the book. We[...]cult sounding vain edition." But somehow it gives a right." Every time I watch it I go,[...]" But it holds You said earlier that you took a[...]seem to be A heavy burden to lay on young television d[...]Educated Stony House. One of a we didn't know what all the things I was[...]would like to do family of seven. Not a good meant and had to look them up.[...]Catholic -- a lapsed Catholic met Phyllis, the very sweet wife[...]Oxford was called "commons" . A dolf Green -- they are no years, which wouldn't j[...]hours, which was a lunatic mis part; we just felt it would m[...]a hours]. It was making the effort of doing a little because it's more like reading than it in[...]reading. One gets absorbed in it and something in a new way.[...]ng going One has to trust one's taste . . . at a natural pace rather than being dramatized in a superficial way" , Yes, though obviously one is not Phyllis said. such a total fool as to be com In Charles Rider's roo[...]ct described in the novel: the day and it came to a moment I have Polly Peacham figurine on the al[...]taurant the poetry bookshops (which I'd w here A nthony Blanch tells never thought we'd get); a[...]described, in their right the Marchmains, who are a bizarre editions. That's being obsessiv[...]
	[...]tralia. It is a difficult, but worthwhile, act to[...]tralia is to develop a serious, healthy and[...]namely, the lack of recognition of film as a fully-[...]Because it was a child of technology, began[...]tine entrepreneurs, appealed to a mass audience[...]tolerant countries like France, the U.S. and, to a[...]survival. In June 1981, as part of a visit to Aus The neglect of the cinema's end-product in the tralia to present a retrospective program first 40 years of its exist[...]I was invited to tage not to have made more than a token effort the National Fi[...]ays with Ray Edmondson andwheisre established, is a cause for justifiable staff on a consultative basis. Visits to colleacgounecern an[...]ional cinema heritage; its recognition films have a shelf-life beyond which it makes no of the value of film as a primary research tool in sense but to discard the[...]records); its desire for public recognition and a commercial revival), it is simply a fact that the Da' clear identity; its a[...]all this) the very real and statutory deposit in a state archive). thoroughly r[...]
	[...]Term of His Natural Life. Under the circum than a passive act of storage leading to the ulti[...]experience have shown that film stances, this was a remarkable achievement, mate deterioration of th[...]der films. They are nottigoenasreidn the space of a few months than all the ically, means a greater financial burden for the to u[...]on which archives cannot afford to let which has a genuine commitment to the rescue handle nitrate f[...]and attempting to recreate the master version of a it many times over, and it would seem an ideal financial aid it gives to its other national lib unique film.[...]restoration work is often similar to tion funds. A shrewd publicity point could even Arguabl[...]
	[...]ve been properly catalogued, and is supported by a computer system which few other archives enjoy a[...]than one actually needs. However, cataloguing is a vital element in film archiving despite being ar[...]r of staff in each area to prevent this becoming a more serious omission in the future. Icome to a point now which, on the surface, may app[...]arly unfortunate that the NFA was established as a minor adjunct of a much larger and, on the whole, unrelated public[...]NLA-NFA relationship. There has always been a temptation in civil service minds to regard films in a film archive as documents no different from book[...]nce, their preservation and availability require a different set of conditions and policies from books and papers. They are also related to a totally different cultural and commercial sector[...]dustries. It seems to me quite inappropriate for a film archive to be housed in, and have its destiny controlled by, a book library. In the case of the Australian[...]llocation of space and resources appears to come a miserable second to the more monolithic needs of[...]ner. This confusion of purposes and lack of a separate identity can be very destructive for an[...]sting that autonomy, inde pendence and acquiring a recognizable identity would necessarily make the NFA better off, but I feel it would have a greater chance to make its needs felt, would acquire a distinctive reputa tion of its own and wo[...]
	[...]says of his own work in Scotland, " If a doing, and yet the signs are there to say[...]vakians know, can have a universal[...]levance. bourne with Flinders Street station for a[...]ments to make films in any other vein, lanes for a barbershop quartet or a soft-[...]ered) presence of British shoe shoot-out or even a flamenco[...]Reasonable Doubt is but a temporary Spanish flu, and the Yarra Bank for a[...]divergence from a sound principle. song about My Moll Doll. There is a high-[...]ories, like the establishment kicking routine in a lamp-lit alley, but it is[...]ars (" No tinned pineapple. I reckon credits, as a flicker of the musical that[...]imagery, and a tight, intimate scene Much more energy and purpo[...]their paranoia to sing "A tisket, a tasket"[...]manhunt, they lose it. tralia with a wealth of surprising footage,[...]They have a strong coherence and a firm intelligently applied. His film clearly[...]mixes two narratives: deals with the struggle of a group of hos[...]one is a cheerful account of the mis[...]adventures and Minties moments of a pitalized spastics to win recognition of[...]of a sinister stranger (John Carradine)[...]f tone and sheer cheek, it them forces us beyond a vague[...]a dash of Tom Sawyer and Peyton Place It is boldly[...]able memoirs stem from the imagina point -- a nurse's story which proceeds[...]tion (his own) of an adolescent fed on a[...]ems to float in all direc from its beginning and a story of the[...]a time and place -- the summer of 1952 patients' r[...]in a country town -- when it was Friday[...]and the Saturday arvo end -- until they join in a confrontation[...]' people. The patients act themselves and have a Stephen Wallace's Captives o f Care: "the struggle o f a group o f hospitalized spastics to win degree of[...]storical or The juxtaposition puts the actors at a dis are placed in ugly and depressing parts ficti[...]people splashed and glowing with Doubt considers a controversial murder and how much improvized I d[...]Newell's Bad Blood deals with a multiple goodies and baddies.[...]cupied the Perhaps this is inevitable in such a from a city that is not as pretty as a post police and the press in the 1940s. In The context, or it might be a deliberate and card and from a Coca-Cola, commercial Scarecrow, Sam Pillsbury re[...]da ploy aimed radio generation that is not having a growing up in a small country town in the (unnecessarily) at emo[...]she organizes a large number of short days / When blokes were blo[...]ar went to Mary deceptively random, and each with a legend is followed by a shot of sheep Gallagher for Greetings from Wol precise grasp of its useful length, into a looking scared -- a swift joke about longong, which fashions its fiction in a cumulative impression.[...]eye This looking back seems to signify a the line between them is almost invisible. for[...]ch's Looks and Smiles, the strength to throw away a line, a feel for exploring their own past in terms of rur[...]ances and touchingly convey The Festival provided a timely glimpse these filmmakers are working within their what it is like to live a jobless, peripheral of what has been happe[...]
	[...]re, between package" , which suggests a limited like the personifications of the Moon and root of a scream" . That silent scream, brother and sister[...]of Federico Death in the interests of a driving narra frozen in time, informs the cl[...]ity. He transmutes the intense of the film -- a frozen frame, sepia ingly sentimental. Fast cutting and a[...]colored, of a posed wedding group --[...]violence and sen which, naturally, is a portrait of the rapid pace ensure that the film[...]nted fam ily photographs are Carry Me Back is a farce about the[...]tar, of Dulces floras (Tender Hours) in which a father's corpse, locked in a wardrobe, the dancers of Gades' company ar[...]South their dressing-rooms and prepare for a scraping effects and finger-snapping.[...]record the recreate it in the form of a play which is in able transport, inquisitive police, a crafty lished that Saura is going to be[...]audience/author interpretation; and A Festival program note says there are reality[...]nt transference. visual allusions to Two Men and a Ward theatrical illusion. sionally, he contributes a framing or robe and to La femme infidele. If thi[...]ch means it is more per author and,, in a rehearsal, one actor director to lean out of reach of a general they outline their lips and attach eye suasive than a full shot. And the knife (playing an actor) is so consumed by his audience just to give a film-buff a lashes and insert hairpins in a series of fight is breathtaking (literally s[...]cries, " Everybody forgets this is a play." tingle! Given Joy Cowley's original story[...]going to be while telling us how he came to be a silence are the slow intake of breath b[...]n 1934, Pirandello wrote in his note two men and a wardrobe in a variety of dancer, painstakingly blackens[...]lm's writer seeks to find body is going to stuff a body in the boot muscles and fingers. And whe[...]himself in his own memories, it is impos of a car. Nor would it be helpful to offer into the[...]sible to arrive at a truth. And if his past is a warm-up, there is again a heightened This film poetry is a powerful equiv governed by shifting percep[...]t of Lorca's final scene, Which does the face of a macabre situation is commands Gades. "[...]brows!" We are conscious of physical a Greek chorus report of it and lamenta beau[...]and blood-letting with a knife: a knife[...]gh the aston and concisely and how they maintain a such body discipline as a professional ished flesh / And stops at t[...]per Top: John Reid'sfarce about smuggling a corpse in a wardrobe, Carry Me Back. Above: John the impact[...]omen talk of Laing's examination of a controversial murder conviction, Beyond Reasonabl[...]same affectionate sympathy with the nically a " rehearsal" ) they are seen to be characters, a[...]story or the Then they move to the centre of a bare convenience of a couple of good jokes. floor to become, in[...]low them transformations which have been pre a certain human dignity. ordai[...]nd no and massage parlors in The Big City after a rugby match, there is a satirical put- dialogue, stage or staging. O[...]knows that to explain the artifice and to with a touch of pity. state the[...]role is not to diminish the mystery, but to A waitress in a cafe ("We're sort of closing down" ) has only a slight connec increase it. tion with the pl[...]This paradox is extended by his use of given a curiously tender scene with the boys' father and a chance to escape from mirrors. The opening s[...]d on around mirrors, in which Aunty Bird (played a lot larger than life by the dancers see themselv[...]tificial. Sometimes the ously from caricature to a more human camera takes the place of a mirror, and dimension. At the end she shares the[...]ror which has inheritance now regained, there is a reflected the whole dance. It shows what[...]with the eye, not what we see with sweet echo of a romance with the land. the imagination which, in turn, is but a For all its prior black comedy irrever ence tow[...]lection of other ways of seeing. After expresses a regard for a quality of life, all, this film is a visualization of a choreo grapher's version of a playwright's vision and a regret at its passing. of a journalist's view of an incident in This year[...]rm Francesco Rosi, Mauro Bolognini, Ber a prose item in a newspaper, a poetic play, a modern ballet and finally, in nardo Bertolucci or Michelangelo Anto Saura's own phrase, "a document on nioni, and I found this disappointin[...]down to their dramatic essence and critic as "a tastefully-wrapped cultural omits the[...]
	[...]The film closes with a burst of delir- theatrical structure of three acts of a[...]the same actress), which and night, with a prologue and epilogue.[...]Pirandellian joke: that we are to apply a action of a group of characters during[...]ight you are (if you think It has elements of a detective story:[...]there is a sleuthing game and two[...]characters think a lot about how to play[...]sehnsucht der Veronika Voss, about a fairytale: a Sleeping Prince of a hero who[...]bright star who falls into a drug-addicted keeps nodding off; a wouid-be Sleeping[...]Princess who daydreams of a Prince[...]binder sumably in an Air-France jet; and a Good[...]care about this once Fairy disguised as a schoolgirl (the[...], but she does not wrench as does magically a fiction. " Life" , however, as[...]on the wane, someone remarks, " is not a novel."[...]of a weak-willed scriptwriter made erties o[...]have a poor guide here in a sportswriter coincidence and in a great deal of[...]e stunned than than one would expect from a post-office[...]sorter cum student, a secretary and a[...]lse to explain the cold, almost nalia of a novel but also a characteristic[...]pt, in which she cannot retain hero works in a post-office.[...]passes anything like the poignancy of a The plot is conceived in terms of lines,[...]brilliantly exploited in a scene in a park[...]
	[...]So if you've got the creative It's a film that passes with flying know-how, and t[...]way. Gevacolor Type 682. It also offers a wide exposure latitude AGFA-GEVAERT LIMITED t[...]variations. But, none-the-less, it gives a very[...]
	[...]involved. Documentary films occupy a special[...]Making a Documentary A survey of the practices surrounding the storage a[...]the Australian film industry. A series of case studies' examining the making of[...]nal documentaries. A look at the future for documentary films. The imp[...]and marketing. A forward look at the marketplace and publication[...]A checklist of documentary producers and directors[...]ful Information The History of the Documentary: A World View[...]Victorian Film Corporation. A general, history of the evolution of the document[...]taries made in Australia, and who produces them. A study of[...]
	[...]ning Herald The Yearbook again takes a detailed look at past year . . . "[...]s. "The Australian Motion Picture Yearbook is a and the format is set out in such a way that great asset to the film industry in[...]lia's most We at Kodak fin d it invaluable as a reference Yearbook to be an asset to[...]er good effort from the Cinema A new series of profiles has been compiled and[...]effort Papers team, and essential as a desk-top will highlight the ca[...]A new feature in the 1983 edition is an[...]including film financing, special effects, and a "Anyone interested in Australian films, wheth[...]our Australian Motion Picture Yearbook. It is a splendidly useful publication to us, a[...]
	[...]time when television for most Australians was a curiosity -- a shadowy, often soundless, picture in Then came T[...]AUSTRALIAN TV is an entertainment, a day. Only Graham Kennedy and Bob Dyer could[...]delight, and a commemoration of a lively, fast challenge the ratings of the[...]
	[...]a lively and entertaining critique. Illustra[...]
	[...]and television industry. The symposium was a resounding success. Tape recordings made of[...]70mm and stereo. Reissues. A ncillary Solicitor. Brecker and Company ([...]
	[...]n. Ray Violence in the Cinema. John P a p adopolous. Jenn in gs Lang.. Byron M[...]y. Oz. Mad Dog Mora. Gay Cinema. John Sam A rk o ff. Roman Hall. Tariff Board Report. Film U nder A lle n d e. Brennan. Luis Bunuet.[...]
	[...]Air) (Air) NOTE: A " Surface Air Lift" (air speeded) service is avai[...]'Cinema Papers is p le a se d to a n n o u n c e t h a t an G ift[...]d embossed lettering n ew b i n d e r will a c c o m m o d a t e 12 c o p ie s .[...]
	Subscriptions Please enter a subscription for 6 issues ($18) 12 issues ($32)[...]D renew D my subscription with the next issue. If a renewal, Back issues[...]If you wish to make a subscription to Cinema Papers a gift, cross the box below and we will send a card[...]To order your copies place a cross in the box next to your missing issues, and[...]d me CH copies of Cinema Papers' Ezlbinder at $15 a binder. $ 2[...]$ (a) Please send me ED copies of the 1981 /82 Yearbook at $1 9.95 a copy (Foreign: $30 surface; $40 airmail).[...]send me ED copies of the 1980 Yearbook at $19.95 a copy (Foreign: $30 surface; $40 airmail). 3. A[...]Please send me copies of Australian TV at $14.95 a copy (Foreign: $17 surface; $26 airmail). 4. T[...]me copies of The New Australian Cinema at $14.95 a copy (Foreign: $17 surface; $26 airmail). 5. F[...]me copies of the Film Expo Seminar Report at $25 a copy (Foreign: $27 surface; $32 airmail). Name[...]....................... Total amount enclosed: A ll foreign orders should be accompanied by bank drafts only. A ll quoted figures are in Australian dollar[...]
	[...]-Mouth to M outh Cinem a Trailers- -G[...]
	[...]Dallas, U.S., the introduc bridge. combines a broadcast quality color video[...]of the Miller 50 fluid head designed camera and a videotape recorder in a Although the M-format system uses a for today's state-of-the-art ENG/EFP[...]ican whose past in laser enter wires, and allows a single cameraman to a range of three pre-set drag positions. tainme[...]to be significantly better than 3A-\nch In addition, pan and tilt actions can[...]ducing lasers as a visual medium to M iller ENG Tripod[...]engaging the built-in counterbalance A new tripod designed specifically for y[...]Chamberlain, John Deere and many which features a specially-designed and[...]The Miller 50 provides a choice of two Recent work includes large ou[...]camera platforms, a quick-release plat displays, including the[...]form, and a sliding camera plate with Sydney Tower at Centrepoint and bushes that collect dust, etc[...]isbane and Adelaide The ENG tripod comes with a built-in[...]nd Scientific Camera System, a servo-controlled, The head is of d[...]struction, finished In black anodized/ Academy A wards camera and a device called the Go epoxy paint to[...]Motion Figure Mover that adds a slight and weighs 8 V2 lb (3.85 kg).[...]e to Fuji Eastman Kodak's development of a[...]eloped 1/2-inch video recording produce a spectrum of light similar to Film Industries' Stroboscan device, a for various 24 frames-per-second v[...]
	[...]Dist. c o m p a n y ....................................MGM DI[...]A ustralia.............................. Carlie Dea[...]gcsitaoofotrhromch.e.ronrsroide.bnho.e.ercoooiorp.a..lmoirssod.bme:icrcr.d.rarcsstrmboaew.-.teteEr.i.[...].ah:.ea..dr.nor.eomy..is:ntetrlp..m.y..Tde.ires...a.r.tri..o-eaeseoo...cdnnr.p....n..o-.rr.r.egupp.ui.aFsrer.nA...h..a.p......h..shr.ts.e.ecpovytw....s.rr.oTM..e..au..e[...]...rneae.nrc.o.eehgeisoeoeu.tn......r.t....ey...e.a....ntwndn..re...dO.a..n.......g..o....yRe..n.yrrtuhr....o...mn.el.r..,y..s..r......c.....rrr..yd...e)i.e..m....ni.a....yP...i....e.ror..tr..mP..se.t.......rt.d.n......s..rS.....r.e.........a...e.ss....eo......t.a..obr....tl...r...n.a...e....H.....e.......sh.v...t..L..a.....oo........a....a...ei......r..d..spr..T......n.a.....s...g.....e......m...m........ne....a....y...................t....r.A......grO..g..............h..l....c......e....h...[...]......kH......W......y..o.si...R.....n.....i....V.a....r..........sm..............a...M...h.l.......r....t.........do.L..................m..........f..a......tar.i......g.u............................loE..a.....s..h...........M.e.u.........ra.....p..A.......o......l.t....w....t..Z...e....n...........[...]..s..d...abo....o....cN.s...ks..k.p..D...Z.....D..A.de.......s......A..........'...e3...e.........b..............s.....[...]a..g..r.l.gD......s.......ta.x...so.....D.iio.n...a.OVv.C.pm.s..Ptsa........ec.a..L.bg....Eul..t...BJ.r.DrD.h.e.fh.O.....u.,.i......Mo.dfi.PR...eMmti.tu.,.e.ae.z.a....rh.i.....rd.pa.wn--au...teroRhMa...m..pc...i.r.a.D..onR.Keo...rBPrae.afd.H..vn.a..mi.Ja...Nw.hta.u.otitwnwJJi,y.nc.h..t..et.ha...n.lnaeh..thhceiU.uuo.b.a.-.oeW.doa.nP...it.r..eercidoa.h....d.nytr.ti...MF[...]Pn.grrdtiiiaus..oa1..th.hm.i.s..cgani.nilhaBcHtoo.a.n,.P.rhrF...y.rnayl..eyiZrBaehSeeeC..dAFa.0.e.isd[...]rlolaWrtSte.e.aeWt3.eNw..Nbmuren.iiadtditHAdiiw.m.a.l.h.cshbeeDn.rn0PceRtnitQswavoi.r.F.lhpF.5pArteeu[...]oni,tyss,ms.sehSlr,Brs.s,tSs,lrttt1Weaeil9lnrxCCC3A2iPADePP1PESPUSPEPB8PDDrPottoVSSpuSMSHHGtALTiALCDS[...]tcon..nrca..caen,r.pe.sau..s.r.sn.ty_i..ho.e.cdci.a.c.e.cctn....Z.bvee.onyr..ad.kutrt.re..co.iGn.tsB.h..t...idnar....e.a.cestlio...yert..itosl.e...o..Pyet..r..nr.oial.ni.[...]....t...sy.y.soas.vs.so..rne.rBr......tc.r.ri.....a..,.d.l......t.rt..R....rynae.r...sc....ya..t.ti...u.r..r.t.r......A.t....r......W..s.ua..s......i...n...i.....fo.e.o....&.n........a.n.......r.n.g..s.........xI......L....o.......nt.[...]r......t.......r...ni...............t..L..........a.u....t..:..l............y.....a..aOZ..........t.n...............r.......J....a......t.........O.................r.l...............o...h..t...........v.........'.........a......eyC...........l......h...............BN.....[...]......C...c...P.............._........e...........a.....................u........a........r...........Ec3........q..................A_.........a.....r......sa..,..C.....sJD......F.............b.[...]...S.uB...m........lT.n...oe.........n............a...aJ.e0.....a.a..t.n.M........a.--....S........v.SE.....ii....rr......o..d....y..fr.l.e....g.....ml.a...ogsti.M.....MA.Ac.mb.F..o.sio......im.mB....i.g[...]S..r.,.n.....e...vKeeE.kh...e.r.Dt.s.G.hr.V.l.H.l.A.Rr......P..ee.a.e.FCd.d.Jh.yleK.anel...eL.a.d...ii.e..tv.m.ye..nee.e.e.a..e.CBC.ak.J.....Lii..aPA...urHrAriCo..ae.ra.dah.x.x.sJea..ne.c.he.o...l.JTD.r.vx..n.exi.ese.aP..a.S.I..a.anens..leh.Loa..laan.oeaiim:d.mkN.V.tn.Baeitc....naoayV.ap.al.mP.tGB.ra.dnt.o.na..r.h.FbeaulG.nl.a.Fn.mn.andg.nvRndn..hriae.m..ennisrnyr..eh.G.n..Bn[...]stim..e.t.BuoBpw.oatt,do.Aaidda...dsluyl.ie.e.eo..A.hugdnadt.in.enry.mtmatti..M.Br.o.vRdAnuwohoB.wiH.[...]agnepr.s..scssoa.P,tt.aeh..st:c.la.c-dyir.irs..cr.a...i.iomo..oec.drei.C.tenP.pp.:e..moecr.teto...dgsstts.dyno.l.r.po..e.shds...do.(..i..oe..et(.e.ho.s..gF..a.ernr.l..a.oi.ihd.t...rrn.ueair.i.Dntu..ns.S..nus.eih...or..e..p...y.r..eos.R.a.aidni.rs..o.Q.trtl.r.odr..n...gW..r.o...n...tmte.i.r.e.J(.uc.kna.a.o.......nye...a.s...a.s..a.no.edtt..aw....tnidr....Bo..e...e...c....ee....tp..g(.a.a..yn.euaotc....ct.....ri.......t.l.......c.n.orpr.[...]o...yit.d.d....ft..t.............t..e.O..e..c.....a..Gt........Lr.....t...ye......ro.....ore.t.......C..t..e.....te..(.r............a..)...t..a.k.w..o..........i......t..Ri..........'O.........[...]....s..cW......s.........S.......y.......Z.o......a........h.e...T.A.........(.....................................l.......in..)w...a...R.....n.........i......F......p......p...n.d...[...].............n.....n..............h....lde....ilo.a...l...e.ar.............................i....u..k.[...]..I...(....................ae.....e..M........s...a....nr....lJMnE.l.n...................B.............R.eH....kd.t...n.....a.)...................d.........D......o...e....J..u...M(...d....t...G.................C..a.....l.......n.....een...A..i........so.aC.m.......a..............u......m...nt.l..C........e..(......a....H............s......i.....sacdrG.P....i....e..[...]h..)P......N....)....t......p....o.tv.......i.....a..ah)...t......a......o....o..t......,..i.m.,.e......nd...h.l..B.rP...rr.....M..,...np.....i..t...e.i.h.A....da..a..nr.p....R.....s.......n..a....fidie.....S........t..,a..........oc.......s.....f..a.e..e.iS...n.rF.aF:n.edC.y..)..hrc.............l..[...]ddB.NnrieiiT.m..Ph..s.i.iJ..t...o..FD.....oG..o.e.a.ool.aR.nl.l.n..P.nelh......h.a...eh.J...l.ar.e..lh.Mecioa.lo..i..h.J....H...ee.r[...]lh..n9.tsan.e....l..0..Wm..meuoH.HkC.o.dOM.Sci..e.a.S...y...n.aermnyA.al.sH..i5...MMt.0t..oC.B...roZSShl..la.M.rP...y.e.(...a.t.otoLLa.cwpal.A.p.i...TcRBD.R..MJ..Ja.fPBooiEFDa1.e.aelxC.Cpm.h.p[...].ia.essoiecioda.arre.ur..e.erdh.i-srih..nnsre.adr.a.at...nte..rstptteeart.trgp..tu.g.rsect.td.r.n.r.p[...].yn...t..y.sh.sr......rtt.s...n.t..rac.....o....t.a...rra.........c.oo.ngrv.o.b...rr.g.d...e....s...o...t.yt.....a.e.........o....r..e...s....s.....n........t.ite..[...]..................................................a....................n..........l...........e......[...]..............r...................................a.t..................................o.P...........[...].......................y..................J.......a............i..................t........M........G[...]e...i...S..hlMD.G.........er....SAn...oAa...Bc....A...'.....T.M...aH..P..le........Mt...a..A.B....eB.e.B.JJ.o..aia.n......S....n.n.i.anee.h..dM.......c...an.R.e..i.o..a.nn.eJMll.M...N...e..i..I.nWoe..oumf.a.i..Mm..r.Cui..l.i.LWl.ram..ira.dhRt.a.R.nGf.l..llt.l..oJb..l.rld(Cie..uu..(to.lPSu.eKll[...]..yaa.kkaB..n..hLu.duaonfnnA...urVa..Soe.rle.ioel.a...Mnhy.eBeyignshTb....Cs.ciie.ky.r....Dr..eSeBine[...]y.niaeCte..r.Wred.hiiih.oWEn.r.gm....li(eachnln.n.a.y.tlCu.urStJ..S.i.e.Sode(soyiMlWr.u..aac.aryE.aEw[...].Ha.naMari(.rJenw(sBr.(Coura(MWidh(rl(loBrKaiilk..a.eagapdldBJneRChtSnol.dyShaieieSiegSiaanagrosm.njd[...]i.bnTs.e....Btser.l...r..s.Sa.o.e...y.s..nsau.ken.a.uyc....ac.tb.e..sn.gor....en..ss.s....a...abn.i...n.ta...en..b.IRtn..o...cp.se.r..dapb.a..t..,.v..sa..hf.s.........v.)Nee..--..n.....sy.rr[...]lrt...f....o......iq.u.e.s.tV.rG......o...oJac....a..n.tcsei........ya.ne.enh.Ti.......t...n..g.l....[...]...ry..o1Roo.ya........ee.ja...e.l..rKo..i.....tE.a..T....g.....oua..t...i.ad...t..i....(..ua.0.oA..f[...]...e....E.ricf.........nk......rn..oun.ls.....p...a.i.tc.........y.v.e..l.dP..,..a.r...pe...n..l.d..hta...........b...v...ah.Wot,..m[...]t.e...oB....n....y.....ltoC....t..e.ar.r.oloywr...a..yh....e.eK.,...h.,.TT..a.ATi.r.ty..eed....r.y..rl.a.e.a.....t.ur.Er.er..avu.r.M.lhJUen.BnyRR.'...i.(ABeiR.ieE..ee..oeiyas.s.sPPrcxtctm.a..n.al.P.FeslnT..oarbrm.tBIh.gh.iS.deln.oS..tcanrr[...]Sirnue.isusoSciueaueutoochglwo5ardrefdmtoaarerote0a-yoiAn-,sl..osaofkkpnroh/tkaulfAyssfrorsffmiiommaa[...]l2.ii,d)))te,esnlentalc)ror,shn.,,.Lake n atio n a l fam e and the co ntro versie s Focus puller ...[...]..... Andrew Williams G a ffe r..................................Warren Mea[...]c..s....c..y.r...d.....n..e.net..t.tr..e........k.a...o.a...y.i...y..rt....r...s.r.......n....n..r.........[...]...........................................M......a...............................................s..[...]...h........CM..o.......ha.......rr.......i.......a..l....e.nr.u.....hF...i........yIC.cn...C..l.ynP.[...]l..tbonol.n.Gss.p0.enohlnen..r..ld..ur.0aelSmAea..a.1lCSTLu.CiL.lJgnBC7.p.ntr.6pmu.tcaayC.oaSdhFKd2Sa[...]t.seoeenpauidg..riesrrt..esrdrrrtsa.cas..reoo.pt.,a..tr.ea..t.i.gsa.pt..s.ip.n...tt..p.,op......enio.[...]e.s..ta.gn..h...t.t..r.,.....t..r..e.i...h...yn...a.n......a...t.........a...s......r..ee....n........i........n..a...n..........e...r...t.............d.......i.....[...]...................e..............................A...V......V....................R..................[...]......zr....y.l...n..o.ae.e..T.....aePM....aJ.....A.i..MM.drr.n....anrr.Y.Pau.b.nk..J.u.Ree.d.[...]
	[...]tors .....................Paul Maxwell, Animation a s s is ta n t___.Robert Malherbe G auge..........[...]............. Eastmancoior Synopsis: The story of a sheepdog in the Ke[...]Rangi Nikora, A DANGEROUS SUMMER[...]Geoff Maine meets with a hobo in her outback home Prod, company ..........[...]..... Elizabeth Johnson and takes Dot on a wonderful adventure P[...]S a n g s te r), D iana D avid so n (M a rth a P ro du ce rs........................ Brian Kavan[...]Synopsis: A contemporary story of sexual[...]ydd'dsoiirirureae.en.csc.ct.tsta.too.ion.srr.rtt..a.n..M.....t.......a.........r........g.........Ma..H.....r...ioe.cV.S[...]false manhood. A triangle which leads to Synopsis: Two brothers e[...]..... David Eggby with emotion and futility in a small New Key grip ..............................[...].........By..o..........M...un................ry..a.......g..........r....e......tB.......i.s.....n...a......s......,...r.....,......r.......By..........R....,.a..............o..r.....M.....n..s.............e.e..a.W........y.m..x..........i......l.aC.....l.P..iJB..r.a.T.o.y.oJh..e.m.m.o.ohi...rp..mP.thn.b.9p..Mane.DM[...]l'iodosnileisilaruira.errtae.endeav.tr.scoctecn.i.a.ss.trtt.rt.n.ooioo....s....tr..rrr..t.........a.................nC..................t.........a....................r..............o..............[...]aB.e..nn..K.nHh..y.nin...lai...lal.i..vn.B..Bm..B.a.g.JaCBa.Janioh.llrorrtlasLnaaokoiahtgyeemrensnnnh[...]los.nopl.ls.p.ea.h.s.e..rdo.i....rs...tea....to...a.r...t..g..o.;n......r..r..t..a...s..........p.............h................y....[...]...........................M...S..............B...a..e.......R.S.S...rlr....i..e.vD.k..aoa......t.DRl[...]G a ffe r....................................Lindsay[...]omagaci.oareo.t.Ocrm.egorr.se.htre.r.etre.rim.aoo.a.modt.ie.sT..epr.t.e.cc.n.s.-.rp...p.eipr..ir.a..p...oyrt.gto...at......eho.a.rs.o...no....Aa...rA...r.ns.g......rn.y...r.dy...drn...c....a.....Nedes.........y.......i..yi...k.....t....n..s..vrr..........o....D....................K..et......a...........r...........................n..............a....t......................o...S...t......n.........W....S........u.....................r...........g....A.................ra..............i.............a..e......n.............t.A.......N...............or..s............t.................C.o.....l..e.......r........a.T.....................i.........oo..r.......h..........s...TN...n.A.............L..f)...P......r...d.........o...i.MJ[...]ko..s..oi.erlrvteuro...g.oa.-ncnieyop.....cu...tr.a.otrpnw..........cfels..crlr.....s...tiu..tpi.......sg....ess.n.uret..P.....y.o..k..t...h(.....A.o....m..(.t..godc.........J.urmC......C.....a...y.....nr..h...u...J,l...u..n...a....dt..........u.r...ahs..d.....oo.h.s......nc...[...]......r.t.u.............e....M...i.ui....o..B..u..a.....in..eS..c..l........n......ta.......n.Jn....u......sn.ar..a.a.c...l...t......sG.......tu.egu...).er......b...Gl[...].....r.m.r......n.an..f...neGP.lrgS......dii.e.f..a.eE.....cly...nrsK.Ao.tatlo....e.S..t,npa.a,eek.c,...SRJ.a.P)e.nte...rn..ieer,.dhtakc...re.a.sur.huidny....s.n,eH.cntn...e..trzb.g(Pii...ua..m[...]..oi.eroeei...sr.r.cris...o.rn.rac.r.cdt....ttm...a....pgia.tp..t.i....o..s...onn......ne...hs......n[...]...CM.............................................a......a..........MD.......P.......MR..t..........l.......h..c.......oR...e..a........oiR......eoR...R..uc...tt.CC.o...T.cN...te[...]ilDaa.oDriorrKn.asPoo..GePec.SAe.rr.i.iwe.ihsearM.a.narmeyilekPlTMavl.aBaHrtrHrdenlSnv.Seeebitmlrh.oc[...]................Doug Frazer Prod, c o -o rd in a to r.................... Trish Foley Sound editor[...]...................... Nene Morgan, Producer's a ssista n t__ Margo McDonald[...]ck Ray Barrett (Webster), Norman Kaye (Percy G a ffe r........................................Bria[...]ssy, Di Biggs W a rd ro b e .......................................[...]......pc.......m...p.r.....k..s........h..........a.............y...........n.........................a..........................g..................M.......e.......................e..r................A...l......t..........V).....n..'...............l..nDMA....a....P....e....n..da.i....rEc....ndi.oR...mDh..a..nr.d...aa.e..es.yi.....yr.e..tcw....mA.lFC..hO.P[...]brusoiettiddd.yenpotc,o,uddrtctwgoccdo.orre.rorem.a.einr..mts..pecp..i...hgtpor.a..h...s.y.n.ar..n.e...d..en..y....i..r..y..so.....[...].................i........n.......................a........................l.......................i........d......................e....................a...M..........................i.R..c.K..F.N..R..oh[...]A dm inistration......................Meg Rowed, Ed[...].............................Warren Mearns Scenic a r tis t....................................... Am[...]...............................Doug Woods Neg. m a tc h in g ................. Margaret Cardin 3rd a[...]Boom operator ................Andrew Duncan Chief a nim a to r....................... Ray Nowland C on tin[...]............................AndreaJordSaynnopsis: A suburban community is bliss Focus puller .......[...]irector ............................ Richard Kent A n im a to rs ..............................Paul McAdam,[...]......................LeeLarnfuellry unaware that a killer stalks the streets. Clapper/loader ......[...]ei, Lighting cam eram an............. Alex McPhee A mother and her two sons survive in a dis[...]props ...................Nick McCallum Background a r tis t..............................AmberEllis[...]Special effects ............... Conrad Rothman P a in ters.............................. .Ruth Edelm[...]L a b o ra to ry..............................[...]
	[...].................................. Ron Williams G a ffe r............................................[...]Camera g a ffe r ......................Conrad Slack Exec,[...]Synopsis: A young woman, looking after Boom operator .......[...]returns to kill the woman, and so begins a Ward, assistant ...................... Jenny Miles Scheduled re le a s e ...................... June 1982[...]................John Morten Studios Prod, c o m p a n y ......... Petersham Pictures[...]....... Peter Best complex. She knew her life was a great pre Jones), Ted Hepple (Sam), Danny Adcock G a ffe r...................................... John Engeler Synopsis: A remarkable relationship be Prod, co-ordinator 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.......................... David White Scenic a rtis ts .........................................[...]................................$1.8millNioeng. m a tch in g .................Margaret Cardin Special[...]............................ Annie Peacock Neg. m a tch in g .......................Gordon Poole Ass[...]Lember Ian Gilmour for--a beautiful masochist with an Electra (Chick[...]
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	[...]....................... 12 mins Synopsis: A look at life on the road with Neg. matching .....[...]create a dream symbolic of the mystery of[...]........................ George Gittoes Synopsis: A re-enactment of the first scien[...]......................... Lloyd James G a ffe r................................... Rick McM[...]..................... Dick Weight L a b o ra to ry.....................................[...]..................................Atlab Synopsis: A sensitive study of a neglected[...]Productions Synopsis: A dramatized reconstruction of[...]co.orermssr.erei.aamctse..rep..cnrp.i..rpse..ra.o.a..h..att...nr..g.aa.y..n.d.I.y....r.en.....y.yi.....A.str.......s......St.......M..................h...[...]......p........P.e.........h.COI..C....cah...C....a....o.BanBl..i.D..alna.....rlrC...aa.iArdPi.r.m.p.[...].r.....oe.e.t..gs....o.p..ia...l..r..or..p..l.e.f.a.n...a.p..n.i.h....o...l.s..-.ph..s.m..id....p....n....h[...].y.e....l.ps.TP.......p..._.x..S..o...r.....ha._..a.hua...b.u........ni..mEa.el...e.cn..G.l....d..av.y..tH.hB.iS...7.e.weS.n.s...c..auq.i.2J.Ao.t.teJ.e.moe..a.rug.me4o..rsy..hePbnx..c.he.7gwo.hr..aan.anpe..ks.e.ean..and.nPtelr.t.ENN.-oe4a.rh.iScnaM.dGotCierrW18KutcAume-uewnigoiM6Lchmotlo[...].rci.tS......d.sei.....eu...c......Et.o.....t.r...a........i..rc......A.1..k......e......u......9.a.......n..F....m....t..........th......L..m.......[...]I......u.n...eG...c..............st.v..e..........a...Hi..i.....n...v....c...r..........ta.T/y....C.S[...]...w..o....iw..n...r.r.....c..eof.....r..l.R..r.e.a...l..a...wd..f...&..r.t..'...r.s....o..i.....vR..uc....i[...]space limitations, all non L a b o ra to ry.....................................[...]rdeoc.p..epr.or..h.aad.r..y.d.ni....nb..i.y....s..a..y...t....t..........o................r..........[...]...........h..............r.........i........s....A.......t......r.o......c......p......h....M.h....P[...].....rmrt.g.....o....e.....g......d......r........a..........b...p.............hy............y.....L.[...]pines following a group of West Australians[...]Synopsis: A study of the workshop and Sound recordist.......[...]ACCBroaloatomnpdmtepiirnreeaourcp/iattleooysrra.s.a.ids..t..oet..a..rr...n........t.................................[...]ltleEcoDDPPnirhiosromtoe.dtcoucotuocgoemrrar.p.sp.a..h..n..y..y......................................[...]Synopsis: A look at the development of the[...].................... Cinema A Living Memory[...]A CREATIVE PARTNERSHIP -- THE[...]seas..r.nom..e.r:oo..pr...p..yus...r..f..nh...op..a..st..t...A....y.to..ar....n...r......i......gn.u.o..cy......[...]l.......t......ma.........r.....H.............u.l.a..............a..............s.An...........i.....b.....d.....t..[...]..,....D...o....e....i............n..........u....a...s.....O........t............t.o..o.............[...]......t.tc.g..i..e.......aop.r...o.....k...e....r.a......n.gh....n..........d........m.....t...ry.....................a....................a.......b.............p................n.....................h..y...........................A..........y.......................................[...].......RKii...E...sh..S.G.....t...e...n.......Pt..a.ei.o..o...i....Ge...n...w..y.l....h.s..rMd.t..v.C[...]................e......PI.......h..h....P.....P.G.a.........h....i..i...........lhh.l......i.....iPA.[...]dn.ss.d..r..ai...pFm..t....tF.au.at....h...m..oro.a...o..o..n.c.g.e..e..P...l.nr.....r.c.eed.l.o..e...rl...mo...y.....ke..oifr..r.....r...xw.......a.r..Pua..............i.d.....i.....m.lgr...s...ni.........a..ri...n........i...ex...gi.......n....a.....v...................P.a.....Ke.n........t...............la..h....r..u..................s....c..e.......a...i.............i...d............f.l.........f.......a.ei..i..........o..n....c............a.............r.................L...t.......c.....t........u....u...w.a.P.....P.PT......n.....Pm...r.G..e.ro..ee..e....s.[...]rrpr..uy.tn...m.rtra.aro.....eMrrh.r...yRnfnoaL14.a..rLLeOT.i.not"e$8tdn.g..a.kauM..'ab4oMenuedn.BIrGvGHH.tmim5ondncirJinararaA[...]nutaasrrnrororv0ngvrhedsoas.ihsiyieennee0ssexlt1E9a8sJSCfCDGPCsdGPELPLPKSM12tiohiseoeldaarrroeryiaagm[...]s..m.smor.eaeii...O.dma.cc.t.:..ru.cr..n..eyihs...a....u.grpR...o.T....ans.ca...e.m...h.m.a.r...r..i..ta.eg...c.s..a..d..n.....,s..el..teA.t.t.o...c..i...yot.a.h.....rs.f.r.i...i...N.C.rn.ae..nn.....tL.........t..t...a.g..m.g...yD.h............v.....u....n.....e..........a..a....l.....e.....a..t.f........r...T..n..o...a.t.i.....i..a.......e....t.o........Hcs.........en........l....[...]....CmN.........T..-....s........dNa..CDe...u.....a..t..e...P....cisM.oAJal.y..r..n..r.nIe...hBho..r.onn.geu.R..c..a.taEv..eio...esei.tsc.l.y...ri.nrEl.hl.o.t..ssto.tk.i....-.r,.oiHc..t.PiW.fpDC.JH.a.a.o.,..r.e.a.irL.e.la.anc.aHT.3oif.z.D.aC.ir.aamk.f.h.0[...]
	[...]...........................Rob McCubbin Synopsis: A film for the Trade Union Release date............[...]...........................LouiseJonaTsra in in g A u th o rity a b o u t the C lyde Narrator......................[...]Synopsis: A short film for the Department of Prod, company[...]Prod, c o -o rd in a to r.................Don Dennett Camera assist[...]............................Production Synopsis: A demonstration of the use of Gauge................[...]Synopsis: A dram atized docum entary rhythm in filmmaking.[...]Synopsis: A documentary featuring[...]Release d a te .......................September[...]Synopsis: A teaching film for the Depart Exec, producer .....[...]Made for the Vic use of the Steadicam unit in a number of D ire c to[...]........................Post-production Synopsis: A documentary on the urban[...]Synopsis: A film on the evolution of the new bourne. Made for[...].lI--mitt--.rauu.r.aouo...no.nJce.nv8rtcgsKt.."tt.a...id..y.a.i..nrpr..ne.aruay.pcy.0gee!Up....e--r--.B..eec.ed[...]...,.3.vV..r..t......n..l..t.9..$v.$$sx.e......es.a.o.u.A.a.a...aare...A......f.dB.i..D.0..e.9rIt44....td......sfu..h..psdr..O.mrre..l..s....b....ao.LS.4.0..06loe..b...beb...a.....sna.mo.e..d.r...E...d...o....rr0.02S.....rp...ra.sa..a..gi..d.dm.p....v.cSr....Mn...(ro.e.y.--d.0e5...0...M.m....ao&r.ror...TarT.Ri1.e..sm.........a.k.nn.huaae.a..an..........fbo...nfhs..i...l......aO.e.ert...kegtc...o.f..t...eJ...S;et.d.ed.;.CA..A..tT...r.nsR.a..Jp;...pa;....nKBB.BgeR.R.t...d....VhoVcP.cteUt..[...],d.etrDfoe..ntaimic.rC2.yAi.sAAFIeaF..sNgirco.otg.a.sa.o1urge4reeca.Tnei..(.ennanndsiCBatop.fn[...]
	[...]Mouth to Mouth and Keefe (Bryan Brown) in a tight situation, The consistently laudable fe[...]John Duigan's Far East. John Duigan's work as a writer and a attained a level of complexity and director has been his sk[...]ent suggests that passionate social observation. A deli in Far East. The social and political[...]ry pursuit of incidents has been complemented by a present yet somehow nebulous. A her attentions quite romantic. Yet hi[...]re overshadowed and Nene's pain, ascribes a type of callous While Far East reiterates this funda rendered simplistic by a desire to ness and a dubious morality that seems mental theme, it also reveals a signifi recreate the type of love story that[...]by the cosmetic con cant alteration in style and a departure sizzled in 1942, but seems anachron struction of a personal, if idiosyn from the familiar terrain o[...]cratic, moral code. The portrait of a tralia. The depiction of an unidentified[...]stoic spurred to participation in a poli country in South-east Asia aims, in the[...]able limits by his single-handed assault "a glimpse of life behind the tourist (Bryan Brown) Koala Klub, with her on a military safe house, and further poster" . Sadly[...]r of Our Dreams. of the Klub the world is a dangerous Perhaps by way of explanation[...]onale, the past assumes some Far East depicts a country fractured Keefe is the arbitrator of[...]the Vietnam moratoriums tion, and victimized by a brutal and Rick (Humphrey Bogart) and Rob[...]regor (Bryan Brown) in Winter of provided a background for Rob and exposes a society where government Our Dreams, has carved a niche from Lisa's (Margie McRae) romance,[...]rrounding past for Jo and Keefe denotes a time of exploitation and corruption, but world with ambivalence, and a distance shared values and involvement that chooses to develop this theme with a illustrated by the declaration that he[...]ities similarly exclude him combination produces a style so[...]skills that passivity by his love for Jo and a from him by the use of nicknames, have[...]the type of female, in a triangular rela husband, activates a chain of events tionship, that both he and[...]but also imperils Jo is in many respects a replication of able doubt on their validity, it[...]d by fails to develop beyond the single a barrage of slow-motion machine-gun Hawks i[...]with the implications of transition through a male world, development appears clumsy when[...]istic suicide of a man who has just seen[...]
	[...]Aronovich (the time, of course, is lounging on a loo or bluffing her way Koala Klub, b[...]Lambrakis in Z and the killing of a spring) which tends to make the tragedy through a poker hand. Finally, the m ult[...]tion of Rosita Cos is viewed as both a welcome employer Costa-Gavras makes[...]out of the story of Charles Horman, a Gavras as the location for Montevideo[...]of her character women, souvenirs and a smattering of died at the hands of[...]ent and fidelity, all charac For a country caught between a need scarcely needs to. It is adapted fairly As the Hormans move warily about a teristics that the apolitical, flamboyant[...]y-exercised adulteress Jo eschews. She may have a qualitative choices through a represen licence Costa-Gavras customa[...]Her sense of guilt at being with Keefe at a supportive yet impotent institution,[...]Charles Horman, a 31-year-old only dresses!" and[...]Military lynch-law is still rampant work as a journalist her primary Ultima[...]living in Santiago for little more than a concern. It is a lukewarm resolution for probe the instiga[...]ong with when Ed Horman arrives a fortnight a character who has generated so much produce "a protest against the treat 100,000 C[...]effective bine easily or well with the image of a cohesion. Its convictions are con[...]Embassy staff), wilful, independent female. For a tinually undermined by a style and Salvador Allende. Playe[...]r in flashback. actually executed). A flashback tatiousness, it is a form of repentant Duigan's concerns with a Hollywood[...]romance and a simplistic political play co-writ[...]nship with her husband thriller. It is a liaison that does dis Costa-Gavras) is[...]Szarabajka), shows prisoners being provides a useful insight, if not a suffi service to the intentions of both.[...]rch for Charles by his forced to run a murderous gauntlet of cient explanation, for the[...]uad. This is be discordant. Reeves, like Rob, is a Associate producer: John Mason. Scree[...]ey search, the more we fashion, with a cold directness that taneously resents his wife'[...]r. Cast: Bryan Brown because they had supported a freely- background or middle-ground to a its periodic clashes of character through[...]sk curfew. citizen among a multitude of tyran comfortable balance of their[...]many sequences in which the film -- a focus sharpened by the him, and the implications[...]L em m on's portrayal of the rationale for a relationship totally surreal: a riderless white horse gallops conservati[...]Connolly down a deserted street, spurred on by man st[...]the volleys of trigger-happy soldiers; a experience is most persuasive. From his[...]Missing is a very characteristic Costa- a resort hotel; patrons rush to a res in the U.S. Embassy's ability and[...]s are glimpsed through reach, finally, a mood of contemp Dreams.1He delineates an area of[...]Missing is brightly-colored and search for a balance between the two is[...]As he leaves Santiago, Horman sen. a recurrent theme in Duigan's films and[...]now published as a Penguin paperback under the real-life Ed Horman[...]ow Jo in Far East. H ow ever, w hile the dilem m a is[...]itanism is summed up in one film, yet it is also a depiction of a[...]in-law's salty language and sexual tence. In a country where free speech is[...]rism (her faintly-yokelish of, and servants for, a thriving tourist[...]depiction of a gradual flowering of[...]extraordinary lengths in issuing a three-[...]
	[...]d (except for military hardware), however, quite a bit of evidence that the fare.[...]crisis, shortages of consumer goods and had a reputation for respecting the was dismiss[...]sectors of the working class -- such as A llende's election in 1970, U .S. U.S. le[...]ned. Senator Frank Church) of a U.S. desire prepare a military takeover. And to incite a coup even before Allende enterprise.[...]the presidential poll with a 36 per cent cooking pots filled the streets and a 1973) needed little urging. cour[...]onal elections held only six Horman was probably a marked man aware that the suit was inc[...]After Allende was duly installed by a months before the coup, Popular Unity f[...]rry Simon (played in the film by Hauser, a lawyer, makes in his book a of success and popularity. Food pro That U.S. agencies played a major Melanie Mayron), made an entirely[...]r resort, which is adjacent to the Chilean A prologue to the film, spoken by[...]n't last -- professed principles as a nation" .4 Jack Lemmon, concedes that some p a r tic u la r ly after A lle n d e , in Navy's Valparaiso headquarters an[...]i services had been preparing a coup for[...]urs, with Allende and and Terry Simon were given a lift back It's not dramatic fiction. I take n a tion alization was also in the his[...]and armed force head of the U.S. Military Group (a organize them dramatically, while[...]ization law unanimously, but all hell as Captain Tower, played by Charles What, then, are the[...]n the film see why we need stand by and watch a Washington was heavily displease[...]coup victim, Frank Teruggi, in a[...]believes in film serving as a mirror to[...]craftsmanship of a high order and[...]and resourceful imagination to a steady[...]victim in L'aveu, a good communist[...]
	[...]ling relationships of people who and leave him a lo n e ." I t's not should be no discrepancy between a 1960s/early '70s.[...]ill. censorious, or wise-childish; just a plain film's being serious and entertaining --[...]answer to a difficult question. and that is perhaps his mos[...]ring "solutions" -- and very much a product of, its time in a d eq u a te to them are the affectionate detail[...]nd Missing both reveal which is now a decade ago. uncommitted relations[...]selves. The second film Un homme de trop, about a This is not really a major quibble endless talk along the lines o[...]d pain oT seeing one's child "taking traitor in a French Resistance group, about the[...]l the time", he tells trived to give Monkey Grip a narrative abandon their fundamental beliefs.[...]her and Gracie. a novel. Where the novel is a tiresome An important question remains[...]tylistic elements work together to overthrow of a freely-elected govern string-of-beads principle. So are a lot of becoming a knowing tot, she does strengthen the film's central narrative ment by a U.S.-backed-and-influenced quite e[...](played by a too-healthy-looking Colin Central America are b[...]Friels) is not just a series of episodes put their trust in democratic processes. spite of not being able to feel a flicker[...]there might be a good film in it[...]ourse, Missing won't be the that a director sensitive to its social/[...]the film. It is a fine, unmannered precious little else, apart fr[...]final comment about her life as "a monumental trilogy La batalla de Chile[...]ted though Costa-Gavras' film film a small inner suburban world of[...]ore readiness to enter terms, it is nevertheless a powerful grotty-to-comfortable ho[...]ught accurately the sort of Carlton Americas to a people who vote that the Na[...]er performances in the film " irresponsibly" in a dem ocratic in preserving, and[...]ating. established a mise-en-scene which helps[...]Garner's daughter, Alice, is a very Missing: Directed by: Constantine Costa-Ga[...]ter Jamison. emotional lives. It balances a clear Music: Vangelis. Sound: Daniel Brisseau,[...]ve aspect of Shea (Charles), Charles Cioffi (Cpt Tower), David its drifting non-nuclear households,[...]Grip is an underwater shot of legs swimming in a chlorinated pool. It is accompanied by a voice-over saying: " Looking back, you se[...]
	[...]. world, it remains largely a mystery as king). This strengthens Squizzy's ti[...]im outdo his offi revenge seems to reflect a strong sense neither convincing in regard to t[...]nly reverse to those compatible There is a point later in the film 1919 to 1921, cov[...]f-seeking amorality is again " Maybe she is [a moll], but no one does "only minding the store[...]on of attitude is to Squizzy until his return, a dire press, his media image, and the rivalry sures him to help set up a competitor, incongruous because the persona[...]Brophy and Piggott. But the Whiting, by robbing a jeweller with him repercussions of the rape,[...]nge with Dolly after saw Squizzy merely as a small-league, certainly uninteresting, he[...]ica her assault, and her image of him as a petty thief, even disbelieving that it was[...]firebombed the Cutmore happened. me a fizz?" Stokes, however, appeals to[...]Squizzy jumps bail for stealing and it's worth a hundred quid." establishment in `ret[...]liquor, he goes for a boat ride with[...]material. There is a sudden familiarity soon after is apprehended (ag[...]olorful stories in the valence merely represents a patchily- Squizzy's brothel. Squizzy is un[...]"the best of which I've written extreme ends of a character continuum. prostitutes, and warns[...]myself. But I'm only a newspaper[...]rply with their she replies, "Some fellas expect a bit thinly drawn for this remark to carry[...]tionalism of Squizzy's exploits, as a in hand, growling, "Oh, do they?" , enc[...]When Squizzy is taken into custody Dolly like a gent, breaking to knee one[...]Squizzy is a respected citizen, an asset[...]co-operative people, of keeping a pros[...]titute in line by giving her a `rest' with[...]
	[...]Southern Comfort the broken end of a beer bottle neck. seriously. The us[...]comes increasingly Make Walker's Woods a haven for[...]bonding, it does so with much less a while before it gets to the film proper. final d[...], this review isn't particularly It's both a swamp movie and a red When Squizzy and Brophy meet to[...]Special (cheap but deadly on a[...]ck irritation that, "This is getting to become a habit" , despite it being the first interactio[...]have been more satisfactorily fulfilled, with a stronger developmental coherence and sustai[...]interested in the film proper, but rather "A haven o f the damned": lost in a Louisiana making those unsightly homages to the[...]ing or what sort Comfort proposes itself as a war film redneck into a star, but it is very inter Roger Simpson. Screen[...]all. Editor: of place they are in. They talk a lot of the type developed in American[...]y face another, more cinema after World War 2. A small, under what conditions. Brewer. M[...]he larger (mother) body It is completely a swamp movie. The Weaver (Dolly), Kim Lewis (Ida)[...]out the resent various parts of society (a potency. The swamp is to the U.S. as Me[...]entle Ben). The swamp is not Finally, here is a Walter Hill film isn 't about allego[...]Twinned with the war grid is a second destroyed by it (Ruby Gentry); nor is it town theatres faster than lard through a moments, Flight of the Phoenix looks formula which we might call "Sur a place of potential Rousseauian grace goose -- an[...]like the answer, but the film turns a objective and at the same time toward[...]ival. Its rhythm is attrition. Its recurs as a beacon and a tantalizing pronounce "Southern" down South.[...]the survivors decide they are in a[...]a city versus country structure or a[...]swamp, they stumble into a Les Blank[...]
	[...], CREW, PRODUCTION SUPERVISION A N D A MILLION OTHER THINGS THAT CAN DRIVE YO[...]ECK W ITH THE LOCALS," THEY SAY. WE'RE LOCALS A N D USED TO FILMING UNDER DIFFICULT CONDITIONS.[...]or The Balance o f Happiness MARY GAFFNEYa p r a
	[...]moods. I feel that's not true chopped, as in a Sam Fuller combat[...]ed tivize abstract tensions and to create a incomprehensible one. The platoon's out[...]continuing a major tradition (see Law the images. catch[...]William J. Immerman. Screenplay: Michael Kane, a mark of Hill's carefully-focused dis initial[...]avid Giler. Director of photo cipline that given a swamp full of 1973" . If you were in the[...]ere to avoid being in the riveting aspect of a Hill film is the Production designer: John Vallone. Music: Ry them. That's resisting a mighty tempta Vietnam.[...]lace is untouchable, beyond their not as a military force, but as a native " Minimalism" is a word often used (Casper), Peter Coyote (Poo[...]ive deterioration of guishable: you can't tell a friendly from Heilman, but a distinction is needed company: Twentieth C[...]tor: clothing, no lengthening of beards, no a hostile. The film's first sequence between[...]the black soldier on a bed of spikes is a film (for instance, the two precise and Men in[...]is a feature-length documentary divided physically, w[...]no military trestle; and Hardin's knifing a Cajun in Times; Part Two -- Welfare Times; Ta[...]inx-like, but they never indulge in scribing a straight line through this from general Hil[...]mphasized and less up and chained together a large number opposite of overt). The effect from[...]ony. In Comfort, the Farber called for a criticism of con- come by." The Cop: "Depen[...]of the film thinking old woman, Dolly, died as a result of proceed to make the reading. The ecol[...]lti-co-ordinate strategy of this is really a John Carpenter film, this mistreatment on t[...]return, not as words, but as continuing as a simple re-enactment, rather than hell on them. T[...]has the effect of placing the historical like a cavalry Western than most war[...]event in a contemporary context, stress films, in that the[...]people is a recalled and immediate[...]event. It is not, as a reconstruction nor Axis homeland. But this is no[...]would suggest, a series of events that army; this is the National[...]happened a long time ago and are distinction is essential f[...]ite man cient power in the national legislature, a who plays a reluctant Stott, and beats bill was passed barri[...]omprised of volunteer citizen soldiers who train a few weeks each year and who are not[...]
	[...]Laws is also exceptional in the use of a bullock?" "N o." "You been tuckout coas[...]oughout the film. eatim whole lot meself.") hits a tree the fishing industry. The court scene is discussed. The earlier parts have a This wide-angle lens is instrumental in with a stick to demonstrate how it staged outsi[...]happened. The re-enactments lose form a stark tableau against a vast Borroloola people acted from when[...]is playing backdrop of orange sand, with just a first confronted by white demands.[...]nation of Aboriginal life Dispensing with a realistic court they obliged. The re-enac[...]ple land rights. At times when there is a important as they establish, through scape also contrasts the complexity and speak from a position of complete discussion with the woman w[...]d trees have been it is an expression of a group attitude exactly what the welfare officer will say the performance of a ceremonial Abori chopped down, there is a follow-up of and what her tone will be. During t[...]etimes used change between the two then involves a The gudjika is equally as complex as Part Four -- Living With Two Laws a consciously by photographers for barter[...]exists entirely outside it. This scene is a pivo[...]ns the concerns of the film in made us a bit stronger and I think concerns of the f[...]f the land, such as rather than trying to create a con Part Three also contains footage of a now. Not like in those days. They[...]n. spontaneous debate between a Borro used to just put us on a truck and contrast the scenes of spoilage.[...]loola man and a white immigrant after take us somewhere[...]at the order of his boss, over who ting on a government truck, we're land usage and ow[...]has the right to the land. It involves a getting off it and going where we Borrolo[...]These shots give a timeless quality to[...]nd stresses the Besides reflecting a historical change tures of the law court and their legal of a truck as they sing a lament for their impossibility of Aboriginal people from a position of weakness, repres systems. Th[...]reflects an increased graphy never becomes a mere scenic concern.[...]simple re-enact the film, is contained in a powerful works in a broader panorama, showing ments is also developed. A beautifully- scene from Part Three. A Borroloola details of contemporary life,[...]abstract, representa man stands in front of a river explain women's and men's cere[...]
	[...]his mob. They claim, he gives himself like a lamb on a and how precisely and honestly it has[...]ms and flee the village together. In a final con highlights the sense that Spallone has[...]wanted to make himself a martyr to a English, the fifth and most com[...]her acting career have ensured her a costs. Like Pedro (Giancarlo Giannini)[...]gramophone resting in a tree. Nick hot work and tedious. Suddenly the[...]d the con popular sex symbols, guarantee a melo[...]h. hurls himself into a tub of excrement and discussion is clarified.[...]will be shot, rather than W ertm u ller a lw ays uses an Loren comes from a poor Neapoli play the commandant's humil[...]its insistent instruction and cetta, a peasant woman from Sicily. and who, more[...]men involved with her, maintains a point of view prevents her films from pr[...]al, thumbing its nose at Loren is also a master of comedy and rigorous religious and emotional, if not developing too strong a narrative sense. any theories of documentary obj[...]iders most peasants in Sicily, could provide a dini. Director of photography: Alessandro Cava-[...]cturnal visits prove welter of romanticism for a Bernardo dini. Sound: Carolyn Strachan, Linda Mc[...]e Alessandro Blaseti's Anatomy of to be of a different nature: giving Bertolucci, but W[...]r also encom village where people scratch a living Blood Feud[...], three people simultaneously stakes is not a glamorous retreat from[...]the village but a depressed and Lina Wertmuller's films have be[...]talks about her working relationship -- a theme explored in the more decaying, p[...]um's Heart dull. Despite her critics, she enjoys a[...]While keeping a realistic camera, "We met in Pompeii in 10 A.D. when Beat. The child she is pregnant wit[...]t following in the U.S. he was a chariot driver and I was[...]h man that it is his own, con images -- a difficult achievement in the popular in her nati[...]ve film medium. Spallone's first detractors take a nationalistic stance[...]encounter with C on cetta is a and condemn them for denigrating[...]colleagues on rural roads. He carries a enjoy the art direction of Enrico Job,[...]plaster of Paris camera. She approaches atop a lumber and the choice of colorful, and some[...]if of sticks she collects daily. She forms a[...]hich appeared in The Blood Feud is a film that uses poli the sticks -- a mixture of charcoals, End of the World in Our Usual Bed in a[...]al ism has necessitated the development of a skirt and cloak. The cart whirls by,[...]sful and secure his position in the revealed for a moment, then moves on,[...]pecking order. Realizing the threat of a strange form on the road. Fatto di sangue fra[...]mages, and Wert moventi politici (Blood Feud) is a film Black Shirts. Concetta Titiana's f[...]ro lone blunders about trying to live by a Blood Feud (Fatto di sangue fra due uomini per[...]Wertmuller. Producer: Harry films, such as Tutto a poste e niente in[...]i da Rosario Spallone (Mastroianni), a ment. When Concetta spurns his offer[...]en to further his own career and stronger his attraction to her and her Giannini (Nick), Turi Ferro (V[...]establish a reputation in the town. He[...]bout him are away. He uses it as stakes in a card nmi and Job first worked together as[...]game with Nick. He tips a plate of what Wertmuller considered to be a swayed when he saves her from rape[...]mayor. With a loving picture of her[...]But she refuses to commit herself to is a victim of an attack by fascists and[...]Concurrent with the growth of a[...]and cultural change: a brightly-colored madonna for his native village, a[...]
	[...]pages and Facilities - Bemningham et.al. A Division of BUTTERWORTHS PTY $17.95, The Lens an[...]AVENGERS (JOHNSON) $14.99; MAN OF A THOUSAND[...]Telephone (03) 267 1885 A comprehensive guide We are open 7 days a weex to all the major a[...]vie Posters, Lobby days a week. Write now for a free current lis[...]
	genial of texts, a tribute to a bourgeois 1977') or factual, positivist, empirica[...]the hero, is shown to result in a subtle often no more than chronologies of Mov[...]gical a deconstruction rather than a trans punchline most evident in Bertrand and[...]adaptations of novels and plays ought and D r a c w /a /N o sfe r a tu (Bram tive analyses), is so eclectic (dizzying[...]ginous, "as so-and-so has said") at last dying a slow death. To cite a among the best essays in the collection. and ofte[...]rary attitudes embellishing John which disfigures a good deal of recent of partial quotes which criti[...]n there are no Fewer filmgoers are prepared to A valuable filmography of adapta directions for the reader, no map or countenance a more radical approach, tions is included, togethe[...]intersections sug tions could only result from a process of this collection echo their concern to[...]s of others, to films, to That the question is a complex one is strate that John Simon's dictum co[...]nd that we respect their texts" . applies only as a useful warning for film tralian film industry in[...]industry, its relations to overseas fidelity to a classic literary text was of the screen can match[...]capital interests, invariably an easy option for a film novel.[...]lms deployed. many screen versions, represents a posi I[...]eyond a question why most studies of the the day of th[...]s such as Screen, Camera tion. It grows out of a long tradition of[...], Metz, countless literature and film courses, a , Wolle[...]alyses of this sort using narrative volume, in a sense, both explains and theories over a wide range in relation to questions such a lacuna: explains, specific Australian films (A Girl of the because too marry of the essays tu[...]meanings, social themes, social ideo achieving a colorless sort of writing[...]cal /theoretical direction has to do with trate a variety of critical approaches. Sydney, 1982[...]which lends itself more to work of a excellent essay on The Time Machine Sam Rohdie[...]eras, and to myths and archetypes, This is less a review of Australian outside Australia which it surely is) notably the social myth of class C inem a, still less a referendum than to a structural, semiotic one. anonymity. In each work, Wasson (good/bad) upon it, than a comment on 1 think the Australian cinema is on[...]intensely conservative, over strategy of using a classless narrator to tralian cinema that this bo[...]ing on the Australian cinema 1. A ndrew P ike and R oss C o o p er, Aus[...]sity Press in association with the A us Gillian Parker's study of point of studies) h[...]istorical work has been either Press and the A ustralian Film Institute,[...]3. S e e S a m R o h d ie 's rev iew , Cinema[...]
	[...]and Television School viewfinders, type A & B, 2 x 400ft film magazines with l 'op protec[...]rney. 2 x 12volt nicad batteries * In fo rm a tio n on our short-term, specialized courses cond[...]th r o u g h o u t A u s tra lia for film, television and radio profes[...]* C a ta lo g u e s for our tra in in g m a te r ia ls available in print and on aluminium c[...]Get irt for your chop now . Drop us a line or call us at:[...]
	[...]Bookman House/Imp., $5.55 (TPB) concerned with a transformation of the conformity.[...]mini film reviews. bilities, a new consciousness of things, Recent Releases[...]m as Nelson Aust., $40.00 (HC) A Reference Guide to the American Film Noir: 1940-1958 interest. It is not simply a matter of Mervyn Binns A profusely-illustrated survey in color and black a[...]A list of films with synopsis, cast and credit deta[...]Ben Cohen at best Australian films demonstrate a[...]Dover/Doubleday Aust., $11.15 tralian Cinema is a compendium of The list was compiled by Mervyn R. Binns of the A collection of superb scenes from great German fil[...]General Interest A History o f Narrative Film[...]David A. Cook[...]A comprehensive cinema history ideal for the film s[...]e. A large coffee table book on the history of the Hol[...]Television: The First 50 Years In a sense, what is of interest in the musical film[...]s dullness (the qualities Masterpieces -- A Decade o f Classics on British Tele A National Board of Review Anthology 1920-1940. A themselves are not of interest) and, vi[...]Cassell/M ethuen Aust., $9.95 (TPB) accept such a pose), the analyses he A superbly-illustrated survey of great British tele[...]torical backgrounds, such as Cinema -- A Critical Dictionary[...]hile the history/ Movies from the Mansion -- A History o f Pinewood (HC) sociolog[...]ajor filmmakers and their films discussed A ny Which Way You Can Britain and the U.S. A history of Pinewood Film Studios, one of the worl[...]in the James Bond films have been made. A new, revised edition. published so far. A novel based on the film script of the Clint Eastw[...]Cinema, the Magic Vehicle -- A Guide to its Achievement repeat what is already[...]ole iliar as the objects so analysed. I am, A year-by-year, illustrated survey of the mass of shows A comprehensive listing of films of the 1950s, each[...]edits, synopsis and critical appraisal. A Lindsay Anderson film. (more empirical informati[...]The latest annual review of films. A survey of the film Novel based on the[...]A Woman Called Golda the academy and the titling o[...]hundreds of films. Now in paperback. A ustralian social relations and Barnes[...]les economic structures, for I think in such A complete, illustrated survey and assessment of th[...]A comprehensive one-volume guide to the cinema.[...]Behind the scenes in the theatre by a leading writer and understand certain terms for[...]r/Imp., $31.95 (HC) A NON-PROFIT ORGANISATION AIMED AT 1920s (and beyond) and in the modes of A biography of Leslie Howard by his son.[...]
	[...]f the Daltons: R. Goscinny, France, L (L a n g u a g e ) ...........[...]jg 2286.82 m, Filmways (A'sian) Dlst. O (O th er) ...[...]Reason for deletions: Ofsexual activity involving a The Champions Part 2 (16mm): National Film Boar[...](a) Previously shown on October 1971 list as I Marri[...]tralia, 2673.50 m, Filmways (A'sian) Dist., Sfi-l-j), 14th Mandolin, Sff-m-g[...]Artists (A'sia), Sfl-l-g) (a) See also under " Films Board of Review" . Fore[...](a) Reduced by producer's cuts from 3374 m (Sep[...]l Chanel Solitaire (reduced version) (a): L. Spangler, tember 1981 list).[...](16mm) (a): Not shown, U.S., 623.50 m, 14th Mandolin, Neu[...]-m-g) cut version) (16mm) (a): T. Taylor, U.S., 471.70 m, 14th (a) Previously shown on September 1981 list.[...], Sff-m-g) version) (a): Golden Harvest, W. Germany, 3589 m, Fernsehen[...]rary of Australia Der starke ferdinand (16mm): A. Kluge, W. Germany, City of Sin (pre-c[...]Last Drive-in Movie (16mm): A. Pickersgill, Australia, ship Board. Somethi[...]ship Board. ways (A'sian) Dist.[...]fadult (c): Lolas Films, U.S., 1841 m, A.Z. Associated Censorship Board. ner,[...]Sff-m-g), Lff-m-g) (a) See also u nd e r " Film s R egistered w ith[...]d version) (16mm) (d): Vergissmeinnicht (16mm): A. Rabenalt, W. Germany, Emanuelle on Taboo[...]Italy, 2413.84 m, Filmways (A'sian) Dist., Sff-l-g), Rise and Fall of[...]Hong Sweden/Britain, 2940.85 m, Filmways (A'sian) Dist., Ofnudity) Kong, 2345 m,[...]oe Siu Int'l Film Co., Vff-m-g) A Woman's Torment: R. Norman, U.S., 2426.26 m,[...]y, Ofadult concepts) (a) Previously shown on December 1981 list.[...]ns (March 1972 list). Napoleon (videotape): A. Gance, France, 232 mins, innuendo)[...]uts: Filmway Pictures, Hong Kong, 2300 m, A Man of Immortality (16mm): Central Motion Picture[...]version) (a): Golden Harvest, W. Germany, 3589 m, Bri[...]U.S., 2565.70 m, Filmways (A'sian) Dist., Ofadult[...]d Killer: Kim Mah Film, I Married You For Kicks (a): G. Cechin, Italy, 2743 m, Ordinaries[...]
	A tragi-comic love story about Peter Thompson (Norm[...]Lonely Kaye), a middle-aged bachelor, and Patricia Curnow (W endy H ughes), a 30-year-old spinster.[...]d by Paul Cox, for producer John B. Murray, from a screenplay by John Clarke and Paul Cox. O ppo[...]) and Peter Thom pson (N orm an Kaye). Below: P a tric ia an d P e te r a t th eir first m eeting, afte r having been `p a ire d ' by a d a tin g service. B ottom left: P atric ia appeals[...]producer, G eorge (Jo n Finlayson), left, in an a rg u m e n t w ith h er p aren ts. B o tto m right: P e te r is interview ed by a detective (C hris Haywood), right, after[...]
	[...]SYNC RECORDING V O IC E-O V ER S W e have a well equipped sound department with first rate staff and one of Australia's most talented mixers. A t present w e have some spare capacity and inv[...]I C E Northbridge Sydney NSW2063 V V / W M u a c n a c p.o. Box97 Northbridge NSW2063 Contact[...]____________ / W.A. 110 Jersey St, Jolimont 6 0 1 4 .3 8 7 4 4 9 2[...]S.A. 239 Anzac Hwy,Plympton 5 0 3 8 .2 9 3 2 6 9 2
	[...]engaging abound, but barely conceal a Top: Lindsay Anderson's "crude swiping",[...]g impression is that glib) and extends them from a personal tial courses. To overhear the adjective ness of a Sunday picnic), and the the scepticism and critical analysis that to a larger relevance by relating the[...]The animated television campaign They share a death wish, and Berlin's queue is to recognize a vaguely- instructing children to "[...]the U.S. army. It her slashed wrists and throat. A harsh[...]ch harder than the above, it is also a hilarious, subtle right and look to the left[...]and satirical glimpse of adolescence, in a cross the street, and an equivalent per[...]head off a live chicken; and the ditch The film everyon[...]ut it is impossible to respond with any Pixote, a lei do mais fracs (Pixote, Sinclair, i[...]hear now." 1 Indeed, the message of a women chanting " Kill, maim, rape, ban it[...]vision of the " modern" woman, who jogs n a tio n 's crim ina l ignorance and pillage"[...]see an attack redundancy, Gregory moves to a defen some in 1982.[...]ts eloquent eye for the cities of Brazil, and to a law which courtship. The boys devote thei[...]omen reveal their examine the spread of crime in a society[...]nation in per so corrupt that when one inmate of a nuts and the more passive, voyeuristi[...]mmitting them breeding reform school is offered a through windows.[...]gory's genial receptivity to the mances. It has a cumulative effect which upheavals of life[...]s two final scenes almost basis for a valuable education. unbearable: the first, in which Pixote finds on a prostitute's breast the mother Another[...]Woronov) in the pursuit of their dream: a monster has this society spawned?[...]ited tele and pillage their way through a smorgas gram from Hector Babenco, director of[...]e called life on the west coast of the U.S., a "the mentality of totalitarianism" . It is Gomorrah where "the barrier between patently a matter of great seriousness for the Sydney Film[...]the Chief Shot on weekends, with a skeleton Censor, Janet Strickland, has retired[...]h an injection of bizarre the Festival rests on a "deal" made in 1975 without solid legal sanctio[...].swingers, it becomes a stylistic counter Should the unthinkable eve[...]The Hungarian satire, Peter Bacso's A John Fox[...]onic depiction of the onerous characteristic of a film festival corruption rampant in Stalini[...]mmentary so bleak and notes, it resembles a fairytale, tracing the pessimistic in content that a lack of ascent of Jozef Pelikan[...]
	[...]estival 1982 Georg Laschen (Bruno Ganz) beside a terrorist in the war-torn Lebanon o f 1975. Volke[...]cial independence and the are unclear. There is a vague admission function in the group.[...]mented by Laschen's cynical belief that that a uniform will enable them to "stand[...]d accompany enlistment in the he has a responsibility to alleviate talf' and earn the[...]ven provides an army. He is locked into a society with a boredom in the loungeroom s of[...]than lucid investigation of a perplexing In a film punctuated by the image of moment in the f[...]sembles its soulless hero, purporting to a training techniques one is encouraged to cast of squeaky-clean devotees chant for a career as a motor mechanic seems substance and depth of conscience that resent until the film's conclusion. As a and pray their way through the film with[...]as tempting as the linger is nothing more than a facile pretence. veteran of the Vietnam war, he privately uncanny similarity to the extras in a[...]otone narration teases despairs that he has lost a part of his Coca-Cola commercial. Yet the[...]seif-doubt are no more than devices for a ability to train others to do the same. It is[...]initia circular process that can never pene a penetrating glimpse of the function of soci[...]he function they fulfil is not tive and imposes a maddening lack of trate its perspective and the rut of his an army and a process of regimentation simply ignored,[...]poses that public aware where he repairs a motor-bike that can tion of an element of the hu[...]action against cults, in the form guarantee a limited freedom. The bike The film's e[...]ch's Kes. It becomes not only the beyond a glossy recreation of the horrors Ralph Thoma[...]usions to confusion and tion of an individual by a religious cult and cause ofsocial evils, rat[...]many similarities to the training symptom of a more complicated (Carolyn Nich[...]Loach's talent as a director is evident When a disillusioned David Kappel spawn[...]
	[...]enders in capturing the essence of pocket. It is a daunting standard to[...]of the town respective abilities to create a visual audience to formulate a portrait of[...]ources. In the absence of this production within a month. Yet the of the townsfolk. Having constructed a grant them the vision to realize that the[...]character we believe to be a genial yet impressions have been systemati[...]aces that convey the the final scene -- a repetition of the film's[...]The subtle and intelligent shifts in the to a new medium. perceptible flicker make it a homage that Cordier as a devil figure. tone of Coup de[...]enriched by a number of excellent per Light Years A[...]though its language and location mark a As the leader of a group of Polish "save the innocent" but a[...]eristically energetic perform the director doing a Hitchcock), Jeremy guilt. The " paradise" he has chosen is a ance by Huppert, as Cordier's amoral[...]city is characteristic of his films. Irons gives a taut and sensitive perform state of limbo, w[...]d in her Jonas (Mick Ford) is enticed to a ance. His voice as the narrator affords ti[...](Trevor Howard). As learns through the media of a military reading" . smith's story of a husband driven to Yoshka pursues his ambition to fly by coup in Poland. Caught between a desire[...]wisdom of birds, he to complete the project and a responsi The train trips to and from Bourkassa under the weight of its.source. It is a film bility to inform his co-workers, he post suggest that it is a place where time[...]ggedly faithful in its translation that through a spiritual journey that will ambiguity of motivat[...]result is a film that suggests the exist and periodic o[...]fascinating motivations transforms from a brooding master to a trated and risk delay or cancellation of[...]enable a unity to develop, based on compounded by the imp[...]d understanding. budget provided by the boss and a work, schedule that resembles a five-year plan[...]One is encouraged to share his reduced to a single, hellish month. The[...]wonder as Tanner creates a universe budget problems are solved by petty[...]wreckage that litters the year 2000, a[...]Light Years is a film that encourages detection. His secrecy and[...]the pursuit of dreams, a theme shared by impositions of authority breed r[...]Les Blank's Burden of Dreams, a docu ment and his relationship to the men[...]arizes his audience. The tion of the project and a six-hour hike to[...]achievements. to repair a house he can never enjoy, is an apt allegory. Sk[...]exhilaration that accompany a venture as[...]synthesis; a combination of Herzog's Coup de torchon (Clean S[...]cultures. The result is a film that cele enables people to " reveal their[...]dreams and, in that quest, discover a Claude Miller's Garde a vue (The In[...]l three films revolve around the construction of a[...]Yet, it is simultaneously a film that male protagonist, whose initial appear[...]ducer-director-cameraman Les Blank. to reveal a calculating murderer, or, in[...]to elucidate the elements that the case of Garde a vue, a character that[...]ate and distinguish the audience could accept as a[...]Peruvian Indians, out own buffoonery to conceal a series of[...]lined in the film 's n a rra tio n , is vendettas aimed at eliminating th[...]ting away from the action in a scene to a n e ig h b o rin g p o lic e c h ie f, he[...]structs an acute awareness of a culture pimps and the brutal husband of his mis[...]a fascinating documentary with an stones fr[...]
	[...]1 1a Leichhardt Street SERVICES PROVIDED[...]NEG MATCHING. A Repairs to all 16 & 35mm Cinecameras,[...]
	[...]the idea of a son who had killed.[...]rhaps Susanna Kali, as Erika, is not provide a statement about the docu acceptance of parenthoo[...], says his mother). There is a sense of strained serious about youthful t[...]man's great repertory players. Against a would take some of the burden off the[...]lian ideal of mother woods and mountains, a political back somewhat irresponsively t[...]family life, about respon ground of a neutral country in a world at network of ugly relationships which[...]individuality. It is persistently war, and with a remarkably difficult[...]greatest performance in the Festival; in a good-natured, often witty at the expense[...]ypes and, in the end, without unfolds, in a leisurely, disjointed way, the A different kind of growing up is cele more te[...]scarcely a performance at all. By[...]m's central brated in Michael Blakemore's A collapsing past and present, Tamme[...]History of the Australian Surf, has created a remarkable sense of 40 the Money and Beat It, takes a serious meant to have motivated and held[...]internecine family Festival. Blakemore, now a successful there is some uncertainty as[...]brisk, business-like mother, and the says, a "straight poofter" , a mother's boy down and dying" or whether the we[...]eep the footballing bully tures. It is apt to be a bit loose and[...]observe teenagers up and they become a metaphor for developed partly by his[...]to be that it needs its hour and a quarter Aissa, the returning teenagers, are frus[...]narrative grasp is too shaky to ensure a his youth is a witty, sardonic father who, unscheduled scree[...]s Jean-Jacques Beineix's first film and a[...]nto his turns and sometimes all at once. A[...]"advantages" : he undertakes a medical resume of its complicated plot wo[...]in the viewing, but would scarcely give a sense[...]sources: his illicit tape recording of a[...]even to mention it. It is underworld vice when a prostitute on the[...]upporting program material, or, run dumps a tape in his mailbag.[...]belong to Jules' sense of his life as a[...]it is a serious film about the relative the verge[...]growth. There is a more obvious serious shoplifter and the me[...]Metro and the chilling climax in a[...]mory of it -- is deserted warehouse all posit a sharp[...]Diva is a really stylish entertainment, a[...]The method -- a sort of "dramatized film that seems to delight in being a film[...]"sticking a Jap with a bayonet" , he[...]as a " murderer" and weeps to think of[...]
	[...]editing makes every editing job possible. From a low budget commercial to a winner at Cannes. For further details, c[...]
	[...]In B ritain, there are a num ber of regional or[...]re q u ire m e n ts is th a t its m em b ers b e a r th e ir own[...]nam e and dem onstrate a m easure of autonom y[...]A rchive in m atters of preservation and do useful[...]th a t this is n o t th e case in A u stra lia , an d th a t N atio n al L ibrary, bu t a film archive needs to be organiza[...]th ere is a deal o f com petitiveness, overlapping w h ere th e a c tio n is: it m u st be close to th e film in fact m ak es sense if film archiving is to be a[...]give proper recognition to th e N F A , plus the w ith w hich it requires to be in co[...]Strictly speaking, m any archives have a[...]an d to e n su re th a t it re m a in s A u s tr a lia 's o fficial film student and the film m ake[...]tions w ith film and tele viewed m any tim es in A u stralia, by all sections flex[...]vision o rg an izatio n s and in in te rn a tio n a l o f th e m edia (w hich in itself suggests a w o u ld su g g est th a t th e A u s tra lia n N F A 's lack o f archiving m atters. A gain, I do not see this bu rg eo n in g in teres[...]n ate position in th e N atio n al L ibrary. N F A w as inaccessibly tucked aw ay in C an b erra.[...]I would m ake a final suggestion: th at the I f it is co n stitu tio n a lly possible, I w ould u rge another A ustralian problem , th at o f its p ro[...]for the sake of its future grow th th at the N F A be life ra tio n o f a rch iv es. A u s tr a lia 's size, g o v e rn detailed study of the work of the N F A by a m ade an autonom ous body, be properly[...]the present advisory com m ittee) w ith a view to[...]ns on its future develop T h e n o tio n o f a u to n o m y is re lated to a n o th e r T his is not necessarily alarm ing,[...]and sta tu s. I w ould also fa c to r: th e N F A 's p o sitio n in F I A F . F I A F m a y even be beneficial by focalizing speciali[...]re c o m m e n d th a t th e N F A 's a lre a d y m o o te d som etim es appear to be a ponderous, rather tions[...]A ustralia be strongly (and financially) supported[...]in ra tio n is cen tral co n tro l, a clearly-defined p ro g ram and as a possible key facto r in gaining for th e N F A alizing w orld film arch iv in g effo rts and[...]Au Pair Girls (videotape) (a): G. Coen, Britain, 81 mins, Festival A Wive's Tale (Une histoire de femmes) (16mm[...]
	[...]* MAGNA-TECH ELECTRONIC CO. OF U.S.A.[...]ion, please contact: M A G N A - T E C H t r o n i c s (Aust.) Pty. Limit[...]
	[...]th an a film about w itchery or the Continuedfrom p. 321[...]s u p e rn a tu ra l, it is essen tially a love Have you ever worked with Bergman?[...]sto ry , a b o u t a w om an w ho is n o t N o . H e saw Wives a n d w e h a v e a[...]oundaries. Breien adds, o f him , to p u t it th a t w ay. I t is th is independence I have.[...]consequences. In a sense, one by him?[...]w to Y es. I am n ot alw ays good en o u g h a t p ro te c tin g m yself. H e is[...]becom e a witch w ithout really very careful about that, but I think o n e h as to m a k e o n e 's ow n[...]As to the questions " W as she a It may be a bigger problem, in that[...]w itch?" o r " W h a t is a w itch?" , you have an interest in similar subj[...]Breien says, Yes, th a t too. B ut I experience it The Witch H[...]view the witch hunts as the paranoid reaction o f a male society " If I accept th[...]rently. against a female power. "[...]ery difficu lt to m ak e it has resulted in a kind o f co m I th in k I 'm a g r e a t m o r a lis t a n d am film and I feel I know very little.[...]out w hat they are attitudes, but they are m ore a bour because they equate professio[...]now it all. I should I accept a concept that geois conditioning than a C hristian ism w ith `e s ta b lis h m e n t' a n d re a c feel like saying, " W ell, if you know one. T he only thing th a t has tio n a r y th in g s, an d th a t isn 't rig h t. y o u r jo b , w e c a n 't w o rk to g e th e r, hits w om an as a sexual being? b o th e re d m e a b o u t C h ristia n ity is T he m edium has been explored too b e c a u se I h a v e n 't le a rn t m in e y et. th at G od should be w atching[...]after I 'm still in th e p ro c e ss o f le a rn in g ." T h e re is m uch fear o f w om[...]here [laughs]. T h at has all, a poetic m edium . alw ays haunted me. I am not a[...]ma has become people in film? c a n 't see w hy C h ris tia n ity sh o u ld be t[...]id it is very lite ra ry everyw here else. A nd we are all to be unden[...]tio n . I am fre e la n c e rs. I 'm a fre e la n c e r, to o . I more distance to the[...]has to do with the N o rsk F ilm A /S are fu lly paranoid reaction of a m ale Yes, I hope so. It could be a strong tradition of social realism, em ployed, but otherw ise . . . w e a k n e ss as w ell in th a t I c a n 't live that is dominating in film and[...]How do you find working here com a d v a n ta g e to see it fro m a `h e a th e n ' be social criticism in some way?[...]e As to her own w ork as a director, p o int of view.[...]uture projects, Breien says, Which would make it a very differ th e d ic k e n s c a n 't o n e h a v e so cial I found it easier in Sw eden on a ent approach to that of Bergman,[...]ithout privatizing the Y es. G o d , h e 's a p a s to r 's son! O ne often confuses form and are not seen as a bitch but as[...]conflicts of society. M ost in ter B e r g m a n s a id t h a t a f t e r The[...]g on th at Seventh Seal his tre m e n d o u s fe a r o f th e g re y e v ery d ay are g rey .[...]g esting o f all is often th a t p o in t of[...]things hap p en in g in N o rw eg ian d e a th left h im . I t 's n o t th e s o rt o f th e re a c tio n a g a in s t a r t fo r a r t 's film is as g re a t as in S w eden. I intersect[...]really think things could start th in g th a t is p re o c c u p y in g m e. The the m om e[...]and the political." Seventh Seal is fo r m e a w o rk o f nate in the opposite dir[...]becom es a new m oralism . Postscri[...]B reien is sta rtin g to th in k o f a g e n iu s. I d o n 't h a v e q u ite th e sa m e form at, but I adm ire h[...]contem porary project: ously as an a rtist, an d he is fa n ta s situation . . . tic a lly in sp irin g . H e 's over 60 a n d[...]I have to m ake up my h e is still b u rn in g . A n d th e re is so Yes, which I think it s[...]h. They m ost in them selves" , A nja Breien m ind and be m or[...]fter the com pletion of the H e re in N o rw a y th e re is such a w egian film industry we have had a[...]film Forfolgelsen. I am learn in g from In g m a r is th a t[...]and m ore personal than before. film is a c ra ft, a p ro fessio n , one can professional salaries. To gain a It is essentially a film a b o u t learn. T here are, of course, certain decent living, a lot o f people have to intolerance, a[...]at they know their job, and in th a t sense it is very c o n te m t h a t y o u c a n 't c a lc u la te a n d[...]A short film, based on a medieval People edit their own film s and so[...]legend, about a young girl in a Nor on.[...]A satirical documentary on the cele[...]holiday. Awarded a prize at Ober-[...]A young man, wrongly accused of a[...]A denunciation of the Norwegian[...]who meet during a party and decide,[...]for a short time, to forget their[...]Chicago, and awarded a prize at the[...]Based on a novel by Hjalmar Soder-[...]made in Sweden. A Maupassant tone[...]for a love story upset by prejudice and[...]law. Awarded a prize at the Chicago[...]
	[...]uld be interested to know phone A.H. (03) 459 3530. Board of Review has specific r[...]so, why was I not given a chance to indecent, obscene; injurious to morali[...]val? In any essence, it must satisfy itself that a film Senator the Hon. P. D. Durack, Q.C.,[...]I enclose for your information a copy said Particular attention was paid by the Canberra, A.C.T., 2600 of a letter I have sent to the Chief Board of Review[...]" The investments in the script where a child is in the presence of[...]formed in Victoria and will undertake a Scrap Iron Kid ($20,105, tele accou[...]The Travelling Film Festival will of a project funded to first-draft stage munity attit[...]blicity. the Melbourne metropolitan area. A ducers, Kate W hite and Peter com[...]n that children must be tunity to see a genuine variety of film," became lost for[...]re gener story by Stephanie McCarthy, a South child's brief association with persons[...]to have pre ally suffering from a lack of funds Australian writer' freelancing in the engaged in activities of a sexual nature judged the application of that law. and a total lack of any diversity in film children[...]Although a sponsor has been Mayne. Smart[...]g The Wallace Stegner Creative the appearance of a child in the the Censor has taken uni[...]Writing Fellowship and The Age Short presence of a person engaged in an precedented action[...]ulations. Story Award. activity of a sexual nature -- appar attempt to bring t[...]ject Foundation has been established as a the context are unexceptionable. Sho[...]ission of quality Australian child consider that a decision applicable to screening. The film[...]theatres that exist across the state. A Chief Censor, and[...]offered by our Festival Is seen as a 222 Pitt Street,[...]immense harm to the international I enclose a copy of a letter sent this reputation of the Melbourne F[...]. It is not too extreme to suggest present a second Jungian Film Fes whom I understand is the[...], and included in foundation for your action was a pur ment is strongly of the view that the[...]tor Steiner, Jean Cocteau's Blood of a low[...]t, films for Festivals should never A panel of film critics will offer opin not a function which resides with you. have to be[...]Films Act Incidentally, I note that as a result of[...]
	A Shifting Dreaming[...]David Millikan A Shifting Dreaming m e n tio n , a lth o u g h R a d i's c h a p te r m e n tio n s a n investors, but every actor w ho was approach[...]nam es nor th e details of th e event. A nd this having th e n atu re o f th e project explained to T errito ry has given A borigines hope in tex t has be[...]ed in one o f th e best casts other states of A ustralia, and because the graduate university A ustralians since the m id- in A ustralia at any tim e w orking to g eth er to re la tio n sh ip b e tw e e n blacks a n d w h ites is 1970s.)[...]m assacre form s an on. A s one person involved in th e project happeni[...]." essential background for th e A boriginal land n o ted ,[...]cally partly because o f th e im portance o f A Shifting Dreaming m a y h a v e im p lic a m en t th e W arlpiri and o th er[...]q u iry in to th is m assacre is b ein g re -e n a cte d surpass m any of the dem ands m[...]realm o f providing m o m en tu m as a m ajor part of th e docum entary to assist in[...]ls in television and elsew here^ and support for A boriginal groups in other th[...]official w hite attitu d es tow ards p arts o f A u stralia. T h e re a so n fo r th is is th e A boriginals in A ustralia ju st m ore th an 50 F o r P la s to , t h e n , m a k in g A Shifting u se o f evidence to support th e land[...]ization o f the Dreaming h a s b e e n " a n u n b e lie v a b le h u m a n claim th a t m ay w ell stu n th e consciences o f th e inquiry as a m eans o f going som e way tow ards A ustralian public and m any historians. M ost[...]" a historical d o cu m en t th at had to be done. e[...]ght thing on the 1928, in w hich m ore th an 100 A boriginals It is u n d e rs ta n d a b le , th e re fo re , th a t P lasto is sc re e n . W e d o n 't w a n t to lo se sig h t o f th e w ere sla u g h te re d . T h is m assacre is a w ell-k ep t enthusiastic about the project an[...]that no one has seen this before. W e secret o f A ustralian historians and yet still eats[...]B ut it will really C ro w le y 's g e n e ra l A u stra lia n h isto ry te x t, A to support th e docum entary from private[...]change perspectives. I really believe th a t.'* New History o f Australia, th e m a ssa c re g ets n o David Millikan[...]n som e way. W e can pre Would you say it is a measure of the Where do you see t[...]nd that it never happened; they humanity of a nation to treat its markets fo[...]It is a film that will be o f great been able to reconst[...]sn't matter, because it does for It may be a measure o f the sensi interest to[...]run it tivity of our conscience; it may be a deals with a question that will central A ustralia, and it turns out matters for us.[...]may, if you put a better light on it, the years go by. It is also a film that 20th Century Australia. The final I think there is a case for forget be a measure of our generosity and w[...]o countries dealing sum m ation o f the judge is a quite ting things, or perhaps a case for magnanimity. I don't know. I think[...]o f the issues involved. In A us It's an extraordinary thing that has Germans seem to have a perennial So, you are making a documentary tralia, we can't claim we h[...]matter N o. It is shot in a way that will whereby they make their claim[...]erage Australian viewers. Aboriginal land rights A ct is that they get it. They established m[...]ers, that they have the Australian spirit a respect for expect? their land. The single most devasta maintained a profound spiritual the underdog and a basic aware ting event in the history o f their[...]be was dis possessed o f the land in a violent so viable.[...]investors. A lot of them were people to[...]nize and perhaps learn from. Are you hoping that a documentary the sphere of practical life[...]can resolve them on the It has been a costly project And do something about it? give people a better understanding of moral plane. I think[...]the business of maintaining a viable shoot the country in that area with[...]system. And yet, at the same time, and quite a deep mystery associ relation[...]They see k as an caught up in a fascinating and huge massacre resolved. It has t[...]enough. I feel we as a country are intensity. Our vision tra[...]
	[...]A boriginals had to negotiate w ith M IM and the la[...]N o rth ern T errito ry governm ent. A ll they had to ing the desecration o f sites in t[...]ere the rights to the land w hich T erritory. a num ber of quarters not necessarily directly the A boriginal L and C om m issioner recom interes[...]ning pow er at all. T loola A boriginals is an indication of w h ich h o ld le[...]about 60 km south P a r t th re e o f Two Laws show s a d isp o ssessed integr[...]K urdanji m an at a w aterhole on M cA rthur[...]R iver S tatio n . T h e place is a rain b o w serp en t 1 T h e leases fall w ith in th e M c A rth u r R iver D ream in g , w hich is p a rt o f his tra d itio n a l estate. and o f w ork and play. T his em erges in p a rt four S ta tio n p a s to r a l le a se a n d th e y a c q u ire d th is in H e is s ta n d in g on th e c o n c re te su rro u n d in g a o f Two Laws. I t o p e n s w ith so m e scenes fro m a 1976. T his statio n h ad long been sought by[...]ritual and follows w ith sections on set re m a in in g K u rd a n ji p e o p le w h o w e re d e c im a te d s n a k e 's m o u th " . H is d e s p a ir is c le a r b u t q u iet. tin g u p o u ts ta tio n s , w o m e n 's ro le a t B o rro lo o la , in th e 1880s w h en th e[...]as firs t se t up. T h e re is n o th in g h e c a n d o . T h is m a n o n ce p a rts o f a y o u n g m a n 's in itia tio n c e re m o n y , a W prophesied that the rainbow serpent would[...]ul entertainm ent hile th e A boriginal L and C o m becom e angry and flatten all the m iners w ith a w ith w hich w om en p erfo rm w hile on a d a y 's[...]ry cy clo n e. H o w h e w ishes th is w o u ld h a p p e n ![...]The work scenes from the outstation show a desk of the then M inister[...]are branded and horses are A b o rig in al A ffairs, Ia n V iner, on M a n a n g o o ra S ta tio n . T his is also a sacred b ro k en in. T h e w ork is very h a rd , b u t th e re is[...]u n t Isa M ines bought Bing site, the legacy of a D ream ing shark w hose song[...]T h e re is very little p ro sp e c t th a t a tte m p ts to B o n g a n d T a w a lla h . W ith th e se tchyreclee pisa sctohraanlte d ea c h y e a r a t th e in itia tio n o f le a se s, th e c o m p a n y c o n tro lle d m ocset rotafinth eyloaunndg A b o rig in a l m en . T h e e x p lo re r[...]th e B o rro lo o la T oLwund wCiogm mL eoinc h h a rd t c a m p e d a t th is p la c e in w hich w as p a r t o f th e c la im e d la n d1.84B5i,nagn Bd ohneg d e sc rib e d th e m a n n e r in w h ich th e set up m in i-c a ttle sta tio n s , re m in isc e n t o f th e[...]tial cash incom e. U ndercapitalized, w orking A boriginals.[...]ith outm oded m ethods and rem ote from tran s A t the tim e, M IM was a foreign com pany and descendants of stable com bo[...]capital- operated under the Foreign T akeovers A ct. O ne loola A boriginal people through their m other. intensive[...]ns down the road. But the basis for preventing a foreign takeover under L ike their father, they t[...]hey rely on store-bought goods, for which this A ct was a conflict betw een dom estic policy pastoral activities with A boriginal uses of the they have to pay m ore than[...]ote an d th e tak eo v er; la n d rig h ts for A b o rig in als lan d and, in th e p ast, they have p ro tected sacred co u n te rp a rts, th e m o re th eir la b o r is ev alu ated i[...]A boriginal sites. N onetheless, they allowed a term s of the m arket. T he A boriginal Land Fund C om m ission, E uropean stay[...]ontrol o f the M inister for the trees, to m ak e a new paddock. This was in who have the m ost to co n trib u te to the o u t A boriginal A ffairs, as well as th e D ep artm en t of the int[...]statio n s, co n fro n t a choice: is it b e tte r for th em A boriginal A ffairs, had been notified of the[...]leave the outstations and go to w ork for E uro A boriginal in terest in acquiring Bing Bong and M[...]w ho will p ay th em m o re in m in in g c o m p a n y 's ta k e o v e r bid. between an A boriginal m anager of the wages than they could p[...]site and this European. (M anagers of land? p a n y 's p u rp o s e in b u y in g th e se s ta tio n s in clu d ed a desire to have control of the area. In particu[...]ale T h ere is a deep dislike o f th e social conditions[...]m a le o w n ers.) T h e a rg u m e n t w h ich en suimesp eisrsao n a lity . T h is is c o m m o n to E u ro p e a n s lar, it w anted a basis for bargaining with the p a ro d y o f m isu n d e rsta n d in g . I t a p p e a rs tahnadt thAe b o r i g i n a l s a l i k e . T h e B o r r o l o o l a A boriginals in th e event th a t the land claim was E uropean, a Y ugoslav with a poor com m and of A boriginals had been relatively free o f it until[...]od. W orking w ith the T h e m in in g c o m p a n y 's in te re s t in th e c la im e d th e A b o rig in a ls so ld th e ir la n d to th e g o v e rn M a c a s s a n s a n d th e c o m b o s g av e th e m access to lan d w as th a t it w anted easem en ts for a ro ad , m en t w hich in tu rn leased it to th e[...]eign goods w hich they valued and pow erlines, a pipeline and, possibly, a railw ay H e asks the A boriginal m anager to prove th a t it was alw ays a tw o-w ay relationship. Even the th ro u g h t[...]larger pastoralists know th at the A boriginals to C en tre Island in the Pellew group. M IM It is h a rd for w hite A u stra lia n s to ap p re c ia te p refer to w or[...]h w hom they can w an ted C e n tre Islan d as a site for a p o rt tow n w h at th e effect o f d a m a g e to sacred sites is h av e a recip ro cal relatio n sh ip , o r th e sem b lan[...]o n . S outhw est Island, w hich lies w ithin the A boriginal com m unity. T h e people of one. A nd today, B o rroloola A boriginals, at betw een C e n tre Islan d an d th e co ast, is needed say th a t th ese places are th eir m em o ry o f th e tim es, w ork w ith a E u ro p ean b ecau se he is a for easem ents.[...]ood old bloke" , even if they m ay not be T he A boriginal L and C om m issioner disputed alive an[...]to recognize his T hough he found tra d itio n a l ow nership estab S h o rtly after th e trees w ere destroyed, th e obligations in som e w ay, p erh ap s a lift in his car, lished for C entre Island and[...]e people co n n ected w ith it. T h e re is also a fear It is lik ely th a t th e B o rro lo o la A b o rig in a ls granted to the claim ants. th a t people from outside th e B o rro lo o la co m[...]ed to these sites by possible to m ain tain . T h a t is, if they w ere forced One of the weakness[...]sonable, now th at governm ents A boriginals. They were required to[...]have recognized the A boriginals' claim s to land, gi[...]frequently than ever. Photographs of a sacred th at they are able[...]th e Aboriginal Land Rights A ct (NT) 1976 will E u ro p e a n s . T h e y h a d to re a d m a p s ppinunbelidshoend in a b o o k la st y e a r. O n e sh o w ed th e w alls r a th e r th a n o rie n te d in th e a p p r o p r ia te p h o to g r a p h e r 's w ife p e e rin g a t a sk u ll in a sa c re d o n ly be, as it is sa id in Two Laws, a " p iece o f direction on the horizontal plane, and they had log coffin. A n A boriginal, other than the senior paper" . to r[...]Two Laws show s th a t A b o rig in a l p e o p le a re m ade to give evidence sitting alone in a chair T he au th o r of the book explained th at it was a not cultural isolationists or purists. T he B orro before the w hole court. T his put the A boriginal sacred and secret place of the A boriginals at loola people show them selves willi[...]ns w hich they determ ine. been traum atic, at a terrible disadvantage. The m ining com pany hassl[...]They are striving to understand the rationale A boriginal L and C om m issioner changed all this burial sites w ould one day becom e a m useum . behind the values of w hite A ustralian society, in la te r claim s. A boriginals at B orroloola are angry at the[...]
	In a busy production schedule we still have some spare[...]reen room. Our set construction department has a comprehensive collection of props and[...]a[...]
	r ideal zuovld you t v print and process a complete film in one i[...]1P li lIItLmL l JTc. ni i1J^VaJ I c i L U lvi it ^a oo North Orbital Road, Denham, Uxbridge[...]

Cinema Papers Pty Ltd, Richmond, Cinema Papers no. 39 August 1982 (August 1982). University of Wollongong Archives, accessed 20/02/2025, https://archivesonline.uow.edu.au/nodes/view/5049

Cinema Papers no. 39 August 1982 (2025)

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